Empfehlungen basierend auf "Fulvia Playing for Power at the End of the Roman Republic"

A brilliant and beautifully written novel in the tradition of Robert Graves' I, Claudius, Augustus is a sweeping narrative that brings vividly to life a compelling cast of historical figures through their letters, dispatches, and memoirs. A mere eighteen years of age when his uncle, Julius Caesar, is murdered, Octavius Caesar prematurely inherits rule of the Roman Republic. Surrounded by men who are jockeying for power-Cicero, Brutus, Cassius, and Mark Antony-young Octavius must work against the powerful Roman political machinations to claim his destiny as first Roman emperor. Sprung from meticulous research and the pen of a true poet, Augustus tells the story of one man's dream to liberate a corrupt Rome from the fancy of the capriciously crooked and the wildly wealthy.

Lucius Annaeus Seneca (4 BCE–65 CE) was a Roman Stoic philosopher, dramatist, statesman, and adviser to the emperor Nero, all during the Silver Age of Latin literature. The Complete Works of Lucius Annaeus Seneca is a fresh and compelling series of new English-language translations of his works in eight accessible volumes. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, this engaging collection restores Seneca—whose works have been highly praised by modern authors from Desiderius Erasmus to Ralph Waldo Emerson—to his rightful place among the classical writers most widely studied in the humanities.Anger, Mercy, Revenge comprises three key writings: the moral essays On Anger and On Clemency —which were penned as advice for the then young emperor, Nero—and the Apocolocyntosis, a brilliant satire lampooning the end of the reign of Claudius. Friend and tutor, as well as philosopher, Seneca welcomed the age of Nero in tones alternately serious, poetic, and comic—making Anger, Mercy, Revenge a work just as complicated, astute, and ambitious as its author.

After the death of Alexander the Great, an extraordinary power struggle, involving intrigue and a series of murders, takes place among the various successors to his reign

Edward Gibbon's six-volume History of the Decline and Fall of the Roman Empire (1776-88) is among the most magnificent and ambitious narratives in European literature. Its subject is the fate of one of the world's greatest civilizations over thirteen centuries - its rulers, wars and society, and the events that led to its disastrous collapse. Here, in volumes one and two, Gibbon charts the vast extent and constitution of the Empire from the reign of Augustus to 395 ad. And in a controversial critique, he examines the early Church, with fascinating accounts of the first Christian and last pagan emperors, Constantine and Julian.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The author of the bestselling French Revolutions does Italy -- cycling the course of the 1914 Giro d'Italia on a wooden bike.On the eve of the Giro d'Italia's 100th anniversary, Tim Moore sets out to cycle the route of the first race, all 3,162 km of it. On a 100-year-old bike. That he built himself.The Giro is arguably the most brutal of the Grand Tours, and it began in style. At midnight on May 24, 1914 eighty-one starters were waved off by 10,000 spectators for this first circuit of Italy. Two weeks later, after enduring cataclysmic storms, roads strewn with nails, even the loss of an eye by one competitor, eight cyclists finished.Tim hadn't done any significant cycling for twelve years, but taking on the 1914 Giro was a compelling challenge. To make it more authentic, he decided to do it on a 1914 bike, which, unburdened by relevant experience, he needed to assemble from a stack of rusty parts in a Breton farmer's barn.Fuelled by Chianti, wearing period leather goggles and a woollen cycling shirt, and with the winner of the 1914 Giro's diary as his trusty companion, Tim sets off to tell the story of this historic race, as well as the travails of a middle-aged man cycling up a lot of mountains on a mainly wooden bicycle.

From acclaimed classical historian, author of Ghost on the Throne (“Gripping . . . the narrative verve of a born writer and the erudition of a scholar” —Daniel Mendelsohn) and editor of The Landmark Arrian:The Campaign of Alexander (“Thrilling” —The New York Times Book Review), a high-stakes drama full of murder, madness, tyranny, perversion, with the sweep of history on the grand scale.At the center, the tumultuous life of Seneca, ancient Rome’s preeminent writer and philosopher, beginning with banishment in his fifties and subsequent appointment as tutor to twelve-year-old Nero, future emperor of Rome. Controlling them both, Nero’s mother, Julia Agrippina the Younger, Roman empress, great-granddaughter of the Emperor Augustus, sister of the Emperor Caligula, niece and fourth wife of Emperor Claudius.James Romm seamlessly weaves together the life and written words, the moral struggles, political intrigue, and bloody vengeance that enmeshed Seneca the Younger in the twisted imperial family and the perverse, paranoid regime of Emperor Nero, despot and madman.Romm writes that Seneca watched over Nero as teacher, moral guide, and surrogate father, and, at seventeen, when Nero abruptly ascended to become emperor of Rome, Seneca, a man never avid for political power became, with Nero, the ruler of the Roman Empire. We see how Seneca was able to control his young student, how, under Seneca’s influence, Nero ruled with intelligence and moderation, banned capital punishment, reduced taxes, gave slaves the right to file complaints against their owners, pardoned prisoners arrested for sedition. But with time, as Nero grew vain and disillusioned, Seneca was unable to hold sway over the emperor, and between Nero’s mother, Agrippina—thought to have poisoned her second husband, and her third, who was her uncle (Claudius), and rumored to have entered into an incestuous relationship with her son—and Nero’s father, described by Suetonius as a murderer and cheat charged with treason, adultery, and incest, how long could the young Nero have been contained?Dying Every Day is a portrait of Seneca’s moral struggle in the midst of madness and excess. In his treatises, Seneca preached a rigorous ethical creed, exalting heroes who defied danger to do what was right or embrace a noble death. As Nero’s adviser, Seneca was presented with a more complex set of choices, as the only man capable of summoning the better aspect of Nero’s nature, yet, remaining at Nero’s side and colluding in the evil regime he created.Dying Every Day is the first book to tell the compelling and nightmarish story of the philosopher-poet who was almost a king, tied to a tyrant—as Seneca, the paragon of reason, watched his student spiral into madness and whose descent saw five family murders, the Fire of Rome, and a savage purge that destroyed the supreme minds of the Senate’s golden age.

Liam O'Connor should have died at sea in 1912. Maddy Carter should have died on a plane in 2010. Sal Vikram should have died in a fire in 2026. But all three have been given a second chance - to work for an agency that no one knows exists. Its purpose: to prevent time travel destroying history . . . Project Exodus - a mission to transport 300 Americans from 2070 to 54AD to overthrow the Roman Empire - has gone catastrophically wrong. Half have arrived seventeen years earlier, during the reign of Caligula. Liam goes to investigate, but when Maddy and Sal attempt to flee a kill-squad sent to hunt down their field office, all of the TimeRiders become trapped in the Roman past. Armed with knowledge of the future, Caligula is now more powerful than ever. But with the office unmanned - and under threat - how will the TimeRiders make it back to 2001 and put history right? ** Book five in the bestselling TimeRiders series by Alex Scarrow. ** Ancient Rome gets a time-travel makeover! ** TimeRiders (Book 1) won the Red House Book Award older readers category, and was Penguin UK's first ever number one on the iBookstore. ** www.time-riders.co.uk

The Ninth Legion marched into the mists of northern Britain-and they were never seen again. Four thousand men disappeared and their eagle standard was lost. It's a mystery that's never been solved, until now . . . So begins the story of The Eagle of the Ninth, set against a backdrop of Roman Britain and featuring a young soldier, Marcus Aquila, who sets off into the unknown north to find out what happened to the lost legion. Following on from this are The Silver Branch in which two young soldiers uncover a plot to overthrow the Emperor, and The Lantern Bearers which is set at a time when the Romans are leaving the shores of Britain and tells of Aquila who, having served in the Roman army, is now returning home to his farm-but when he gets there everything he knows and loves has been destroyed and so he sets out to seek revenge. To have three such exciting stories in one volume is a treat for fans old and new.

Alexander the Great conquered an enormous empire--stretching from Greece to the Indian subcontinent--and his death triggered forty bloody years of world-changing warfare. These were years filled with high adventure, intrigue, passion, assassinations, dynastic marriages, treachery, shifting alliances, and mass slaughter on battlefield after battlefield. And while the men fought on the field, the women, such as Alexander's mother Olympias, schemed from their palaces and pavilions.The story of one of the great forgotten wars of history, Dividing the Spoils serves up a fast-paced narrative that captures this turbulent time as it revives the memory of the Successors of Alexander and their great war over his empire. The Successors, Robin Waterfield shows, were no mere plunderers. Indeed, Alexander left things in great disarray at the time of his death, with no guaranteed succession, no administration in place suitable for such a large realm, and huge untamed areas both bordering and within his empire. It was the Successors--battle-tested companions of Alexander such as Ptolemy, Perdiccas, Seleucus, and Antigonus the One-Eyed--who consolidated Alexander's gains. Their competing ambitions, however, eventually led to the break-up of the empire. To tell their story in full, Waterfield draws upon a wide range of historical materials, providing the first account that makes complete sense of this highly complex period.Astonishingly, this period of brutal, cynical warfare was also characterized by brilliant cultural achievements, especially in the fields of philosophy, literature, and art. A new world emerged from the dust and haze of battle, and, in addition to chronicling political and military events, Waterfield provides ample discussion of the amazing cultural flowering of the early Hellenistic Age.

A fresh narrative history of the rise of Rome's empire in Italy, that exposes the monumental expansion of the Roman familial, social, political, and militaristic way of living across Italy. Before the Romans could become masters of the Mediterranean, they had to first conquer the people of their own peninsula. This book explores the origins of Roman imperialism and the creation of Rome's early Italian empire, bringing new light and interpretations to this important but problematic period in Roman history. It explains how and why the Romans were able to expand their influence within Italy, often through the use of armed conflict, laying the foundations for their great imperial project. This book critically reexamines and reframes the traditional literary narrative within an archaeologically informed, archaic Italian context. Jeremy Armstrong presents a new interpretation of the early Roman army, highlighting the fluid and family-driven character which is increasingly visible in the evidence. Drawing on recent developments within the field of early Roman studies, Children of Mars argues that the emergence of Rome's empire in Italy should not be seen as the spread of a distinct "Roman" people across Italian land, but rather the expansion of a social, political, and military network amongst the Italian people. Armstrong suggests that Rome's early empire was a fundamentally human and relational one. While this reinterpretation of early Roman imperialism is no less violent than the traditional model, it alters its core dynamic and nature, and thus shifts the entire trajectory of Rome's Republican history.