Empfehlungen basierend auf "Fathers and Sons"

From the New York Times bestselling author of Rules of Civility—a transporting novel about a man who is ordered to spend the rest of his life inside a luxury hotelWith his breakout debut novel, Rules of Civility, Amor Towles established himself as a master of absorbing, sophisticated fiction, bringing late 1930s Manhattan to life with splendid atmosphere and a flawless command of style. Readers and critics were enchanted; as NPR commented, “Towles writes with grace and verve about the mores and manners of a society on the cusp of radical change.”A Gentleman in Moscow immerses us in another elegantly drawn era with the story of Count Alexander Rostov. When, in 1922, he is deemed an unrepentant aristocrat by a Bolshevik tribunal, the count is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors. Unexpectedly, his reduced circumstances provide him a doorway into a much larger world of emotional discovery.Brimming with humour, a glittering cast of characters, and one beautifully rendered scene after another, this singular novel casts a spell as it relates the count’s endeavour to gain a deeper understanding of what it means to be a man of purpose.

For fans of Ottessa Moshfegh’s My Year of Rest and Relaxation, the classic Russian novel about an indolent aristocrat who spends most of his days in bedA Penguin ClassicWritten with sympathetic humor and compassion, this masterful portrait of upper-class decline made Ivan Goncharov famous throughout Russia on its publication in 1859. Ilya Ilyich Oblomov is a member of Russia’s dying aristocracy—a man so lazy that he has given up his job in the Civil Service, neglected his books, insulted his friends, and found himself in debt. Too apathetic to do anything about his problems, he lives in a grubby, crumbling apartment, waited on by Zakhar, his equally idle servant. Terrified by the activity necessary to participate in the real world, Oblomov manages to avoid work, postpones change, and—finally—risks losing the love of his life. This superb translation by David Magarshack captures all the subtle comedy and near-tragedy of the original.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Little Clothbound Classics: irresistible mini editions of short stories, novellas, and essays from the world’s greatest writers, designed by the award-winning Coralie Bickford-SmithA Penguin Classics HardcoverFrom a writer widely considered to be one of greatest ever of the form, Anton Chekhov’s short stories offer unforgettable character, crystalline expression, and deep, powerful mystery. Collected here are five of his very best tales, “The Lady with the Little Dog,” “The House with the Mezzanine,” and the trilogy “The Man in the Case,” “Gooseberries,” and “About Love.”

Some stains and edge wear.

Andrey Tarkovsky, the genius of modern Russian cinema—hailed by Ingmar Bergman as "the most important director of our time"—died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films—Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre—most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

Of all Russian writers, Chekhov is one of the best liked and most easily appreciated. Yet he is also one of the most elusive. Here Donald Rayfield reveals the layers of meaning on which the great dramatist's stories and plays are built. He examines his brief twenty-year creative life, from medical student supplementing his income by writing comic stories to his rapid rise as the father of twentieth-century drama and narrative prose. Understanding Chekhov is enriched by revelations from previously unexplored archival material, which deepen our understanding of Chekhov's sources, preoccupations, philosophy, and his relations with theater, with fellow writers, and with contemporary ideas.

Although less famous than Mikhail Bulgakov's comic hit, The Master and Margarita, The White Guard is still an engrossing book, though completely different in tone. It is set in Kiev during the Russian revolution and tells the story of the Turbin family and the war's effect on the middle-classes (not workers).The story was not seen as politically correct, and thereby contributed to Bulgakov's lifelong troubles with the Soviet authorities. It was, however, a well-loved book, and the novel was turned into a successful play at the time of its publication in 1967.

Hailed universally as Russia's finest comic writer, and by many as its greatest writer of prose, Nikolai creates a unique Ukranian world, from the darkest Gothic to folkloric levity. Here, this extraordinary countryside is revealed in all its variety in his first two collections of short stories. The only translation available of this cycle of stories, this edition captures fully the spirit and vigor of his important early work for the first time.

In a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed Eugene Onegin, composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the "little tragedies". The "little tragedies" stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago, and have in recent years been out of print entirely. In this outstanding new translation, Nancy K. Anderson preserves the cadence and intensity of Pushkin's work while aligning it with today's poetic practices and freer approach to metrics. In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability.The four "little tragedies" -- Mozart and Salieri, The Miserly Knight, The Stone Guest, and A Feast During the Plague -- are extremely compressed dialogues, each dealing with a dominant protagonist whose central internal conflict determines both the plot and structure of the play. Pushkin focuses on human passions and the interplay between free will and fate: though each protagonist could avoid self-ruin, instead he freely chooses it.

Goncharov’s detached yet sympathetic portrait of the humdrum life of his ineffectual and slothful hero is a tragicomedy created through painstaking accumulation of seemingly insignificant details alongside a sympathetic analysis of his character.