Empfehlungen basierend auf "Going Down River Road"

SHORTLISTED FOR THE BAILEY S WOMEN S PRIZE FOR FICTION 2014.From the award-winning author of Half of a Yellow Sun, a powerful story of love, race and identity.As teenagers in Lagos, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are fleeing the country if they can. The self-assured Ifemelu departs for America. There she suffers defeats and triumphs, finds and loses relationships, all the while feeling the weight of something she never thought of back home: race. Obinze had hoped to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London.Thirteen years later, Obinze is a wealthy man in a newly democratic Nigeria, while Ifemelu has achieved success as a blogger. But after so long apart and so many changes, will they find the courage to meet again, face to face?Fearless, gripping, spanning three continents and numerous lives, the National Book Critics Circle Award-winning Americanah is a richly told story of love and expectation set in today s globalized world.

WINNER OF THE PULITZER PRIZE • WINNER OF THE WOMEN'S PRIZE FOR FICTIONNew York Times Readers' Pick: Top 100 Books of the 21 st Century • An Oprah's Book Club Selection • An Instant New York Times Bestseller • An Instant Wall Street Journal Bestseller • A #1 Washington Post Bestseller • A New York Times "Ten Best Books of the Year""Demon is a voice for the ages—akin to Huck Finn or Holden Caulfield—only even more resilient." —Beth Macy, author of Dopesick"May be the best novel of [the year].... Equal parts hilarious and heartbreaking, this is the story of an irrepressible boy nobody wants, but readers will love." — Ron Charles, Washington PostFrom the acclaimed author of The Poisonwood Bible and The Bean Trees, a brilliant novel that enthralls, compels, and captures the heart as it evokes a young hero's unforgettable journey to maturitySet in the mountains of southern Appalachia, Demon Copperhead is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Relayed in his own unsparing voice, Demon braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities.Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.

Mahlangeni, the Tsonga word for "meeting place", is one of the most remote ranger stations in the Kruger National Park. Far from everywhere, this isolated corner of the wilderness was home for eleven years to Kobie Kruger, wife of the ranger in charge of the station, and their their three daughters. Running a household and raising a family in a place where leopards, elephants, snakes and the like are your only neighbours, where you have no telephone, and where a trip to town means first crossing a river full of hippos and crocodiles, is hardly a straightforward business. But Kobie Kruger tackled each problem with undaunted pragmatism and an energy that gives new meaning to word resourceful.

In the spring of 1938, Teodor Mykolayenko returns to his family after nearly two years in prison for the crime of trying to feed them. Given shelter by his sister Anna, his wife, Maria, and their five children barely survived on the harsh and brutal Canadian prairie landscape. Channelling a determination gained from escaping starvation and Stalin's crimes in the Ukraine, Teodor is committed to making a home. With unbending resolve, he takes to the land and as the crops grow, his family heals and strengthens, but their comfort is soon challenged: Anna's rogue husband returns with an unforgivable plan. Mesmerizing and passionate, Under This Unbroken Sky is an astonishing tale of family, love, betrayal, and the resiliency of the human spirit.

About the Author In her award-winning autobiography, Dust Tracks on a Road (1942), Zora Neale Hurston claimed to have been born in Eatonville, Florida, in 1901. She was, in fact, born in Notasulga, Alabama, on January 7, 1891, the fifth child of John Hurston (farmer, carpenter, and Baptist preacher) and Lucy Ann Potts (school teacher). The author of numerous books, including Their Eyes Were Watching God, Jonah's Gourd Vine, Mule sand Men, and Moses, Man of the Mountain, Hurston had achieved fame and sparked controversy as a novelist, anthropologist, outspoken essayist, lecturer, and theatrical producer during her sixty-nine years. Hurston's finest work of fiction appeared at a time when artistic and political statements -- whether single sentences or book-length fictions -- were peculiarly conflated. Many works of fiction were informed by purely political motives; political pronouncements frequently appeared in polished literary prose. Hurston's own political statements, relating to racial issues or addressing national politics, did not ingratiate her with her black male contemporaries. The END result was that Their Eyes Were Watching God went out of print not long after its first appearance and remained out of print for nearly thirty years. Henry Louis Gates, Jr., has been one among many to ask: "How could the recipient of two Guggenheims and the author of four novels, a dozen short stories, two musicals, two books on black mythology, dozens of essays, and a prize winning autobiography virtually 'disappear' from her readership for three full decades?" That question remains unanswered. The fact remains that every one of Hurston's books went quickly out of print; and it was only through the determined efforts, in the 1970s, of Alice Walker, Robert Hemenway (Hurston's biographer), Toni Cade Bambara, and other writers and scholars that all of her books are now back in print and that she has taken her rightful place in the pantheon of American authors. In 1973, Walker, distressed that Hurston's writings had been all but forgotten, found Hurston's grave in the Garden of Heavenly Rest and installed a gravemarker. "After loving and teaching her work for a number of years," Walker later reported, "I could not bear that she did not have a known grave." The gravemarker now bears the words that Walker had inscribed there: ZORA NEALE HURSTONGENIUS OF THE SOUTHNOVELIST FOLKLORIST ANTHROPOLOGIST(1891-1960) In BriefZora Neale Hurston (1891-1960) was a novelist, folklorist, and anthropologist whose fictional and factual accounts of black heritage are unparalleled. She Is the author of many books, including Their Eyes Were Watching God, Dust Tracks on a Road, Tell My Horse, and Mules and Men.

A renowned healer and shaman’s life-changing journey of discovery, healing, and wisdom“Malidoma has kept faith with the ancestors and with his own heart. His journey is a shimmering ‘missing piece’ in the story of the earth.” —Alice WalkerWhen he was a young boy growing up in Burkina Faso, Malidoma Somé was taken from his village and brought to a Jesuit mission school, where he spent years being harshly indoctrinated in European ways of thought and worship. In this vivid and paradigm-shifting memoir, Malidoma recounts his journey home—and his initiation into the healing traditions of the Dagara culture, where the natural and supernatural blend together, and every person is encircled by family, community, and the wisdom of ancestors.By turns humbling, harrowing, magical, and transcendent, Malidoma’s spiritual awakening imparted ancient wisdom that he would spend the rest of his life sharing with others around the world—as an antidote to alienation, a tool for self-transformation, and a bridge between cultures and worlds.

New York Times Bestseller • Pulitzer Prize Finalist • An Oprah's Book Club Selection“Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book ReviewThe Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa.The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil.The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.Offering insight into the pernicious legacy that continues to haunt us all, black and white, this work is an invaluable contribution to our shared history and culture.

"A dozen interlinked, music-oriented stories set in Port Harcourt, Nigeria, where Garricks was raised... Each songlike story feels like a breakout hit encapsulating the brokenness and the beauty in life’s soundtrack."—Booklist, starred review“Beautifully woven . . . a magical delight.”—Hari Kunzru, author of White TearsA Broken People’s Playlist is set to the soundtrack of life, comprised of twelve music-inspired tales about love, the human condition, micro-moments, and the search for meaning and sometimes, redemption. It is also Chimeka Garricks’s love letter to his native city, Port Harcourt, introducing us to a cast of indelible characters in these loosely interlocked tales.There is the teenage wannabe-DJ eager to play his first gig even as his family disastrously falls apart—who reappears many years later as an unhappy middle-aged man drunk-calling his ex-wife; a man who throws a living funeral for his dying brother; three friends who ponder penis captivus and one’s peculiar erectile dysfunction; a troubled woman who tries to find her peace-place in the world, helped by a headful of songs and a pot of ginger tea.Infused with the author’s resonant and evocative storytelling, each page holds “the depth of a novel” (Hari Kunzru); a character, a moment that will—like a favorite song—long linger in the heart and mind.

From the legendary author of Things Fall Apart—a long-awaited memoir of coming of age in a fragile new nation, and its destruction in a tragic civil warFor more than forty years, Chinua Achebe maintained a considered silence on the events of the Nigerian civil war, also known as the Biafran War, of 1967–1970, addressing them only obliquely through his poetry. Decades in the making, There Was a Country is a towering account of one of modern Africa’s most disastrous events, from a writer whose words and courage left an enduring stamp on world literature. A marriage of history and memoir, vivid firsthand observation and decades of research and reflection, There Was a Country is a work whose wisdom and compassion remind us of Chinua Achebe’s place as one of the great literary and moral voices of our age.