Empfehlungen basierend auf "Harriet Tubman Leading the Way to Freedom"

The captivating true story of an underdog business - a feminist bookshop founded in Thatcher's Britain - from a woman at the heart of the women's liberation movement. What was it like to start a feminist bookshop, in an industry dominated by men'? How could a lesbian thrive in Thatcher's time, with the government legislating to restrict her rights? How do you run a business when your real aim is to change the world? Silver Moon was the dream of three women - a bookshop with the mission to promote the work of female writers and create a much-needed safe space for any woman. Founded in 1980s London against a backdrop of homophobia and misogyny, it was a testament to the power of community, growing into Europe's biggest women's bookshop and hosting a constellation of literary stars from Margaret Atwood and Maya Angelou to Angela Carter. While contending with day-to-day struggles common to other booksellers, plus the additional burdens of misogyny and the occasional hate crime, Jane Cholmeley and her booksellers created a thriving business. But they also played a crucial and relatively unsung part in one the biggest social movements of our time. A Bookshop of One's Own is a fascinating slice of social history from the heart of the women's liberation movement, from a true feminist and lesbian icon. Written with heart and humour, it reveals the struggle and joy that comes with starting an underdog business, while being a celebration of the power women have to change the narrative when they are the ones holding the pen.

This classic exploration of the Goddess through time and throughout the world draws on religious, cultural, and archaeological sources to recreate the Goddess religion that is humanity’s heritage. Now, with a new introduction and full-color artwork, this passionate and important text shows even more clearly that the religion of the Goddess--which is tied to the cycles of women’s bodies, the seasons, the phases of the moon, and the fertility of the earth--was the original religion of all humanity.

From the critically acclaimed artist, designer, and author of the bestsellers The Principles of Uncertainty and My Favorite Things comes a wondrous collection of words and paintings that is a moving meditation on the beauty and complexity of women’s lives and roles, revealed in the things they hold.“What do women hold? The home and the family. And the children and the food. The friendships. The work. The work of the world. And the work of being human. The memories. And the troubles. And the sorrows and the triumphs. And the love.”In the spring of 2021, Maira and Alex Kalman created a small, limited-edition booklet “Women Holding Things,” which featured select recent paintings by Maira, accompanied by her insightful and deeply personal commentary. The booklet quickly sold out. Now, the Kalmans have expanded that original publication into this extraordinary visual compendium.Women Holding Things includes the bright, bold images featured in the booklet as well as an additional sixty-seven new paintings highlighted by thoughtful and intimate anecdotes, recollections, and ruminations. Most are portraits of women, both ordinary and famous, including Virginia Woolf, Sally Hemings, Hortense Cezanne, Gertrude Stein, as well as Kalman’s family members and other real-life people. These women hold a range of objects, from the mundane—balloons, a cup, a whisk, a chicken, a hat—to the abstract—dreams and disappointments, sorrow and regret, joy and love.Kalman considers the many things that fit physically and metaphorically between women’s hands: We see a woman hold a book, hold shears, hold children, hold a grudge, hold up, hold her own. In visually telling their stories, Kalman lays bare the essence of women’s lives—their tenacity, courage, vulnerability, hope, and pain. Ultimately, she reveals that many of the things we hold dear—as well as those that burden or haunt us—remain constant and connect us from generation to generation.Here, too, are pictures of a few men holding things, such as Rainer Maria Rilke and Anton Chekhov, as well as objects holding other objects that invite us to ponder their intimate relationships to one another.Women Holding Things explores the significance of the objects we carry—in our hands, hearts, and minds—and speaks to, and for, all of us. Maira Kalman’s unique work is a celebration of life, of the act and the art of living, offering an original way of examining and understanding all that is important in our world—and ultimately within ourselves.

‘An important contribution to our recent history’ ANDREW MARR‘Absorbing and important’ JOAN BAKEWELL‘One of my favourite reads of 2021’ GARETH RUSSELLPoignant and inspiring, Women in the War tells the first-hand stories of ten of the last surviving female members of Britain's 'Greatest Generation'.Whether flying Spitfires to the frontline, aiding code breaking at Bletchley Park, plotting the Battle of the Atlantic or working with Churchill in the Cabinet War Rooms, each of these women made a crucial contribution to the conflict overseas and helped to buttress the home front.Here they recount their remarkable experiences during the Second World War, recalling how their formative years were shaped by danger and trauma, and how friendship and romance fortified their spirits.Drawing on the insight that comes with age, they contemplate how the conflict helped women prove their worth, transforming society and sparking the later battles for equal rights.With a reporter’s eye for detail, Lucy Fisher artfully weaves together moving contemporary interviews with gripping wartime diaries and letters. This is a vivid oral history that will stay with you long after you've put it down.

Wild rumors of a Devil Baby--a child who has miniature horns and a forked tail and appears in retribution for a husband's cruelty--at Hull-House brought a flood of curiosity-seekers to Jane Addams's door. To her surprise, many of the most adamant about seeing the Devil Baby were older, working-class, immigrant women.These women, usually rather withdrawn from the community, seemed to spring to life in response to this apocryphal story--and to be inspired to tell stories of their own. The tales they shared with Addams in the wake of the Devil Baby were more personal and revealing than any they had previously told her: stories of abusive mates, lost or neglectful children, and endless, ill-paid menial labor endured on behalf of loved ones. In response to these sometimes wrenching conversations, Addams wrote The Long Road of Woman's Memory, an extended musing on the role of memory and myth in women's lives.As Addams records the difficult recollections of these women she ponders the transformation of their experiences--so debilitating and full of anguish--into memories devoid of rancor and pain. She explores the catalytic function of cautionary tales in reviving older women's sense of agency. Through moving conversations with women who had lost sons on the battlefield, she emphasizes the importance of voicing a female perspective on war. The women's stories, graphically depicting the conditions in which they lived and labored and the purposefulness that sustained them, are gracefully woven together with Addams's insights on the functioning and purpose of memory.Seen in the context of Addams's personal connection with these diverse women and their stories, her larger efforts to bring about equity and social justice appear all the more courageous and vital. Charlene Haddock Seigfried's new introduction sets Addams's observations in the context of pragmatist and feminist traditions.

Blending the journalistic rigor of Masha Gessen with the call to action of We Should All Be Feminists, a searing denunciation of Putin’s Russia, revealing how modern Russia’s history of weaponizing sexual violence against women plays a crucial role in its strategy to retain political influence and dominanceOn March 22, 2023, the Swedish Academy organized a conference on threats to freedom of expression and democracy, featuring a roster of stellar speakers, including Arundhati Roy, Timothy Snyder, and Sofi Oksanen. Oksanen’s address—“Putin's War on Women”—generated such interest that the acclaimed Finnish writer used it as the basis for a larger, in-depth look at Putin’s threat to women. The result is Same River, Twice, a devastating expose that builds on the themes and arguments introduced in Oksanen’s urgent and incisive speech.During the Soviet occupation of Estonia, Oksanen's great aunt was arrested and brutally interrogated—a terrifying experience that permanently traumatized her, leaving her silent for the rest of her life. Same River, Twice uses this family story to illustrate the systematic crimes perpetrated by Russian soldiers and the Russian government for nearly a century. From the Russian military's entry into Berlin in 1945 to its modern invasion of Ukraine, Russia has continually employed violence against women when fighting its enemies—including using rape as an instrument of war. But as Oksanen reveals, such violence has never before been used on such a widespread scale. Life for women in Putin's Russia is little better; gender equality is in decline, women are silenced by the legal system, and rape is used to humiliate victims, especially women in media.Oksanen's sober analysis exposes how, under Putin, genocide and misogyny are inextricably linked: misogyny undergirds Russia’s international alliances, threatening the rights of women and minorities worldwide. As Oksanen ominously reminds us, “In Ukraine, sexual violence is an integral part of genocide. In domestic politics, misogyny is a tool used by the Kremlin to prevent women from rising to power. In international politics, it is a tool of Russian imperialism.”As the threats to democracy grow stronger around the globe, this powerful and timely book is a warning that must not be ignored.Translated from the Finnish by Owen F. Witesman

Text: English, French (translation)

'I am a woman's rights. I have plowed and reaped and husked and chopped and mowed, and can any man do more than that? I am as strong as any man that is now'A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of Black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century.One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

A pioneer in women's studies and long-term activist for women's issues, and a past president of the Organization of American Historians, Gerda Lerner is one of the founders and foremost scholars of Women's History. The Creation of Patriarchy, the first book in her two-volume magnum opus Women and History (1986) received wide review attention and much acclaim, winning the prestigious Joan Kelly Prize of the American Historical Association for the best work on Women's History that year. Ms hailed the book for providing "a grand historical framework that was impossible even to imagine before the enlightenment about women's place in the world provided by her earlier work and that of other feminist scholars." New Directions for Women said it "may well be the most important work in feminist theory to appear in our generation." Patriarchy traced the development of the ideas, symbols, and metaphors by which men institutionalized their domination of women. Now, in The Creation of Feminist Consciousness, the eagerly awaited concluding volume of Women and History, Lerner documents the twelve-hundred-year struggle of women to free their minds from patriarchal thought, to create Women's History, and to achieve a feminist consciousness. In a richly documented narrative filled with inspiring portraits of women, Lerner ranges from the Middle Ages to the late 19th century, tracing several important ways by which women strove for autonomy and equality. One of the most remarkable sections examines over twelve hundred years of feminist Bible criticism. Since objections to women's thinking, teaching, and speaking in public were based on biblical authority--most notably, passages from Genesis and the writings of St. Paul--women returned again and again to these texts, in an attempt to subvert patriarchal dominance and establish their equality with men. This survey of biblical criticism allows Lerner to illustrate her most important insight--the discontinuity of women's history. She describes how women's history was not passed on from generation to generation, forcing women in effect to reinvent the wheel over and over again. In a series of fascinating portraits of individual women who resisted patriarchal indoctrination, Lerner discusses women mystics such as Hildegard of Bingen, Julian of Norwich and later Protestant mystics, and brings to life the many women of great literary talent, from Christine de Pisan to Louise Labe to Emily Dickinson, who simply bypassed patriarchal thought and created alternate worlds for themselves. Documenting the 1,200 year struggle of women to free their minds from patriarchal thought, create a women's history, and achieve a feminist consciousness, this brilliant work charts new ground for feminist theory, the history of ideas, and the development of women's place in our intellectual tradition.

This is a fascinating and innovative look at women's psychology. Jungian analyst Jean Shinoda Bolen examines the seven archetypal goddesses, or personality types, that exist within the female psyche and how identifying them can provide the key to self-knowledge.