Empfehlungen basierend auf "Frankenstein Ab 11. Schuljahr: Textband mit Annotationen"

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a guide to both the music and the poetry of Schubert's much-loved song cycle, set to poems by the Prussian poet Wilhelm MÜller. Composed in 1823, this work is one of the greatest masterpieces of the song repertoire. The genesis of both the poetry and the music, composed soon after Schubert discovered that he had contracted syphilis, is discussed in the first two chapters. A chapter on the poetry considers MÜller's uneasy relationship to the tenets of Romanticism; the influence of Goethe, folk poems, and medieval poetry on Die schöne MÜllerin; and a reading of each of the poems, which are reproduced in German and in English translation. The final chapter provides commentary on each of the twenty songs in the cycle.

Shipped from UK, please allow 10 to 21 business days for arrival. Goethe's Faust: notes for a Jungian commentary. 111 p. : ill. ; 22 cm.. . Includes bibliographical references (p. 105-107) and index.. . Light edge wear and creasing on the soft cover.Binding tight and square,contents clean and unmarked.

Six richly inventive pieces by the Swiss master of existentialist theater. Includes "Romulus the Great, 21 Points to the Physician," and "A Monster Lecture on Justice and Law."

Die G�ttliche Kom�die ist das Hauptwerk des italienischen Dichters Dante Alighieri. Sie entstand zwischen 1307 und 1321 und gilt als die bedeutendste Dichtung der italienischen Literatur. Die Commedia schildert die Reise Dantes durch die dreiReiche des Jenseits. Zun�chst f�hrt ihn die Reise in die die H�lle, dann zum L�uterungsberg und schlie�lich ins Paradies.

Six richly inventive pieces by the Swiss master of existentialist theater. Includes "Romulus the Great, 21 Points to the Physician," and "A Monster Lecture on Justice and Law.">

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Richard Wagner's vast Ring cycle, comprising four full-length operas, is arguably the most extraordinary achievement in the history of opera. His libretto to the work is more than a literary work of art: its intricate system of metric patterns, imaginative metaphors, ample use of alliteration - together with its singability - combine to create something unique, so that the music is embedded in the text.This volume presents Rudolph Sabor's translation of the libretto to the third of the tetralogy, Siegfried. This new translation, which runs side-by-side with the German text, preserves the original metre and elucidates the complexities of Wagner's intricate libretto. It is unprecedented in presenting next to the translation not only a running commentary on the drama but also the names of the leitmotifs as they occur. The translation is supplemented by scene-by-scene synopses, short discussions of each leitmotif new to each scene, a discography, videography, and full bibliography. Lists of all motifs in the opera and all motifs in the Ring cycle conclude the volume.Rudolph Sabor has also translated the librettos to the other three operas of the cycle, and a companion volume of essays relating to Wagner's Ring completes the series. Ranging from a discussion of Wagner's Literary sources to a review of the Ring's performance history, the essays provide a prodigious treasury of information for the Wagner enthusiast.The books can be enjoyed individually or as a series; either way they will equip the Wagner enthusiast with a fund of information to make the Ring journey more rewarding.

"Operetta: A Theatrical History" is considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon. Beginning in mid-19th century Europe, the book covers all of the key developments in the form, including the landmark works by Strauss and his followers, Gilbert & Sullivan, Franz Lehar, Rudolf Friml, Victor Herbert, and many more. The book perfectly captures the champagne-and-ballroom atmosphere of the greatest works in the genre. It will appeal to all fans of musical theatre history.

This edition of Brahms' greatest, most ambitious vocal work is reprinted from the definitive edition of the composer's works, prepared by Breitkopf & Härtel of Leipzig. Inexpensive but sturdily constructed to provide years of pleasurable use, this full score combines all the musical parts in a clear, readable format, with wide margins, large noteheads, and many other helpful features.Brahms conducted the first major performance of the German Requiem in Bremen Cathedral in April 1868. The occasion — attended by many distinguished musicians, among them Clara Schumann — provided the 34-year-old composer with his first great public success. Scored for mixed chorus, solo voices, and full orchestra, the Requiem reflects Brahms' virtuosic grasp of nineteenth-century vocal technique as well as the polyphonic vocal traditions of the previous three centuries. Above all, it radiates Brahms' stalwart individuality, technical mastery, and stirring emotional appeal, which were soon to secure his unique position in the musical world. More than a century after its debut, this masterpiece of choral music is one of the most performed and recorded works in the repertoire of religious music.