Empfehlungen basierend auf "Great Women Artists"

The captivating true story of an underdog business - a feminist bookshop founded in Thatcher's Britain - from a woman at the heart of the women's liberation movement. What was it like to start a feminist bookshop, in an industry dominated by men'? How could a lesbian thrive in Thatcher's time, with the government legislating to restrict her rights? How do you run a business when your real aim is to change the world? Silver Moon was the dream of three women - a bookshop with the mission to promote the work of female writers and create a much-needed safe space for any woman. Founded in 1980s London against a backdrop of homophobia and misogyny, it was a testament to the power of community, growing into Europe's biggest women's bookshop and hosting a constellation of literary stars from Margaret Atwood and Maya Angelou to Angela Carter. While contending with day-to-day struggles common to other booksellers, plus the additional burdens of misogyny and the occasional hate crime, Jane Cholmeley and her booksellers created a thriving business. But they also played a crucial and relatively unsung part in one the biggest social movements of our time. A Bookshop of One's Own is a fascinating slice of social history from the heart of the women's liberation movement, from a true feminist and lesbian icon. Written with heart and humour, it reveals the struggle and joy that comes with starting an underdog business, while being a celebration of the power women have to change the narrative when they are the ones holding the pen.

A source of endless fascination and speculation, the subject of countless biographies, novels, and films, Elizabeth I is now considered from a thrilling new angle by the brilliant young historian Tracy Borman. So often viewed in her relationships with men, the Virgin Queen is portrayed here as the product of women—the mother she lost so tragically, the female subjects who worshipped her, and the peers and intimates who loved, raised, challenged, and sometimes opposed her.In vivid detail, Borman presents Elizabeth’s bewitching mother, Anne Boleyn, eager to nurture her new child, only to see her taken away and her own life destroyed by damning allegations—which taught Elizabeth never to mix politics and love. Kat Astley, the governess who attended and taught Elizabeth for almost thirty years, invited disaster by encouraging her charge into a dangerous liaison after Henry VIII’s death. Mary Tudor—“Bloody Mary”—envied her younger sister’s popularity and threatened to destroy her altogether. And animosity drove Elizabeth and her cousin Mary Queen of Scots into an intense thirty-year rivalry that could end only in death.Elizabeth’s Women contains more than an indelible cast of characters. It is an unprecedented account of how the public posture of femininity figured into the English court, the meaning of costume and display, the power of fecundity and flirtation, and how Elizabeth herself—long viewed as the embodiment of feminism—shared popular views of female inferiority and scorned and schemed against her underlings’ marriages and pregnancies.Brilliantly researched and elegantly written, Elizabeth’s Women is a unique take on history’s most captivating queen and the dazzling court that surrounded her.

What if some of the most phenomenal lives in human history were, for centuries, forgotten? For centuries, the achievements of countless influential women have remained overshadowed. Sisters Katie Nelson and Olivia Meikle traverse hundreds of years and six continents, from antiquity to modern times, to turn the spotlight on these unsung heroines, revealing their stories and celebrating their indelible impact on the world.This mesmerizing compendium highlights the captivating stories of eighty women, including Fatima al-Fihri, the visionary behind the world’s first university; Ching Shih, the most successful pirate; and Huda Sha’arawi, a leading Egyptian suffragist. What’s Her Name is a compelling tribute to the indomitable spirit and contributions of these women who have shaped history—and deserve to be remembered and commemorated.

“An honest, compelling, surprising, and vastly reassuring book about the spiritual life of women . . . This landmark book is spiritual precisely because it is authentic.”—Joan Borysenko, Ph.D., author of Minding the Body, Mending the MindWith a foreword by Jean Shinoda Bolen, M.D.For many contemporary women, the old patriarchal models of religion are no longer relevant, forming a need to look beyond the male-oriented past to a wider, more fulfilling spiritual horizon. In this fascinating and thought-provoking book, Sherry Anderson and Patricia Hopkins show how many women have redefined traditional beliefs and rediscovered their own unique spiritual heritage—The Feminine Face of God. Anderson and Hopkins guide you through the sacred garden of:• Childhood—seedbed of life's sacred passage• Leaving home—finding your own inner authority• Relationships—new perspectives on intimacy• Spiritual practice—the importance of guidance and discipline• Sexuality—a wild card constantly cracking open the heart• And much moreAs women enter their sacred garden and learn the art of inner listening, they acquire the tools for living, loving, and praying authentically. In The Feminine Face of God there are seeds for growth: for creating and sustaining intimacy and love in a new way; for a new understanding of sexuality; for a new vision of family, a family of choice in a community of love.

A collection of Sojourner Truth's iconic words, including her famous speech at the 1851 Women's Rights Convention in Akron, OhioA former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century.Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives--and upended them. Now Penguin brings you a new set of the acclaimed Great Ideas, a curated library of selections from the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

In Unbowed, Nobel Prize winner Wangari Maathai recounts her extraordinary journey from her childhood in rural Kenya to the world stage. When Maathai founded the Green Belt Movement in 1977, she began a vital poor people’s environmental movement, focused on the empowerment of women, that soon spread across Africa. Persevering through run-ins with the Kenyan government and personal losses, and jailed and beaten on numerous occasions, Maathai continued to fight tirelessly to save Kenya’s forests and to restore democracy to her beloved country . Infused with her unique luminosity of spirit, Wangari Maathai’s remarkable story of courage, faith, and the power of persistence is destined to inspire generations to come.From the Trade Paperback edition.

Linda Nochlins Seminal Essay On Women Artists Is Widely Acknowledged As The First Real Attempt At A Feminist History Of Art. Nochlin Refused To Handle The Question Of Why There Had Been No Great Women Artists On Its Own, Corrupted, Terms. Instead, She Dismantled The Very Concept Of Greatness, Unravelling The Basic Assumptions That Had Centred A Male-coded Genius In The Study Of Art. With Unparalleled Insight And Startling Wit, Nochlin Laid Bare The Acceptance Of A White Male Viewpoint In Art Historical Thought As Not Merely A Moral Failure, But An Intellectual One. Freedom, As She Sees It, Requires Women To Risk Entirely Demolishing The Art Worlds Institutions, And Rebuilding Them Anew In Other Words, To Leap Into The Unknown. In This Stand-alone Anniversary Edition, Nochlins Essay Is Published Alongside Its Reappraisal, Thirty Years After. Written In An Era Of Thriving Feminist Theory, As Well As Queer Theory, Race And Postcolonial Studies, Thirty Years After Is A Striking Reflection On The Emergence Of A Whole New Canon. With Reference To Joan Mitchell, Louise Bourgeois, Cindy Sherman And Many More, Nochlin Diagnoses The State Of Women And Art With Unmatched Precision And Verve. Why Have There Been No Great Women Artists? Has Become A Slogan And Rallying Cry That Resonates Across Culture And Society; Dior Even Adopted It In Their 2018 Collections. In The 2020s, At A Time When Certain Patriarchal Values Are Making A Comeback, Nochlin's Message Could Not Be More Urgent: As She Herself Put It In 2015, There Is Still A Long Way To Go.

The gripping, true, and untold history of the Italian anti-fascist resistance during World War II, told through the stories of four spectacularly courageous women fightersFrom underground soldiers to intrepid spies, Women of War unearths the hidden history of the brave women who risked their lives to overthrow the Nazi occupation and liberate Italy. Using primary sources and brand new scholarship, historian Suzanne Cope illuminates the roles played by women while Italians struggled under dual foes: Nazi invaders and Italian fascist loyalists.Cope’s research and storytelling introduces four brave and resourceful women who risked everything to overthrow the Nazi occupation and pry their future from the fascist grasp. We meet Carla Capponi in Rome, where she made bombs in an underground bunker then ferried them to their deadly destination wearing lipstick and a trenchcoat; and Bianca Guidetti Serra who rode her bicycle up switchbacks in the Alps, dodging bullets while delivering bags of clandestine newspapers and munitions to the anti-fascist armies hidden in the mountains. In Florence, the young future author of Italy’s new constitution, Teresa Mattei, carried secret messages and hid bombs; while Anita Malavasi led troops across the Apennine Mountains. Women of War brings their experiences as underground resistance fighters, partisan combatants, spies, and saboteurs to life.Essential and original, Women of War offers not only a reexamination of the elision of women from vital WWII history but also a valuable perspective on the ongoing fight for gender equality and social justice. After all, these were the women who launched a feminist movement as they fought for the future of their country, and what that could mean for its women, all while under Nazi and fascist fire.

A long-awaited English translation of the groundbreaking oral history of women in World War II across Europe and Russia—from the winner of the Nobel Prize in LiteratureNAMED ONE OF THE BEST BOOKS OF THE YEAR BYThe Washington Post • The Guardian • NPR • The Economist • Milwaukee Journal Sentinel • Kirkus ReviewsFor more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.”In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women—more than a million in total—were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten.Alexievich traveled thousands of miles and visited more than a hundred towns to record these women’s stories. Together, this symphony of voices reveals a different aspect of the war—the everyday details of life in combat left out of the official histories.Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war.THE WINNER OF THE NOBEL PRIZE IN LITERATURE“for her polyphonic writings, a monument to suffering and courage in our time.”“A landmark.”—Timothy Snyder, author of On Tyranny: Twenty Lessons from the Twentieth Century“An astonishing book, harrowing and life-affirming . . . It deserves the widest possible readership.”—Paula Hawkins, author of The Girl on the Train“Alexievich has gained probably the world’s deepest, most eloquent understanding of the post-Soviet condition. . . . [She] has consistently chronicled that which has been intentionally forgotten.”—Masha Gessen, National Book Award–winning author of The Future Is History

The story of four remarkable women who shaped the intellectual history of the 20th century: Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch.On the cusp of the Second World War, four women went to Oxford to begin their studies: a fiercely brilliant Catholic convert; a daughter of privilege longing to escape her stifling upbringing; an ardent Communist and aspiring novelist with a list of would-be lovers as long as her arm; and a quiet, messy lover of newts and mice who would become a great public intellectual of our time. They became lifelong friends. At the time, only a handful of women had ever made lives in philosophy. But when Oxford's men were drafted in the war, everything changed.As Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch labored to make a place for themselves in a male-dominated world, as they made friendships and families, and as they drifted toward and away from each other, they never stopped insisting that some lives are better than others. They argued that courage and discernment and justice--and love--are the heart of a good life.This book presents the first sustained engagement with these women's contributions: with the critique and the alternative they framed. Drawing on a cluster of recently opened archives and extensive correspondence and interviews with those who knew them best, Benjamin Lipscomb traces the lives and ideas of four friends who gave us a better way to think about ethics, and ourselves.