Empfehlungen basierend auf "Folly and Glory A Novel"

From one of our greatest living writers comes a sweeping novel of unrequited love and exile, war and family.The Magician tells the story of Thomas Mann, whose life was filled with great acclaim and contradiction. He would find himself on the wrong side of history in the First World War, cheerleading the German army, but have a clear vision of the future in the second, anticipating the horrors of Nazism. He would have six children and keep his homosexuality hidden; he was a man forever connected to his family and yet bore witness to the ravages of suicide. He would write some of the greatest works of European literature, and win the Nobel Prize, but would never return to the country that inspired his creativity. Through one life, Colm Toibin tells the breathtaking story of the twentieth century.___________________________________***Praise for Colm Tóibín***'A celebration of what novels can do' Observer'Devastatingly human . . . savage, sordid and hauntingly believable' Guardian'Tremendous, richly beautiful, wonderful . . . it does everything we ought to ask of a great novel' Tessa Hadley'Subtle and enthralling' Sunday Times

The acclaimed artist Brom brilliantly displays his multiple extraordinary talents in The Child Thief—a spellbinding re-imagining of the beloved Peter Pan story that carries readers through the perilous mist separating our world from the realm of Faerie. As Gregory Maguire did with his New York Times bestselling Wicked novels, Brom takes a classic children’s tale and turns it inside-out, painting a Neverland that, like Maguire’s Oz, is darker, richer, more complex than innocent world J.M. Barrie originally conceived. An ingeniously executed literary feat, illustrated with Brom’s sumptuous artwork, The Child Thief is contemporary fantasy at its finest—casting Peter Pan, the Lost Boys, even Captain Hook and his crew in a breathtaking new light.

A literary masterpiece by a Polish traveller, aristocratic adventurer, political activist, ethnographer and publisherAlphonse, a young Walloon officer, is travelling to join his regiment in Madrid in 1739. But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Dandelion Wine is a 1957 semi-autobiographical novel by Ray Bradbury, taking place in the summer of 1928 in the fictional town of Green Town, Illinois — a pseudonym for Bradbury's childhood home of Waukegan, Illinois. The novel developed from the short story "Dandelion Wine" which appeared in the June 1953 issue of Gourmet magazine.

Twenty five years ago, T.C. Boyle published his first novel, Water Music—a funny, bawdy, extremely entertaining novel of imaginative and stylistic fancy that announced to the world Boyle's tremendous gifts as a storyteller. Set in the late eighteenth century, Water Music follows the wild adventures of Ned Rise, thief and whoremaster, and Mungo Park, a Scottish explorer, through London's seamy gutters and Scotland's scenic highlands—to their grand meeting in the heart of darkest Africa. There they join forces and wend their hilarious way to the source of the Niger.

Felix, a Jewish boy in Poland in 1942, is hiding from the Nazis in a Catholic orphanage. The only problem is that he doesn't know anything about the war, and thinks he's only in the orphanage while his parents travel and try to salvage their bookselling business. And when he thinks his parents are in danger, Felix sets off to warn them--straight into the heart of Nazi-occupied Poland. To Felix, everything is a story: Why did he get a whole carrot in his soup? It must be sign that his parents are coming to get him. Why are the Nazis burning books? They must be foreign librarians sent to clean out the orphanage's outdated library. But as Felix's journey gets increasingly dangerous, he begins to see horrors that not even stories can explain.Despite his grim suroundings, Felix never loses hope. Morris Gleitzman takes a painful subject and expertly turns it into a story filled with love, friendship, and even humor.

In the unforgettable sequel to the bestselling Jonathan Livingston Seagull, two barn-storming vagabonds meet in the fields of Midwest America and embark on an entertaining and sometimes startling mystical adventure that presents a new perspective on reality, miracles, and the way many of us could live—if we’re up for the challenge. In the cloud-washed airspace between the cornfields of Illinois and blue infinity, a man puts his faith in the propeller of his biplane. For disillusioned writer and itinerant barnstormer Richard Bach, belief is as real as a full tank of gas and sparks firing in the cylinders . . . until he meets Donald Shimoda—former mechanic and self-described messiah who can make wrenches fly and Richard’s imagination soar. . . . In Illusions, Richard Bach takes to the air to discover the ageless truths that give our souls wings: that people don’t need airplanes to soar . . . that even the darkest clouds have meaning once we lift ourselves above them . . . and that messiahs can be found in the unlikeliest places—like hay fields, one-traffic-light midwestern towns, and most of all, deep within ourselves.

Brian Attebery's "strategy of fantasy" include not only the writer's strategies for inventing believable impossibiltes, but also the reader's strategies for enjoying, challenging, and conspiring with the text. Drawing on a number of current literary theories (but avoiding most of their jargon), Attebery makes a case for fantasy as a significant movement within postmodern literature rather than as a simple exercise of nostalgia. Attebury examines recent and classic fantasies by Ursula K. Le Guin, John Crowley, J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In both its popular and postmodern incarnations, fantasic fiction exhibits a remarkable capacity for reinventing narrative concentions. Attebery shows how plots, characters, settings, storytelling frameworks, gender divisions, and references to cultural texts such as history and science are all called into question the moment the marvelous is admited into a story.

WITH AN AFTERWORD FROM THE AUTHOR 'A major work of mounting tensions in which the human mind is the guinea-pig... Mr Fowles has taken a big swing at a difficult subject and his hits are on the bull's eye' Sunday Times On a remote Greek Island, Nicholas Urfe finds himself embroiled in the deceptions of a master trickster. As reality and illusion intertwine, Urfe is caught up in the darkest of psychological games. John Fowles expertly unfolds a tale that is lush with over-powering imagery in a spellbinding exploration of human complexities. By turns disturbing, thrilling and seductive, The Magus is a feast for the mind and the senses.

Dazzling, enchanting and epic, The Bells is the confession of a thief, kidnapper and unlikely lover — a boy with the voice of an angel whose exquisite sense of hearing becomes both his life's tragic curse and its greatest blessing.Moses Froben was born in a belfry high in the Swiss Alps, the bastard son of a deaf-mute woman banished to the church tower to ring each day the Loudest and Most Beautiful Bells in the land. His life is simple but he is content, until the day his father recognizes Moses's singular sense of hearing and its power to expose his sins. Cast into the world with only his ears to protect and guide him, Moses finds refuge in the choir of the great Abbey of St. Gall and becomes its star singer, only to endure the horrifying act of castration meant to preserve his angelic voice and turn him into a musico.In a letter to his son, Moses recounts his humble birth in eighteenth-century Switzerland and his life as a novice monk, and tells of the two noble friends — and a forbidden lover — whom he cherished during his chaotic years in Mozart's Vienna as apprentice to the great Gaetano Guadagni, and even as he ascended Europe's most celebrated stages as Lo Svizzero. But in this letter he will also reveal the astonishing secrets of his past and answer the question that has shadowed his fame: how did Moses Froben, world-renowned musico, come to raise a son who by all rights he could never have sired?