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von Robert Thacker

The awarding of the Nobel Prize in Literature to the Canadian writer Alice Munro in 2013 confirmed her position as a master of the short story form. This book explores Munro's work from a full range of critical perspectives, focussing on three of her most popular and important published collections: Hateship, Friendship, Courtship, Loveship, Marriage (2001), Runaway (2004), and her final collection Dear Life (2012). With chapters written by the world's leading critics of Munro's work, the short story form and contemporary Canadian writing, this book explores such themes as love and marriage, sex, fate, gender and humor in her writings as well as her approaches to narrative form and autobiography. In these three late collections Munro sharply articulates, again and again, the mysteries of being itself.

von Marie Luise Kaschnitz

This collection of short stories, some semi-autobiographical, by Marie Luise Kaschnitz (1901-74), the eminent German novelist and poet, reflects many of the themes to be found throughout her fiction, such as the dread of moral anarchy which leaves nothing in its wake, and the shaping of individual destinies by loneliness, insecurity and fear.Usually told from a woman's viewpoint, her works feature strong female characters whose inner strength enables them to overcome their fears and accept their fates with stoic determination. Kaschnitz's chief concern is the human condition, giving her work a continuing relevance; she confronts such universal issues as growing old, growing up and the loss of religious faith as well as those which have a more contemporary resonance, including the social problems of working parents and adoption.

von Alice Munro

NATIONAL BESTSELLER • From Nobel Prize–winning author Alice Munro come nine short stories with “the intimacy of a family photo album and the organic feel of real life” (The New York Times)“In Munro’s hands, as in Chekhov’s, a short story is more than big enough to hold the world—and to astonish us, again and again.”—Chicago TribuneFINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD • A TIME BEST BOOK OF THE YEARIn the nine breathtaking stories that make up this collection, Alice Munro creates narratives that loop and swerve like memory, conjuring up characters as thorny and contradictory as people we know ourselves.The fate of a strong-minded housekeeper with a “frizz of reddish hair,” just entering the dangerous country of old-maidhood, is unintentionally (and deliciously) reversed by a teenaged girl’s practical joke. A college student visiting her aunt for the first time and recognizing the family furniture stumbles on a long-hidden secret and its meaning in her own life. An inveterate philanderer finds the tables turned when he puts his wife into an old-age home. A young cancer patient stunned by good news discovers a perfect bridge to her suddenly regained future. A woman recollecting an afternoon’s wild lovemaking with a stranger realizes how the memory of that encounter has both changed for her and sustained her through a lifetime.Hateship, Friendship, Courtship, Loveship, Marriage is Munro at her best—tirelessly observant, serenely free of illusion, deeply and gloriously humane.

von Stefan Zweig

A casual introduction, a challenge to a simple game of chess, a lovers' reunion, a meaningless infidelity: from such small seeds Zweig brings forth five startlingly tense tales--meditations on the fragility of love, the limits of obsession, the combustibility of secrets and betrayal. To read anything by Zweig is to risk addiction; in this collection the power of his writing--which, with its unabashed intensity and narrative drive, made him one of the bestselling and most acclaimed authors in the world--is clear and irresistible. Each of these stories is a bolt of experience, unforgettable and unique. Five of Stefan Zweig's most powerful novellas, containing some of his most famous and best-loved work:    • Burning Secret    • A Chess Story     • Fear    • Confusion    • Journey into the Past (Stand alone paperback editions of individual novellas from Pushkin and New York Review of Books will remain in print.)

von Ingeborg Bachmann

These unfinished novels were intended to follow her widely acclaimed Malina in a Proustian cycle to be entitled Todesarten, or Ways of Dying. Through the tales of two women in postwar Austria, Bachmann explores the ways of dying inflicted on women by men, and upon the living by history, politics, religion, family, and the self.

von Olga Watkins

The true story of a woman's incredible journey into the heart of the Third Reich to find the man she loves. When the Gestapo seize 20-year-old Olga Czepf's fiance she is determined to find him and sets off on an extraordinary 2,000-mile search across Nazi-occupied Europe risking betrayal, arrest and death. As the Second World War heads towards its bloody climax, she refuses to give up - even when her mission leads her to the gates of Dachau and Buchenwald concentration camps...Now 88 and living in London, Olga tells with remarkable clarity of the courage and determination that drove her across war-torn Europe, to find the man she loved. The greatest untold true love story of World War Two.

von Alice Munro

In eight “riveting [and] lovely” (San Francisco Chronicle) stories, Nobel Prize–winning author Alice Munro stunningly explores the strange, often comical desires of the human heart.   “Superb . . . dazzling . . . Munro’s feel for her own characters is as pure as Chekhov’s.”—The New York Times Book Review (Editors’ Choice) “Munro is indisputably a master. . . . A better book of stories can scarcely be imagined.”—The Washington Post Book World Mining the silences and dark discretions of provincial life, the eight tales in The Love of a Good Woman lay bare the seamless connections and shared guilt that bind even the loneliest of individuals. A stroke victim expresses his deepest secret to a young bride in what may be the last act of intimacy left in him. A daughter confronts her father with the open secret of his life. And in the riveting title story, a selfless nurse tending a dying patient discovers the social utility of lies.   Sparklingly detailed, unwaveringly courageous, these are stories that extend the limits of fiction.

von Ingeborg Bachmann

This is collection of the stories written by a distinguished German author who died in 1973. Reading these stories entails abandoning the terms of one's own comfort. The author's relentless vision demands that readers allows themselves to be hypnotised, taken over by her repetitive cadences and burning images of grief and loss. And yet, in the beauty of her images there is a tremendous affirmation of the world.

von Janette Oke

Bask in the sunshine of two heartwarming stories from best-selling author Janette Oke! In Nana’s Gift, a matriarch’s heirloom pearls serve to remind a young woman of what’s truly priceless. And in The Red Geranium, a loving child offers his great-grandmother something uniquely precious—and unforgettable. Two beautiful stories—gifts from the heart of immeasurable value.

von Chantal Akerman

First published in France in 2013, My Mother Laughs is the final book written by the legendary and beloved Belgian artist and director Chantal Akerman (1950-2015) before her death. A moving and unforgettable memoir, the book delves deeply into one of the central themes and focuses of Akerman's often autobiographical films: her mother, who was the direct subject of her final film No Home Movie (2015). With a particular focus on the difficulties Akerman faced in conjunction with the end of her mother's life, the book combines a matter-of-fact writing style with family photographs and stills from her own films in order to better convey the totality of her experience. Akerman writes: "With pride because I finally believed in my ability to say something that I'd had trouble saying. I told myself, I am strong for once, I speak. I tell the truth." Chantal Akerman (1950-2015) was a Belgian film director, screenwriter, artist and professor. She is best known for her film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975), which was dubbed a "masterpiece" by the New York Times. During her 42 years of active filmmaking, Akerman's influence on queer, feminist and avant-garde cinema remains unmatched, her films highlighting a near-physical passage of time. Akerman's films have been shown at the Venice Film Festival, Cannes Film Festival and the New York Film Festival, among many others.