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Go deeper into the groundbreaking, Golden Globe and Emmy-winning series with this must-have collection—“a completist’s dream of a book, including the show’s full scripts and Waller-Bridge’s commentary” (Vogue).NAMED ONE OF THE BEST BOOKS OF THE YEAR BY EVENING STANDARD“Her coat falls open. She only has her bra on underneath. She pulls out the little sculpture of the woman with no arms. It sits on her lap. Two women. One real. One not. Both with their innate femininity out.”Phoebe Waller-Bridge’s critically acclaimed, utterly unique series Fleabag took the world by storm with its piercing dialogue, ruthlessly dry wit, and deeply human drama. In Fleabag: The Scriptures, Waller-Bridge brings together for the first time the filming scripts of the first and second seasons, complete with the original stage directions as well as exclusive commentary on her creative process and the making of the series. Now recognized as one of today’s most essential voices, she delivers powerful insights into her now-iconic protagonist: the hilarious, emotionally damaged, sexually unapologetic woman who can make viewers laugh, cry, and cringe in a single scene.Essential for any fan, Fleabag: The Scriptures is the ultimate companion to a landmark series.

It has been more than fifty years since John Waters filmed his first short on the roof of his parents’ Baltimore home. Over the following decades, Waters has developed a reputation as an uncompromising cultural force not only in cinema, but also in visual art, writing, and performance. This major retrospective examines the artist’s influential career through more than 160 photographs, sculptures, soundworks, and videos he has made since the early 1990s. These works deploy Waters’s renegade humor to reveal the ways that mass media and celebrity embody cultural attitudes, moral codes, and shared tragedy.Waters has broadened our understanding of American individualism, particularly as it relates to queer identity, racial equality, and freedom of expression. In bringing “bad taste” to the walls of galleries and museums, he tugs at the curtain of exclusivity that can divide art from human experience. Waters freely manipulates an image bank of less-than-sacred, low-brow references—Elizabeth Taylor’s hairstyles, his own self-portraits, and pictures of individuals brought into the limelight through his films, including his counterculture muse Divine—to entice viewers to engage with his astute and provocative observations about society.This richly illustrated book explores themes including the artist’s childhood and identity; Pop culture and the movie business; Waters’s satirical take on the contemporary art world; and the transgressive power of images. The catalogue features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; critic, curator, and artist Robert Storr; as well as an interview with Waters by photographer Wolfgang Tillmans.Published in association with the Baltimore Museum of Art.Exhibition dates:The Baltimore Museum of Art: October 7, 2018–January 6, 2019Wexner Center for the Arts: February 2–April 28, 2019

'Funny, kind, generous and smart - I could have done with the wisdom of Flo Perry far sooner' Dolly AldertonWhen it comes to our sex lives, few of us are free of niggling fears and body image insecurities. Rather than enjoying and exploring our bodies uninhibited, we worry about our bikini lines, bulging tummies and whether we're doing it 'right'.Flo broaches everything from faking it to consent, stress to kink, and how losing your virginity isn't so different to eating your first chocolate croissant. Her mission is to get more people talking openly about what they do and don't want from every romantic encounter.

From a #1 Apple podcast host, Lambda Literary fellow, and dominatrix comes a sex-positive, judgment-free cultural deep-dive into the world of kink.When celebrated BDSM educator Tina Horn first launched Why Are People Into That?!, publications from Vice to Buzzfeed heralded it as one of the best sex podcasts around. Each episode centered around a different fetish or fantasy, thoughtfully examining why, exactly, different strokes work for different folks. From sex workers and scientists to artists and activists, Tina’s wide range of guests helped educate fascinated listeners across the world on the wide spectrum of humanity’s appetites. With her listeners growing more and more insatiable, she soon realized that the only way to address the titular question with all the depth and nuance it deserved was to turn that idea into a book.From spanking, strap-ons, and sluts, to taboos involving cake, chains, and cannibalism, WHY ARE PEOPLE INTO THAT? explores the universal drives that shape even the most specific erotic tastes, and the cultural context that molds and is molded by the way we conceptualize pleasure, gender, fantasy, and power. With buoyant prose, Tina invites us to reconsider everything we thought we knew about sexuality. How, for example, should we think about "consensual nonconsent" in a post-#MeToo era? How does cross-dressing fit in with our evolving cultural understanding of gender performance and identity? And what do foot fetishists, fisters, and FinDoms have in common?Blending insightful cultural criticism, investigative journalism, and spicy anecdotes from Tina’s 15+ years of hard-earned expertise in the sex industry and beyond, WHY ARE PEOPLE INTO THAT? is a philosophical-but-fun exploration of the prismatic spectrum of human desire and the expansive possibilities of pleasure. For fans of adrienne maree brown and Emily Nagoski, this raunchy and rousing book is perfect for anyone who is interested not only in the intricacies of what we desire, but in how desire itself really works.

Finalist for the PEN/Faulkner Award, the Barnes & Noble Discover Prize, and the James Tait Black Prize for Fiction. One of the Washington Post's 50 Notable Works of Fiction in 2023. One of The New York Times' 10 Best California Books of 2023. Longlisted for the Mark Twain American Voice in Literature Award.“Open Throat is what fiction should be.” ―The New York Times Book ReviewA lonely, lovable, queer mountain lion narrates this star-making fever dream of a novel.A queer and dangerously hungry mountain lion lives in the drought-devastated land under the Hollywood sign. Lonely and fascinated by humanity’s foibles, the lion spends their days protecting a nearby homeless encampment, observing hikers complain about their trauma, and, in quiet moments, grappling with the complexities of their gender identity, memories of a vicious father, and the indignities of sentience.When a man-made fire engulfs the encampment, the lion is forced from the hills down into the city the hikers call “ellay.” As the lion confronts a carousel of temptations and threats, they take us on a tour that spans the cruel inequalities of Los Angeles and the toll of climate grief. But even when salvation finally seems within reach, they are forced to face down the ultimate question: Do they want to eat a person, or become one?Henry Hoke’s Open Throat is a marvel of storytelling, a universal journey through a wondrous and menacing world recounted by a lovable mountain lion. Feral and vulnerable, profound and playful, Open Throat is a star-making novel that brings the mythic to life.

"Girls Girls Girls floored me. . . . It's completely extraordinary." —Catherine Newman, New York Times bestselling author of SandwichA vibrant queer Jewish debut "teeming with heart, angst, love, and self discovery" (Emily Austin) about a young woman who, caught between the expectations of others and her own evolving desires, is forced to make a series of fraught life-altering decisions.It’s the summer of ’96 and best friends (and secret girlfriends) Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe.When the financial strains of West Coast living push the girls to start stripping at The Chez Paree—yet another secret Hannah must keep from her family—Hannah feels trapped. Sam wants her at the club, but Hannah hates stripping nearly as much as she hates disappointing Sam. Then Hannah meets Chris, an older butch lesbian, who is immediately taken with her. Desperate to stay in San Francisco, but away from the leering men at the club, Hannah proposes an escort arrangement.But as Hannah falls deeper into Chris’ world and Sam starts to meet new queer friends, a rift forms between them. Without Sam, who is Hannah? And what becomes of San Francisco to Hannah alone—a space rich with queer possibility, or an intimidating, unfamiliar place, just as lonely as the one she’d left behind? An achingly tender and resonant story of survival, first love, and growing up queer in the ’90s, Girls Girls Girls is a piercing exploration of the choices we make in the thrilling and often confounding search for ourselves and home.

Winner of Randy Shilts AwardIn the half century before the Nazis rose to power, Berlin became the undisputed gay capital of the world. Activists and medical professionals made it a city of firsts—the first gay journal, the first homosexual rights organization, the first Institute for Sexual Science, the first sex reassignment surgeries—exploring and educating themselves and the rest of the world about new ways of understanding the human condition. In this fascinating examination of how the uninhibited urban culture of Berlin helped create our categories of sexual orientation and gender identity, Robert Beachy guides readers through the past events and developments that continue to shape and influence our thinking about sex and gender to this day.

"A feeling that we could do whatever we liked swept through us in the 60s..."The sexual revolution liberated a generation. But men most of all.We tend to think of the 60s as a decade sprinkled with stardust: a time of space travel and utopian dreams, but above all of sexual abandonment. When the pill was introduced on the NHS in 1961 it seemed, for the first time, that women - like men - could try without buying."It was paradise for men... all these willing girls..."But this book - by 'one of the great social historians of our time' - describes a turbulent power struggle.Here are the voices from the battleground. Meet dollybird Mavis, debutante Kristina, Beryl who sang with the Beatles, bunny girl Patsy, Christian student Anthea, industrial campaigner Mary and countercultural Caroline. From Carnaby Street to Merseyside, from mods to rockers, from white gloves to Black is Beautiful, their stories throw an unsparing spotlight on morals, four-letter words, faith, drugs, race, bomb culture and sex.This is a moving, shocking book about tearing up the world and starting again. It's about peace, love, psychedelia and strange pleasures, but it is also about misogyny, violation and discrimination - half a century before feminism rebranded. For out of the swamp of gropers and groupies, a movement was emerging, and discovering a new cause: equality.The 1960s: this was where it all began. Women would never be the same again.'One of the great social historians of our time. No one else makes makes history this fun' Amanda Foreman'Intimate, immersive, often moving, How Was It For You? subtly but powerfully subverts complacent male assumptions about a legendary decade' David Kynaston'An absorbing study of an extraordinary age. Beautifully written and intensively researched' Selina Hastings'Every baby boomer should read this great and wonderfully revelatory book if only to shout, "Ah yes, that's exactly what it was like for me!"' Anne Sebba'Virginia Nicholson is the outstanding recorder of British lives in the twentieth century... and this account of the 1960s is the most vivid and moving of all her works' Carmen Callil'Essential reading' Marina Lewycka'A dazzling kaleidoscope of facts, feelings and observations' Juliet Nicolson'A hugely ambitious, kaleidoscope of a book' Richard Vinen'Makes it feel like the Sixties have never been away' Hunter Davies'I was there, and she's right' Valerie Grove

A heartbreaking and hilarious memoir about the author’s journey from a god-fearing Muslim boy to a proud, queer drag queenMy name is Amrou Al-Kadhi – by day. By night, I am Glamrou, an empowered, confident and acerbic drag queen who wears seven-inch heels and says the things that nobody else dares to.Growing up in a strict Iraqi-British Muslim household, it didn’t take long for me to realise I was different. When I was ten years old, I announced to my family that I was in love with Macaulay Culkin in Home Alone. The resultant fallout might best be described as something like the Iraqi version of Jeremy Kyle. And that was just the beginning.This is the story of how I got from there to here. You’ll read about my teenage obsession with marine biology, and how fluid aquatic life helped me understand my non-binary gender identity. You’ll read about my scholarship at Eton college, during which I wondered if I could forge a new identity as a British aristocrat (spoiler alert: it didn’t work). You’ll read about how I discovered the transformative powers of drag while at Cambridge university; about how I suffered a massive breakdown after I left, and very nearly lost my mind; and about how, after years of rage towards it, I finally began to understand Islam in a new, queer way.Most of all, this is a book about my mother, my first love, the most beautiful and glamorous woman I’ve ever known, the unknowing inspiration for my career as a drag queen – and a fierce, vociferous critic of anything that transgresses normal gender boundaries. It’s about how we lost and found each other, about forgiveness, understanding, hope – and the life-long search for belonging.

“Consent” is a Molotov cocktail, flung at the face of the French establishment, a work of dazzling, highly controlled fury...By every conceivable metric, her book is a triumph.” -- The New York TimesAlready an international literary sensation, an intimate and powerful memoir of a young French teenage girl’s relationship with a famous, much older male writer—a universal #MeToo story of power, manipulation, trauma, recovery, and resiliency that exposes the hypocrisy of a culture that has allowed the sexual abuse of minors to occur unchecked.Sometimes, all it takes is a single voice to shatter the silence of complicity.Thirty years ago, Vanessa Springora was the teenage muse of one of the country’s most celebrated writers, a footnote in the narrative of a very influential man in the French literary world.At the end of 2019, as women around the world began to speak out, Vanessa, now in her forties and the director of one of France’s leading publishing houses, decided to reclaim her own story, offering her perspective of those events sharply known.Consent is the story of one precocious young girl’s stolen adolescence. Devastating in its honesty, Vanessa’s painstakingly memoir lays bare the cultural attitudes and circumstances that made it possible for a thirteen-year-old girl to become involved with a fifty-year-old man who happened to be a notable writer. As she recalls the events of her childhood and her seduction by one of her country’s most notable writers, Vanessa reflects on the ways in which this disturbing relationship changed and affected her as she grew older.Drawing parallels between children’s fairy tales and French history and her personal life, Vanessa offers an intimate and absorbing look at the meaning of love and consent and the toll of trauma and the power of healing in women’s lives. Ultimately, she offers a forceful indictment of a chauvinistic literary world that has for too long accepted and helped perpetuate gender inequality and the exploitation and sexual abuse of children.Translated from the French by Natasha Lehrer"...One of the belated truths that emerges from [Consent] is that Springora is a writer. [...]Her sentences gleam like metal; each chapter snaps shut with the clean brutality of a latch." -- The New Yorker"Consent [is] rapier-sharp, written with restraint, elegance and brevity." -- The Times (London)"[Consent] has something steely in its heart, and it departs from the typical American memoir of childhood abuse in exhilarating ways." -- Slate"Lucid and nuanced...[Consent] will speak to trauma survivors everywhere." -- Los Angeles Review of Books”A piercing memoir about the sexually abusive relationship she endured at age 14 with a 50-year-old writer...This chilling account will linger with readers long after the last page is turned.” -- Publishers Weekly"Springora's lucid account is a commanding discussion of sexual abuse and victimization, and a powerful act of reclamation." -- Booklist"A chilling story of child abuse and the sophisticated Parisians who looked the other way...[Springora] is an elegant and perceptive writer." -- Kirkus