Empfehlungen basierend auf "Glass of Time The Secret Life of Miss Esperanza Gorst, Narrated by Herself"

"Portrait in Sepia is the best book Allende has published in the United States since her first novel of nearly two decades ago, The House of the Spirits.”—Jonathan Yardley, Washington Post Book World“Portrait in Sepia tightens the weave of a multigenerational fantasy as complete and inspiring as the real world it parallels … Allende’s enchanting historical universe keeps expanding and Portrait in Sepia is a new galactic jewel.”—Chicago TribuneA sequel to Daughter of Fortune, New York Times bestselling author, Isabel Allende, continues her magic with this spellbinding family saga set against war and economic hardship.Aurora del Valle suffers a brutal trauma that erases from her mind all recollection of the first five years of her life. Raised by her ambitious grandmother, the regal and commanding Paulina del Valle, she grows up in a privileged environment, free of the limitations that circumscribe the lives of women at that time, but tormented by horrible nightmares. When she is forced to recognize her betrayal at the hands of the man she loves, and to cope with the resulting solitude, she decides to explore the mystery of her past.Portrait in Sepia is an extraordinary achievement: richly detailed, epic in scope, intimate in its probing of human character, and thrilling in the way it illuminates the complexity of family ties.

PULITZER PRIZE FINALIST • NATIONAL BOOK AWARD FINALIST • From the bestselling author of Fruit of the Drunken Tree, comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy.A BEST BOOK OF THE YEAR: TIME, NPR, VULTURE, PEOPLE, BOSTON GLOBE, VANITY FAIR, ESQUIRE, & MORE“Rojas Contreras reacquaints herself with her family’s past, weaving their stories with personal narrative, unraveling legacies of violence, machismo and colonialism… In the process, she has written a spellbinding and genre-defying ancestral history.”—New York Times Book ReviewFor Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit “the secrets,” Rojas Contreras’ mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water.This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to “the secrets.”In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono’s remains. With Mami as her unpredictable, stubborn, and often amusing guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse.Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.

Lavinia is The Inhabited Woman: accomplished, independent, and fiercely modern. She is sheltered and self-involved, until the spirit of an Indian woman warrior enters her being, then she dares to join a revolutionary movement against a violent dictator and—through the power of love—finds the courage to act.The Wisconsin edition is for sale only in North America.

"Sentimental and ferocious, upsetting and tender, firmly magic-realist yet utterly modern. . . Sáenz is a writer with greatness in him." —San Diego Union TribuneWith Carry Me Like Water, Benjamin Alire Sáenz unfolds a beautiful story about hope and forgiveness, unexpected reunions, an expanded definition of family, and, ultimately, what happens when the disparate worlds of pain and privilege collide.Diego, a deaf-mute, is barely surviving on the border in El Paso, Texas. Diego's sister, Helen, who lives with her husband in the posh suburbs of San Francisco, long ago abandoned both her brother and her El Paso roots. Helen's best friend, Lizzie, a nurse in an AIDS ward, begins to uncover her own buried past after a mystical encounter with a patient.This immensely moving novel confronts divisions of race, gender, and class, fusing together the stories of people who come to recognize one another from former lives they didn't know existed— or that they tried to forget.

This New York Times bestselling novel tells an exhilarating World War II epic that chronicles an extraordinary young woman’s heroic frontline service in the Red Cross.“Urrea’s touch is sure, his exuberance carries you through . . . He is a generous writer, not just in his approach to his craft but in the broader sense of what he feels necessary to capture about life itself.” —Financial Times In 1943, Irene Woodward abandons an abusive fiancé in New York to enlist with the Red Cross and head to Europe. She makes fast friends in training with Dorothy Dunford, a towering Midwesterner with a ferocious wit. Together they are part of an elite group of women, nicknamed Donut Dollies, who command military vehicles called Clubmobiles at the front line, providing camaraderie and a taste of home that may be the only solace before troops head into battle.After D-Day, these two intrepid friends join the Allied soldiers streaming into France. Their time in Europe will see them embroiled in danger, from the Battle of the Bulge to the liberation of Buchenwald. Through her friendship with Dorothy, and a love affair with a courageous American fighter pilot named Hans, Irene learns to trust again. Her most fervent hope, which becomes more precarious by the day, is for all three of them to survive the war intact.Taking as inspiration his mother’s own Red Cross service, Luis Alberto Urrea has delivered an overlooked story of women’s heroism in World War II. With its affecting and uplifting portrait of friendship and valor in harrowing circumstances, Good Night, Irene powerfully demonstrates yet again that Urrea’s “gifts as a storyteller are prodigious” (NPR).

The award-winning biography of an undocumented teen mother's struggle with US immigration: "A rich, novelistic [and] illuminating work of literature" (Michelle Goldberg, The New York Times Book Review). One of Esquire's 50 Best Biographies of All Time In 1987, Aida Hernandez was born in Agua Prieta, Mexico. At the time, the nearby US border was little more than a worn-down fence. Eight years later, Aida's mother took her and her siblings to live in Douglas, Arizona. By then, the border had become one of the most heavily policed sites in America. Undocumented, Aida fought to make her way. She learned English, watched Friends, and, after having a baby at sixteen, dreamed of teaching dance and moving with her son to New York City. Instead, Aida was separated from her son and deported to a Mexican city marked by violence. The daughter of a rebel hero from the mountains of Chihuahua, Aida embarked on a harrowing journey to reunite with her son. But returning to the United States was just the beginning of her quest. Taking us into detention centers, immigration courts, and the inner lives of Aida and other daring characters, The Death and Life of Aida Hernandez reveals the human consequences of militarizing what was once a more forgiving border. Author Aaron Bobrow-Strain brings us into the heart of a violently unequal America, showing that the people caught in today's immigrations wars are flawed, complex humans who deserve justice and empathy. Winner of the 2020 Pacific Northwest Book Award Winner of the 2020 Washington State Book Award Named a 2019 Southwest Book of the Year

WINNER OF THE KIRKUS PRIZE FOR NONFICTIONNamed One of The New York Times’ 100 Notable Books of 2023One of Time’s 100 Must-Read Books of 2023 | A Top Ten Book of 2023 at Chicago Public LibraryA new book by the Pulitzer Prize–winning writer about the twenty-first-century Latino experience and identity.In Our Migrant Souls, the Pulitzer Prize–winning writer Héctor Tobar delivers a definitive and personal exploration of what it means to be Latino in the United States right now.“Latino” is the most open-ended and loosely defined of the major race categories in the United States, and also one of the most rapidly growing. Composed as a direct address to the young people who identify or have been classified as “Latino,” Our Migrant Souls is the first account of the historical and social forces that define Latino identity.Taking on the impacts of colonialism, public policy, immigration, media, and pop culture, Our Migrant Souls decodes the meaning of “Latino” as a racial and ethnic identity in the modern United States, and gives voice to the anger and the hopes of young Latino people who have seen Latinidad transformed into hateful tropes and who have faced insult and division—a story as old as this country itself.Tobar translates his experience as not only a journalist and novelist but also a mentor, a leader, and an educator. He interweaves his own story, and that of his parents’ migration to the United States from Guatemala, into his account of his journey across the country to uncover something expansive, inspiring, true, and alive about the meaning of “Latino” in the twenty-first century.A new book by the Pulitzer Prize–winning writer about the twenty-first-century Latino experience and identity.In Our Migrant Souls, the Pulitzer Prize–winning writer Héctor Tobar delivers a definitive and personal exploration of what it means to be Latino in the United States right now. “Latino” is the most open-ended and loosely defined of the major race categories in the United States, and also one of the most rapidly growing. Composed as a direct address to the young people who identify or have been classified as “Latino,” Our Migrant Souls is the first account of the historical and social forces that define Latino identity.Taking on the impacts of colonialism, public policy, immigration, media, and pop culture, Our Migrant Souls decodes the meaning of “Latino” as a racial and ethnic identity in the modern United States, and gives voice to the anger and the hopes of young Latino people who have seen Latinidad transformed into hateful tropes and who have faced insult and division—a story as old as this country itself. Tobar translates his experience as not only a journalist and novelist but also a mentor, a leader, and an educator. He interweaves his own story, and that of his parents’ migration to the United States from Guatemala, into his account of his journey across the country to uncover something expansive, inspiring, true, and alive about the meaning of “Latino” in the twenty-first century.

Julius was born in a mansion on Salaverry Avenue, directly across from the old San Felipe Hippodrome. Life-size Disney characters and cowboy movie heroes romp across the walls of his nursery. Out in the carriage house, his great-grandfather's ornate, moldering carriage takes him on imaginary adventures. But Julius's father is dead, and his beautiful young mother passes through her children's lives like an ephemeral shooting star. Despite the soft shelter of family and money, hard realities overshadow Julius's expanding world, just as the rugged Andes loom over his home in Lima. This lyrical, richly textured novel, first published in 1970 as Un mundo para Julius, opens new territory in Latin American literature with its focus on the social elite of Peru. In this postmodern novel Bryce Echenique incisively charts the decline of an influential, centuries-old aristocratic family faced with the invasion of foreign capital in the 1950s. Winner of the Outstanding Translation Award of the American Literary Translators Association and the Columbia University Translation Center Award.

Months before Alma López's digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition.Highlighting many of the pivotal questions that have haunted the art world since the NEA debacle of 1988, the contributors to Our Lady of Controversy present diverse perspectives, ranging from definitions of art to the artist's intention, feminism, queer theory, colonialism, and Chicano nationalism. Contributors include the exhibition curator, Tey Marianna Nunn; award-winning novelist and Chicana historian Emma Pérez; and Deena González (recognized as one of the fifty most important living women historians in America).Accompanied by a bonus DVD of Alma López's I Love Lupe video that looks at the Chicana artistic tradition of reimagining la Virgen de Guadalupe, featuring a historic conversation between Yolanda López, Ester Hernández, and Alma López, Our Lady of Controversy promises to ignite important new dialogues.

Dionisio Vivo, a young South American lecturer in philosophy, is puzzled by the hideously mutilated corpses that keep turning up outside his front door. To his friend, Ramon, one of the few honest policemen in town, the message is all too clear: Dionisio’s letters to the press, exposing the drug barons, must stop; and although Dionisio manages to escape the hit-men sent to get him, he soon realizes that others are more vulnerable, and his love for them leads him to take a colossal revenge.   Senor Vivo and the Coca Lord is the second novel in a trilogy set in South America. It won a Commonwealth Writers Prize in 1992.