Empfehlungen basierend auf "Harvest of Blossoms Poems from a Life Cut Short"

The perfect gift for fans of Florence + the Machine A beautifully illustrated collection of lyrics and never-before-seen poetry and sketches from Florence Welch Songs can be incredibly prophetic, like subconscious warnings or messages to myself, but I often don't know what I'm trying to say till years later. Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic. 'An elegant collaged scrapbook' Observer 'A treasure . . . beautiful . Generous in its honesty , by the end you feel as though you have climbed into the colourful, and sometimes tortured, world of a passionate artist' iNews

The complete translations of the poet Seamus Heaney, a Nobel laureate and prolific, revolutionary translator.Seamus Heaney’s translation of Beowulf, published in 1999, was immediately hailed as an undisputed masterpiece, “something imperishable and great” (James Wood, The Guardian). A few years after his death in 2013, his translation of Virgil’s Aeneid Book VI caused a similar stir, providing “a remarkable and fitting epilogue to one of the great poetic careers of recent times” (Nick Laird, Harper’s Magazine). Now, for the first time, the poet, critic, and essayist’s translations are gathered in one volume.Heaney translated not only classic works of Latin and Old English but also a great number of poems from Spanish, Romanian, Dutch, Russian, German, Scottish Gaelic, Czech, Ancient and Modern Greek, Middle and Modern French, and Medieval and Modern Italian, among other languages. In particular, the Nobel laureate engaged with works in Old, Middle, and Modern Irish, the languages of his homeland and early education. As he said, “If you lived in the Irish countryside as I did in my childhood, you lived in a primal Gaeltacht.”In The Translations of Seamus Heaney, Marco Sonzogni has collected Heaney’s translations and framed them with the poet’s own writings on his works and their composition, sourced from introductions, interviews, and commentaries. Through this volume, we come closer to grasping the true extent of Heaney’s extraordinary abilities and his genius.

Following Her Widely Acclaimed Autobiography Of Red (a Spellbinding Achievement --susan Sontag), A New Collection Of Poetry And Prose That Displays Anne Carson's Signature Mixture Of Opposites--the Classic And The Modern, Cinema And Print, Narrative And Verse. In Men In The Off Hours, Carson Reinvents Figures As Diverse As Oedipus, Emily Dickinson, And Audubon. She Views The Writings Of Sappho, St. Augustine, And Catullus Through A Modern Lens. She Sets Up Startling Juxtapositions (lazarus Among Video Paraphernalia; Virginia Woolf And Thucydides Discussing War). And In A Final Prose Poem, She Meditates On The Recent Death Of Her Mother. With Its Quiet, Acute Spirituality, Its Fearless Wit And Sensuality, And Its Joyful Understanding That The Fact Of The Matter For Humans Is Imperfection, Men In The Off Hours Shows Us The Most Exciting Poet Writing In English Today (michael Ondaatje) At Her Best.

Robert Browning, a towering poetic presence of the Victorian era, was hailed by Henry James as a tremendous and incomparable modern. The sheer immediacy and colloquial energy of his poetry ensure enduring appeal. Browning paints landscapes both suburban and sublime, combines lyric and demotic language, and introduces everyday events of the streets and marketplace into the rarified world of Victorian poetry.This edition includes examples from the early Dramatic Lyrics (1842) and Dramatic Romances and Lyrics (1845); from the masterpieces Mena and Women (1855) and Dramatis Personae (1864), and from the less familiar works of his later years. Together they convey the intensity, the lyric beauty, and the vitality of Browning's poetry.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

“Made up of poems that are so original in their style and so startlingly accomplished in their confessional voice that they helped change the direction of contemporary poetry, Ariel is a masterpiece.” — New York ObserverSylvia Plath's famous collection, as she intended it.When Sylvia Plath died, she not only left behind a prolific life but also her unpublished literary masterpiece, Ariel. When her husband, Ted Hughes, first brought this collection to the public, it garnered worldwide acclaim, but it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript—including handwritten notes—and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will alter her legacy forever.

Mass for Shut-Ins is the 117th volume of the Yale Series of Younger Poets, selected by award-winning poet Rae Armantrout.Mary-Alice Daniel confronts tricontinental culture shock and her curious placement within many worlds. African and Western mythic systems and modern rituals originate an ill-omened universe. Here, it is always night, grim night, under absurd moons. Venturing through dreamscapes, hellscapes, and lurid landscapes, poems map speculative fields of spiritual warfare. This collection is controlled chaos powered by nightmare fuel. It animates an utterly odd organism: a cosmology cobbled with scripture, superstition, mass media, mad science. Horrid, holy, unholy—these pages overrun with the unhinged, intrusive thoughts that obsess us all late into nighttime.

Elizabeth Barrett Browning was a prolific writer and reviewer in the Victorian period, and in her lifetime, her reputation as a poet was at least as great as that of her husband, poet Robert Browning. Some of her poetry has been noted in recent years for strong feminist themes, but the poems for which Elizabeth Barrett Browning is undoubtedly best know are Sonnets from the Portuguese.Written for Robert Browning, who had affectionately nicknamed her his "little Portuguese," the sequence is a celebration of marriage, and of one of the most famous romances of the nineteenth century. Recognized for their Victorian tradition and discipline, these are some of the most passionate and memorable love poems in the English language. There are forty-four poems in the collection, including the very beautiful sonnet, "How do I love thee? Let me count the ways."

From Sappho to Shakespeare to Cole Porter–a marvelous and wide-ranging collection of classic gay and lesbian love poetry.The poets represented here include Walt Whitman, Hart Crane, Gertrude Stein, Federico García Lorca, Djuna Barnes, Constantine Cavafy, Elizabeth Bishop, W. H. Auden, and James Merrill. Their poems of love are among the most perceptive, the most passionate, the wittiest, and the most moving we have. From Michelangelo’s “Love Misinterpreted” to Noël Coward’s “Mad About the Boy,” from May Swenson’s “Symmetrical Companion” to Muriel Rukeyser’s “Looking at Each Other,” these poems take on both desire and its higher power: love in all its tender or taunting variety.

From Leaves of Grass to "Song of Myself," all of Whitman's poetry in one volumeIn 1855 Walt Whitman published Leaves of Grass, the work that defined him as one of America’s most influential voices and that he added to throughout his life. A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.” • Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibility• Includes chronology, updated suggestions for further reading, and extensive notesFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Richard Hugo has selected William Virgil Davis's One Way to Reconstruct the Scene as the 1979 winner of the Yale Series of Younger Poets competition. In his foreword to the volume Hugo says: "William Virgil Davis is a poet who, when he writes, contends with a loving self who wants to render the world as found. His battle is the classic one, the memory versus the imagination. . . . 'Memory is the first property of loss, ' Davis tells us, and that may be true. At least it is worth considering. Certainly a scene, no matter how initially unattractive, reconstructed lovingly in active language posing as passive recall is a true property of gain. Davis believes in and works to create a world we can humanely attend the second time around, and his poems often provide that second chance."