Empfehlungen basierend auf "Foundation: The History of England Volume I (The History of England, 1)"

Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1905. Excerpt: ... ACT I Scene--The octagon room at Sir Robert CHILTern's house in Grosvenor Square. [The room is brilliantly lighted and full of guests. At the top of the staircase stands Lady Chiltern, a woman of grave Greek beauty, about twenty-seven years of age. She receives the guests as they come up. Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large eighteenthcentury French tapestry--representing the Triumph of Love, from a design by Boucher--fhat is stretched on the staircase wall. On the right is the entrance 'to the music-room. The sound of a string quartette is faintly heard. The entrance on the left leads to other reception-rooms. Mrs. Marchmont and Lady Basildon, two very pretty women, are seated together on a Louis Seize sofa. They are types of exquisite fragility. Their affectation of manner- has a delicate charm. Watteau would have loved to paint them.) Mrs. Marchmont. Going on to the Hartlocks' tonight, Margaret? Lady Basildon. I suppose so. Are you? Mrs. Marchmont. Yes. Horribly tedious parties they give, don't they? Lady Basildon. Horribly tedious! Never know why I go. Never know why I go anywhere. Mrs. Marchmont. I come here to be educated. Lady Basildon. Ah! I hate being educated! Mrs. Marchmont. So do I. It puts one almost on a level with the commercial classes, doesn't it? But 1 dear Gertrude Chiltern is always telling me that I should have some serious purpose in life. So I come here to try to find one. Lady Basildon [Looking round through her lorgnette]. I don't see anybody here to-night whom one could possibly call a serious purpose. The man who took me in to dinner talked to me about his wife the whole time. Hrs. MArchmont. How very trivial of him! Lady Basildon. Terribly trivial! What did your man talk about? Mrs. Mabchmont. Abo...

HardCover. Pub Date :2013-08-29 Pages: 288 Language:. English A revealing look backstage at the hit TV show Downton Abbey In-depth interviews give an exclusive insight into the actors' experiences on set as well as the celebrated creative team behind the award-winning drama.A lavishly illustrated book full of images from the new series including those stunning 1920s costumes. which will delight the millions of devoted Downton fans. Step inside the props store or the hair and make-up truck and catch a glimpse of the never-before-seen secret backstage world Expertly crafted with inside knowledge and facts. Behind the Scenes at Downton Abbey: The official companion to all four series. will delve into the inspiration behind the details seen on screen. the choice of locations. the music and much more.With a perspective from the director's chair and rare insights into filming. thi...

WINNER OF THE WOLFSON HISTORY PRIZE AND THE DUFF COOPER PRIZE FOR NON-FICTION 'Endlessly fascinating and enjoyable' Neil MacGregor 'A marvellous book' David Attenborough 'Full of delights' Tom Stoppard An extraordinary exploration of the medieval world - the most beguiling history book of the year This is a book about why medieval manuscripts matter. Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature. The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste. Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.

Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions―until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet.The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.

The full scripts of award-winning Downton Abbey, season two including previously unseen commentary from Julian FellowesOpening in 1916, as the First World War rages across Europe, Season Two is the next dramatic installment of the much-loved, award-winning drama. The Crawley family and their servants play their parts on the front line and back at home as their lives are intensified by the strains of war.The shooting scripts give a fascinating view of how Julian Fellowes weaves his storylines of love, loss, and betrayal to captivate the audience. With key insights into the research and creative processes, this will appeal to fans and students alike.

Complete with two volumes of short stories and three of poetry, plus play reviews, uncollected articles, later stories, book reviews, and an afterword by W. Somerset Maugham.

Spanning seven centuries, this ambitious and revelatory collection turns the traditional chronology of anthologies on its head, listing poems according to their first individual appearance in the language rather than by poet.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In her highly praisedThe Six Wives of Henry VIIIand its sequel,Children of England, Alison Weir examined the private lives of the early Tudor kings and queens, and chronicled the childhood and youth of Elizabeth I. This book begins as the young Elizabeth ascends the throne in the wake of her sister Mary’s disastrous reign. Elizabeth is portrayed as both a woman and a queen, an extraordinary phenomenon in a patriarchal age. Alison Weir writes of Elizabeth’s intriguing, long-standing affair with Robert Dudley, Earl of Leicester; of her dealings — sometimes comical, sometimes poignant — with her many suitors; of her rivalry with Mary, Queen of Scots; and of her bizarre relationship with the Earl of Essex, thirty years her junior. Rich in detail, vivid and colourful, this book comes as close as we shall ever get to knowing what Elizabeth I was like as a person.

Edward II (1284 1327), King of England, Lord of Ireland, and Duke of Aquitaine, was the object of ignominy during his lifetime and calumny since it. Conventionally viewed as worthless, incapable of sustained policy, and significant only for his sporadic displays of ill-directed energy or a stubborn adherence to greedy and ambitious favorites, he has been presented as fit only to be deposed and replaced by someone more worthy of the throne. This definitive biography, the fruit of a lifetime s study, does not present Edward II as a heroic or successful king: his deposition after a turbulent reign of nearly twenty years is proof enough that it went terribly wrong. But Seymour Phillips scrutiny of the multitude of available sources shows that a richer picture emerges, in line with the complexity of events and of the man himself. If Edward II was not a successful king, he was not fundamentally different in many ways from most English monarchs. The biography strikes a deft balance, taking full account of the problems the king faced in England, Scotland, and Ireland and in his relations with France. It also tackles the contentious issue of whether Edward II did not die in 1327, murdered under barbaric circumstances, but lived on as a captive in England and then a wanderer on the Continent. Eight hundred years on, a king s life is properly examined."

A generous and varied selection–the only hardcover edition available–of the literary and political writings of one of the greatest essayists of the twentieth century. Although best known as the author of Animal Farm and Nineteen Eighty-four, George Orwell left an even more lastingly significant achievement in his voluminous essays, which dealt with all the great social, political, and literary questions of the day and exemplified an incisive prose style that is still universally admired. Included among the more than 240 essays in this volume are Orwell’s famous discussion of pacifism, “My Country Right or Left”; his scathingly complicated views on the dirty work of imperialism in “Shooting an Elephant”; and his very firm opinion on how to make “A Nice Cup of Tea.” In his essays, Orwell elevated political writing to the level of art, and his motivating ideas–his desire for social justice, his belief in universal freedom and equality, and his concern for truth in language–are as enduringly relevant now, a hundred years after his birth, as ever.