Empfehlungen basierend auf "Ghost Boy"

In her first book, the popular From the Front Porch podcast host and independent bookstore owner challenges the idea that loud lives are the ones that matter most, reminding us that we don't have to leave the lives we have in order to have the lives of which we've always dreamed.Can life be an adventure, even when it’s just . . . ordinary?Annie Jones always assumed adulthood would mean adventure: a high-powered career; life in a big, bustling city; and travels to far-flung places she’d longed to see. But her reality turned out differently. As the years passed, Annie was still in the same small town running an independent bookstore —the kind of life Nora Ephron dreamed.During that time, she hosted friends’ goodbye parties and mailed parting gifts; wrote recommendation letters and wished former shop staffers well. She stayed in her small town, despite her love of big cities; stayed in her marriage to the guy she met when she was 18; and she stayed at her bookstore while the world outside shifted steadily toward digital retailers. And she stayed loyal to a faith she sometimes didn’t recognize.After ten years, Annie realized she might never leave. But instead of regret, she had an epiphany. She awakened to the gifts of a quiet life spent staying put.In Ordinary Time, Annie challenges the idea that loud lives matter most. Rummaging through her small-town existence, she finds hidden gifts of humor and hope from a life lived quietly. Staying, can itself be a radical act. It takes courage to stay in the places we’ve always called home, Jones argues, as she paints a portrait of possibility far away from thriving metropolises and Monica Gellar-inspired apartments.We’ve long been encouraged to follow our dreams, to pack up and move to new places and leave old lives—and past selves—behind. While there is beauty in these kinds of adventures, Ordinary Time helps us see ourselves right where we are: in the middle of messy, mundane lives, maybe not too far from where we grew up. We don’t have to leave to find what we yearn—we can choose to stay, celebrating and honoring our ordinary lives, which might turn out to be bigger and better than we ever imagined.

Read the beloved classic that captures the powerful bond between man and man’s best friend. This edition also includes a special note to readers from Newbery Medal winner and Printz Honor winner Clare Vanderpool.Billy has long dreamt of owning not one, but two, dogs. So when he’s finally able to save up enough money for two pups to call his own—Old Dan and Little Ann—he’s ecstatic. It doesn’t matter that times are tough; together they’ll roam the hills of the Ozarks.Soon Billy and his hounds become the finest hunting team in the valley. Stories of their great achievements spread throughout the region, and the combination of Old Dan’s brawn, Little Ann’s brains, and Billy’s sheer will seems unbeatable. But tragedy awaits these determined hunters—now friends—and Billy learns that hope can grow out of despair, and that the seeds of the future can come from the scars of the past.

A BOOK OF THE YEAR, ROLLING STONE, NPR, PITCHFORK, THE TIMES (LONDON), TELEGRAPH“An astoundingly intimate book-length conversation on art and grief spanning the duration of the pandemic years . . . As with Cave’s music, you might flinch, but you will feel alive.”― PitchforkFaith, Hope and Carnage is a book about Nick Cave’s inner life.Created from more than forty hours of intimate conversations with the journalist Seán O’Hagan, this is a profoundly thoughtful exploration, in Cave’s own words, of what really drives his life and creativity.The book examines questions of belief, art, music, freedom, grief and love. It draws candidly on Cave’s life, from his early childhood to the present day, his loves, his work ethic and his dramatic transformation in recent years.Faith, Hope and Carnage offers ladders of hope and inspiration from a true visionary.

A zany case of mistaken identity allows a lonely old man one last chance to be part of a family in this warm, life-affirming debut novel.“A funny, heartfelt story about found family and seeing the silver lining in life. Fans of Fredrik Backman’s A Man Called Ove and Shelby Van Pelt’s Remarkably Bright Creatures will especially enjoy this new novel.”—Library Journal“Would you mind terribly, old boy, if I borrowed the rest of your life? I promise I’ll take excellent care of it.”Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car, he’d return it washed with a full tank of gas. The problem is there’s nobody left in Fred’s life to borrow from. At eighty-two, he’s desperately lonely, broke, and on the brink of homelessness. But Fred’s luck changes when, in a bizarre case of mistaken identity, he takes the place of grumpy Bernard Greer at the local nursing home. Now he has warm meals in his belly and a roof over his head—as long as his poker face is in better shape than his prostate and that his look-alike never turns up.Denise Simms is stuck breathing the same disappointing air again and again. A middle-aged mom and caregiver at Bernard's facility, her crumbling marriage and daughter's health concerns are suffocating her joy for life. Wounded by her two-faced husband, she vows never to let a man deceive her again.As Fred walks in Bernard’s shoes, he leaves a trail of kindness behind him, fueling Denise's suspicions about his true identity. When unexpected truths are revealed, Fred and Denise rediscover their sense of purpose and learn how to return a broken life to mint condition.Bittersweet and remarkably perceptive, The Borrowed Life of Frederick Fife is a hilarious, feel-good, clever novel about grief, forgiveness, redemption, and finding family.

From the Pulitzer Prize-winning author of The Overstory, an enthralling, wrenching novel about the lives and choices of one family, caught on the cusp of identities.Jonah, Ruth and Joseph are the children of mixed-race parents determined to raise them beyond time, beyond identity, steeped in song. Yet they cannot be protected from the world forever.Even as Jonah becomes a successful young tenor, the opera arena remains fixated on his race. Ruth turns her back on classical music and disappears, dedicating herself to activism and a new relationship. As the years pass, Joseph – the middle child, a pianist and our narrator – must battle not just to remain connected to his siblings, but to forge a future of his own.This is a story of the tragedy of race in America, told through the lives and choices of one family caught on the cusp of identities.

He had his final heart attack in the Silver Band Club in Corby, somewhere between the bar and the cigarette machine. A foundling; a fantasist; a morose, threatening drinker who was quick with his hands, he hadn't seen his son for years. And for all those years the two estranged men had been falling - each at their own pace - towards their own vanishing points.John Burnside's extraordinary story of this failed relationship is an exquisitely written evocation of a lost and damaged world of from the condemned prefabs, overgrown gardens and haunted woods of Cowdenbeath to the simmering gang violence and industrial squalor of Corby. And through all this, the constants of his father's men defined by the drink they could take and the pain they could stand, men shaped by their guilt and machismo. This was a life of secrets - drunken rampages, adolescent fumblings, domestic violence, illicit affairs, angels in deserted houses - which was to set a pattern of binge-drinking, drug abuse and emotional trying to eradicate the past, trying to disappear.A Lie About My Father is about forgiving but not forgetting, about examining the way men are made and how they fall apart, about understanding that in order to have a good son you must have a good father. John Burnside's unflinching honesty, profound thinking and heart-stopping images of beauty and fracture combine to create a moving, unforgettable memoir of two lost a father and his child.

An intense collection of interconnected stories that portray life through the eyes of a young man in a small Iowa town, by the author of Already Dead: A California Gothic, Angels and Resuscitation of a Hanged Man.

New York Times Best Seller"A deft and uniquely credible exploration of rural America, and of other left-behind pockets of our country. One of the most important books I've read on the state of our disunion."—Tara Westover, author of EducatedThe Pulitzer Prize-winning authors of the acclaimed, best-selling Half the Sky now issue a plea--deeply personal and told through the lives of real Americans--to address the crisis in working-class America, while focusing on solutions to mend a half century of governmental failure.With stark poignancy and political dispassion, Tightrope draws us deep into an "other America." The authors tell this story, in part, through the lives of some of the children with whom Kristof grew up, in rural Yamhill, Oregon, an area that prospered for much of the twentieth century but has been devastated in the last few decades as blue-collar jobs disappeared. About one-quarter of the children on Kristof's old school bus died in adulthood from drugs, alcohol, suicide, or reckless accidents. And while these particular stories unfolded in one corner of the country, they are representative of many places the authors write about, ranging from the Dakotas and Oklahoma to New York and Virginia. But here too are stories about resurgence, among them: Annette Dove, who has devoted her life to helping the teenagers of Pine Bluff, Arkansas, as they navigate the chaotic reality of growing up poor; Daniel McDowell, of Baltimore, whose tale of opioid addiction and recovery suggests that there are viable ways to solve our nation's drug epidemic. These accounts, illustrated with searing images by Lynsey Addario, the award-winning photographer, provide a picture of working-class families needlessly but profoundly damaged as a result of decades of policy mistakes. With their superb, nuanced reportage, Kristof and WuDunn have given us a book that is both riveting and impossible to ignore.

From daughter of musical visionary Frank Zappa, Moon Unit Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age as part of the MTV generation in the 1980s as the “Valley Girl,” and finding herself after losing her father, then her mother, and the fracturing of her longest relationships.I got my first journal when I was five, for Christmas, then every year after I’d get a new one. They were hardbound in black leather with gold embellishments on the cover and along the paper edges. So fancy. These books felt important. I believed I had a responsibility to do excellent work in them, to match their external beauty and honor the dead trees I held in my hands, a concept my mother had recently illuminated along with explaining hamburgers were deceased cows. Plus, the diaries were from Gail and Frank, my mother and my father, with the inscription to me in his handwriting, so I put undue pressure on myself to turn these blank nothings into weighty somethings, as I saw my idol dad doing on his large, butter-colored music paper.When I wasn’t writing short stories about my camels T’mershi Duween and Sinini, or about aliens or ballerinas or nuns, or alien ballerina nuns, I’d report on the happenings in the house or the world at large. I was political and wrote a letter to President Ford to get him to stop men from clubbing baby harp seals. I was ambitious and practiced signing my autograph in various handwriting styles. I was complimentary and wrote a letter to Tina Turner to let her know she is almost as good a dancer as me. I was boy crazy for Shawn Cassidy and wrote his name everywhere, followed by pages of scrawling my new name “Moon Unit Cassidy” in loopy cursive. I used my journals like a secret best friend I could tell anything to: “I’m sad. I wish my dad would take me with him to Europe.” When I still lived at home and had no privacy, I’d write in code about really secret stuff so I had somewhere safe to be the real me, to vent about my feelings with impunity.As time went on, I loosened the reins on my dad-comparing and perfectionism in my journals. And in life. I had no choice. Rightly or wrongly, I believed I would never be as good as my dad, so I had to learn to live with plain old me.For Moon Unit Zappa, processing a life so unique, so punctuated by the whims of creative genius, the tastes of popular culture, the calculus of celebrity and the nature of fractured love has at times been eviscerating, at others, illuminating. Yes, this is a book about growing up in the shadows of Frank Zappa, in a sexually free, but also dysfunctional world in 1970s LA.And as we careen into the 1980s, the style and the music and the tone changes—but Moon remains the constant, trying to find herself in a very confusing, everchanging equation—that of her family and the relationship with fame.It is Moon’s deep sense of humor and humility that keeps her grounded, and keeps this memoir pinned to the ground. Earth to Moon is a creative, colorful, and wonderful lesson in growing into oneself.

Product Description The life of a good priest in Ireland over the past 50 years provokes one of John Boyne's most powerful novels yet.   Odran Yates enters Clonliffe Seminary in 1972 after his mother informs him that he has a vocation to the priesthood. He goes in full of ambition and hope, dedicated to his studies and keen to make friends.     Forty years later, Odran's devotion has been challenged by the revelations that have shattered the Irish people's faith in the church. He has seen friends stand trial, colleagues jailed, the lives of young parishioners destroyed and has become nervous of venturing out in public for fear of disapproving stares and insulting remarks.     But when a family tragedy opens wounds from his past, he is forced to confront the demons that have raged within a once respected institution and recognise his own complicity in their propagation.    It has taken John Boyne fifteen years and twelve novels to write about his home country of Ireland but he has done so now in his most powerful novel to date, a novel about blind dogma and moral courage, and about the dark places where the two can meet. At once courageous and intensely personal, A History of Loneliness confirms Boyne as one of the most searching chroniclers of his generation. Review Shortlisted for Irish Novel of the YearA Library Journal Best Book of the Year"Boyne is a master storyteller. When I arrived at the last page, I knew I had just read an instant classic." ―Toronto Star  "[A] powerful story of guilt, tragedy and control. . . . Boyne's words [are] both compelling and deeply moving." —The Guardian (UK) "A History of Loneliness is deftly complex. . . . Boyne gets its right." ―USA Today   "[A] compassionate portrait of Odran, an anguished man in midlife, confronting his cowardice and shattered by guilt and shame." ―The New York Times"The writing is superb. . . . [An] excellent read." —Irish Times (Ireland) "A History of Loneliness is a catalogue of changing attitudes to the church over the decades from a time when the clergy were infallible to a present day, where because of child abuse scandals they are viewed with suspicion. . . . Powerful." —The Times (UK) "Incredible. . . . The novel is never less than engrossing." —Irish Independent (Ireland) "Boyne captures the ghastly rippling effects of child abuse while garnering sympathy for innocent priests, tainted by the actions of others. A stunning but uncomfortable read." —Irish Examiner (Ireland) About the Author JOHN BOYNE was born in Ireland in 1971. He is the author of eight novels for adults and four for younger readers, including the international bestseller The Boy in the Striped Pyjamas, which was made into a Miramax feature film and has sold more than five million copies worldwide. His novels are published in over forty-five languages. He is married and lives in Dublin. Visit www.johnboyne.com.