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'... a most delicious, nourishing, and wholesome food...' Swift's devastating short satire on how to solve a famine Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Jonathan Swift (1667-1745). Swift's works available in Penguin Classics are Gulliver's Travels and A Modest Proposal and Other Writings.

Thirty years of celebrating the comic genius of Douglas Adams…On 12 October 1979 the most remarkable book ever to come out of the great publishing corporations of Ursa Minor (and Earth) was made available to humanity – The Hitchhiker’s Guide to the Galaxy.It’s an ordinary Thursday lunchtime for Arthur Dent until his house gets demolished. The Earth follows shortly afterwards to make way for a new hyperspace bypass and his best friend has just announced that he’s an alien. At this moment, they’re hurtling through space with nothing but their towels and an innocuous-looking book inscribed with the big, friendly words: DON’T PANIC.The weekend has only just begun…Volume one in the trilogy of five

Once more I am beyond the Valley of the Confused and treading lightly in the Universe of the Huge Red Bottom. What is the matter with me? I love the Sex God and he is my one and only, but try telling that to my lips. Georgia has finally put her red-bottomosity to rest and chosen Robbie the Sex God over Dave the Laugh. After all, with the Sex God she'll be a pop-star girlfriend and go on tour! Besides, Dave the Laugh is now dating her friend Ellen (although that didn't stop Georgia from snogging him at a party ... ). But when the Sex God is never around and Dave the Laugh breaks up with Ellen, Georgia doesn't know what to think! Is she doomed to be a pop-star widow, or will she take her own bottom firmly in hand and blow her cosmic horn? And will her cat, Angus (the size of a small Labrador, only mad), ever get over the shame of having his trouser snake addendums snipped? As always, in Georgia's life, nothing ever turns out as planned!

A new, affordable paperback edition of one O’Neill’s late masterpiecesEugene O’Neill’s last completed play, A Moon for the Misbegotten is a sequel to his autobiographical Long Day’s Journey Into Night. Moon picks up eleven years after the events described in Long Day’s Journey Into Night, asJim Tyrone (based on O’Neill’s older brother Jamie) grasps at a last chance at love under the full moonlight. This paperback edition features an insightful introduction by Stephen A. Black, helpful to anyone who desires a deeper understanding of O’Neill’s work.

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The hilarious 1980s political satire by Jonathan Coe, published as a Penguin Essential for the first time.It is the 1980s and the Winshaw family are getting richer and crueller by the year:Newspaper-columnist Hilary gets thousands for telling it like it isn't; Henry's turning hospitals into car parks; Roddy's selling art in return for sex; down on the farm Dorothy's squeezing every last pound from her livestock; Thomas is making a killing on the stock exchange; and Mark is selling arms to dictators.But once their hapless biographer Michael Owen starts investigating the family's trail of greed, corruption and immoral doings, the time growing ripe for the Winshaws to receive their comeuppance. . .This wickedly funny take on life under the Thatcher government was the winner of the 1995 John Llewellyn Rhys Prize'A sustained feat of humour, suspense and polemic, full of twists and ironies' Hilary Mantel, Sunday Times'A riveting social satire on the chattering and all-powerful upper classes' Time Out'Big, hilarious, intricate, furious, moving' Guardian

WINNER OF THE 2014 GUARDIAN FIRST BOOK AWARD *Winner of the 2014 Frank O'Connor International Short Story Award *Winner of the 2014 Rooney Prize for Irish Literature This magnificent collection takes us to Glanbeigh, a small town in rural Ireland âe" a town in which the youth have the run of the place. Boy racers speed down the back lanes; couples haunt the midnight woods; young skins huddle in the cold once The Peacock has closed its doors. Here the young live hard and wear the scars. It matters whose sister you were seen with. If you are in the wrong place at the wrong time, it matters a very great deal. Colin Barrettâe(tm)s debut does not take us to Glanbeigh alone; there are other towns, and older characters. But each story is defined by a youth lived in a crucible of menace and desire âe" and each crackles with the uniform energy and force that distinguish this terrific collection.

A stunning 30th anniversary edition of the best-selling Mister God This Is Anna, together with the sequels, Anna's Book, Anna and the Black Knight, with a new preface by Dr Rowan Williams, Archbishop of Canterbury.

Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London . Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books. The third volume, The Acceptance World (1955), opens with Nick Jenkins, in his late twenties, beginning to make his way in the world of letters: working for a publisher, writing on his own, and establishing connections across the literary landscape. At the same time, he is making his way in love, as a surprise meeting with an old friend’s sister blossoms into an affair. Meanwhile, friends are diving into marriage and careers, and the patterns of life’s dance are starting to take shape—even as the future steps remain shadowy. "Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."--Chicago Tribune "A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."--Elizabeth Janeway, New York Times "One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."--Naomi Bliven, New Yorker “The most brilliant and penetrating novelist we have.”--Kingsley Amis

Maurice, James Ivory's 1987 adaptation of the E.M. Forster novel, follows an Edwardian man's journey from the awakening of his desire for and love of men to self-acceptance. One of the most politically resistant films of the 1980s, Maurice dared to depict a young man's coming-out story and a happy ending for its lovers, Maurice and Alec. James Ivory and producer Ismail Merchant, a couple whose cinema is synonymous with period film adaptation, released Maurice during the first AIDS decade, a time of flagrant transatlantic homophobia. Criticism following its release described Ivory as a superficial and staid director, while the film was received as a regression to the uncinematic and overly faithful style that characterized the early adaptations by Merchant Ivory Productions. Offering a close reading of Forster's novel and an analysis of Ivory's distinctive visual style, Richard Robbins's indelible score, and the performances of James Wilby, Hugh Grant, and Rupert Graves, David Greven argues that the film is a model of sympathetic adaptation. This study champions the film as the finest of the Merchant Ivory works, making a case for Ivory's underappreciated talents as a director of great subtlety and intelligence, and for the film as one worth recuperating from its detractors. Understanding Maurice as a fully realized work of art and adaptation, this volume offers insight into how a stunning novel of gay love became a classic of queer film.