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AN INSTANT NEW YORK TIMES BESTSELLER • NAMED A BEST BOOK OF THE YEAR SO FAR FOR 2024 BY THE NEW YORK TIMES BOOK REVIEW • A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and darkly humorous, told from the enslaved Jim's point of view"Genius"—The Atlantic • "A masterpiece that will help redefine one of the classics of American literature, while also being a major achievement on its own."—Chicago Tribune • "A provocative, enlightening literary work of art."—The Boston Globe • "Everett’s most thrilling novel, but also his most soulful."—The New York TimesWhen the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.

Winner of the International IMPAC Dublin Literary Award: “This sturdily textured debut novel never hesitates or meanders.”―Library Journal Alistair MacLeod musters all of the skill and grace that have won him an international following to give us No Great Mischief, the story of a fiercely loyal family and the tradition that drives it.Generations after their forebears went into exile, the MacDonalds still face seemingly unmitigated hardships and cruelties of life. Alexander, orphaned as a child by a horrific tragedy, has nevertheless gained some success in the world. Even his older brother, Calum, a nearly destitute alcoholic living on Toronto's skid row, has been scarred by another tragedy. But, like all his clansman, Alexander is sustained by a family history that seems to run through his veins. And through these lovingly recounted stories-wildly comic or heartbreakingly tragic-we discover the hope against hope upon which every family must sometimes rely.

A literary masterpiece by a Polish traveller, aristocratic adventurer, political activist, ethnographer and publisherAlphonse, a young Walloon officer, is travelling to join his regiment in Madrid in 1739. But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The summer of '28 was a vintage season for a growing boy. A summer of green apple trees, mowed lawns, and new sneakers. Of half-burnt firecrackers, of gathering dandelions, of Grandma's belly-busting dinner. It was a summer of sorrows and marvels and gold-fuzzed bees. A magical, timeless summer in the life of a twelve-year-old boy named Douglas Spaulding—remembered forever by the incomparable Ray Bradbury.The only god living in Green Town, Illinois, that Douglas Spaulding knew of.The facts about John Huff, aged twelve, are simple and soon stated.• He could pathfind more trails than any Choctaw or Cherokee since time began.• Could leap from the sky like a chimpanzee from a vine.• Could live underwater two minutes and slide fifty yards downstream.• Could hit baseballs into apple trees, knocking down harvests.• Could jump six-foot orchard walls.• Ran laughing.• Sat easy.• Was not a bully.• Was kind.• Knew the words to all the cowboy songs and would teach you if you asked.• Knew the names of all the wild flowers and when the moon would rise or set and when the tides came in or out.He was, in fact, the only god living in the whole of Green Town, Illinois, during the twentieth century that Douglas Spaulding knew of.“[Ray] Bradbury is an authentic original.”—Time

?In The Golem and the Jinni, a chance meeting between mythical beings takes readers on a dazzling journey through cultures in turn-of-the-century New York.Chava is a golem, a creature made of clay, brought to life to by a disgraced rabbi who dabbles in dark Kabbalistic magic and dies at sea on the voyage from Poland. Chava is unmoored and adrift as the ship arrives in New York harbor in 1899.Ahmad is a jinni, a being of fire born in the ancient Syrian desert, trapped in an old copper flask, and released in New York City, though still not entirely free.Ahmad and Chava become unlikely friends and soul mates with a mystical connection. Marvelous and compulsively readable, Helene Wecker's debut novel The Golem and the Jinni weaves strands of Yiddish and Middle Eastern literature, historical fiction and magical fable, into a wondrously inventive and unforgettable tale.

THESE NEWCOMERS ARE DIFFERENT. THEY WILL CHANGE EVERYTHING.For fans of The Essex Serpent and The Mermaid and Mrs Hancock.‘By far my favourite book of of the year’ Guardian‘One of only two novels I've ever loved whose main characters are not human’ Barbara KingsolverOne cold night, two newcomers emerge onto the streets of 1899 New York, and it is never the same again.But these two are more than strangers to this land, they are strangers to this world. From the depths of folkloric history come Chava the golem, a creature made of clay, brought to life by a disgraced rabbi and Ahmad, a djinni, born in the ancient Syrian desert and trapped in an old copper flask released accidentally by a tinsmith in a Lower Manhattan shop.Two companions who were never meant to be released, and never meant to meet. And when they do, their opposing natures will be sealed by a special bond, but one that is threatened by watching eyes, roaming owners and a misunderstanding world.A glittering gem of a novel, as spell-binding as it is compelling, The Golem and The Djinni asks us what we’re made of and how we can break free.

NOW A NETFLIX ORIGINAL SERIES In their most daring misadventure, the Baudelaire orphans are adopted by very, very rich people, whose penthouse apartment is located mysteriously close to the place where all their misfortune began. Even though their new home in the city is fancy, and the children are clever and charming, I'm sorry to say that still, the unlucky orphans will encounter more disaster and woe. In fact, in this sixth book in A Series of Unfortunate Events, the children will experience a darkened staircase, a red herring, an auction, parsley soda, some friends in a dire situation, a secret passageway, and pinstripe suits. Both literary and irreverent, hilarious and deftly crafted, A Series of Unfortunate Events offers an exquisitely dark comedy in the tradition of Edward Gorey and Roald Dahl. Lemon Snicket's uproariously unhappy books continue to win readers, despite all his warnings.

Charlie and the Chocolate Factory meets A Night in the Museum in this action-packed New York Times Bestseller from Chris Grabenstein, coauthor of I Funny, Treasure Hunters and other bestselling series with James Patterson!Kyle Keeley is the class clown and a huge fan of all games—board games, word games, and particularly video games. His hero, Luigi Lemoncello, the most notorious and creative gamemaker in the world, just so happens to be the genius behind the construction of the new town library. Lucky Kyle wins a coveted spot as one of twelve kids invited for an overnight sleepover in the library, hosted by Mr. Lemoncello and riddled with lots and lots of games. But when morning comes, the doors stay locked. Kyle and the other kids must solve every clue and figure out every secret puzzle to find the hidden escape route!Don't miss the next puzzle-packed adventures—Mr. Lemoncello's Library Olympics and Mr. Lemoncello's Great LIbrary Race!"Discover the coolest library in the world." —James Patterson, #1 New York Timesbestselling author44 STATE AWARD LISTS AND COUNTING -- INCLUDING THE SUNSHINE STATE AWARD!Starred Review, Booklist* “An ode to libraries and literature that is a worthy successor to the original madman puzzle-master himself, Willy Wonka.”Starred Review, Kirkus Reviews*"Full of puzzles to think about, puns to groan at . . . this solid, tightly plotted read is a winner for readers and game-players alike."

Brian Attebery's "strategy of fantasy" include not only the writer's strategies for inventing believable impossibiltes, but also the reader's strategies for enjoying, challenging, and conspiring with the text. Drawing on a number of current literary theories (but avoiding most of their jargon), Attebery makes a case for fantasy as a significant movement within postmodern literature rather than as a simple exercise of nostalgia. Attebury examines recent and classic fantasies by Ursula K. Le Guin, John Crowley, J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In both its popular and postmodern incarnations, fantasic fiction exhibits a remarkable capacity for reinventing narrative concentions. Attebery shows how plots, characters, settings, storytelling frameworks, gender divisions, and references to cultural texts such as history and science are all called into question the moment the marvelous is admited into a story.