Empfehlungen basierend auf "Family Meal"

The third volume ―the book that made Karl Ove Knausgaard a phenomenon in the United States―in the addictive New York Times bestselling series, My Struggle.A family of four―mother, father, and two boys―move to the south coast of Norway, to a new house on a newly developed site. It is the early 1970s and the family's trajectory is upwardly mobile: the future seems limitless. In painstaking, sometimes self-lacerating detail, Karl Ove Knausgaard paints a world familiar to anyone who can recall the intensity and novelty of childhood experience, one in which children and adults lead parallel lives that never meet.Perhaps the most Proustian in the series, My Struggle: Book 3 gives us Knausgaard's vivid, technicolor recollections of childhood, his emerging self-understanding, and the multilayered nature of time's passing, memory, and existence.

Winner of the Women’s Prize for Fiction“No one writes like Ruth Ozeki—a triumph.” —Matt Haig, New York Times bestselling author of The Midnight Library“Inventive, vivid, and propelled by a sense of wonder.” —TIME“If you’ve lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home.” —David Mitchell, Booker Prize-finalist author of Cloud AtlasA boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both—the brilliantly inventive new novel from the Booker Prize-finalist Ruth OzekiOne year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.And he meets his very own Book—a talking thing—who narrates Benny’s life and teaches him to listen to the things that truly matter.With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki—bold, wise, poignant, playful, humane and heartbreaking.

Charlie Babbitt thinks he will get a lot of money when his father dies. However the money goes to someone he doesn't know - a man who lives in hospital and is the brother Charlie never knew he had. The two meet and so starts a surprising new life for both of them. A deeply emotional story and also a major film starring Tom Cruise and Dustin Hoffman.

These prizewinning stories champion the everyday person who tries to do his or her best in demanding and even demeaning situations. The stories in A Common Person and Other Stories, R. M. Kinder’s third short-story collection and the winner of the Richard Sullivan Prize in Short Fiction, expose the disruption in our modern life and the ever-present threat of violence, and, most importantly, they capture the real heroism of everyday people. The characters in these stories, most set deep in the middle of America, seem to invite trouble through their concern for others: a neighbor’s mistreated dog, a boy standing up to a bully, a woman who faces cancer and the loss of love. Kinder’s characters struggle with conflicts common to us all—to treat humans and animals with compassion, to open minds and hearts to diversity, all while balancing the welfare of the individual and the larger community. The characters aren’t always loveable, but they have their moments of grace—they accept responsibility and take stands. These stories, by turns humorous, unsettling, and utterly believable, expose the dangers of ordinary life as their characters perform acts of defiance, determination, and connection. The memorable characters in A Common Person and Other Stories are, like us, doing the best they can, and that is often remarkable and admirable. Considered closely, Kinder shows us, no person is common.

“A remarkable novel. . . . A Prayer for Owen Meany is a rare creation. ... An amazingly brave piece of work ... so extraordinary, so original, and so enriching. . . . Readers will come to the end feeling sorry to leave [this] richly textured and carefully wrought world.” —STEPHEN KING, Washington PostI am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.In the summer of 1953, two eleven-year-old boys—best friends—are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary.A PBS Great American Read Top 100 Pick

The gruff and surly Mr Thomas Oakley is less than pleased when he is landed with a scrawny little city boy as a guest, but because it is compulsory that each villager takes in an evacuee he reluctantly agrees. It soon becomes obvious to Mister Tom that young Willie Beech is hiding something, and as the pair begin to form an unlikely bond and Willie grows in stature and in confidence he begins to forget the past. But when he has to return to war-torn London to face his mother again he retreats into his shy and awkward ways once more. Goodnight Mister Tom is one of the most touching and powerful stories ever written. As the relationship between Willie and Tom begins to transform them both, Magorian's powerful yet gentle writing tugs at the heart, taking the reader on an incredibly emotional journey that never once stoops to unnecessary sentimentality. --Susan Harrison

That's the good thing with stories. There's always a chance they can come true. Felix is lucky. Unlike the other children in the orphanage, he's certain his parents will come back for him one day. And whatever the Nazis do and however many books they burn, Felix's imagination provides him and his companions with an endless supply of stories - stories that protect them when they're on the run, shield them from the violent madness all around, give them hope when all seems lost, and one day may even save Felix's life. Once & Then is a spellbinding story of hope and imagination in the most terrible circumstances. However my story turns out, I'll never forget how lucky I am.

“A touching family portrait that also happens to be very, very funny. . . its appeal is timeless.” —Jonathan Yardley, Washington PostOne of the best-loved American memoirs of an oversized family and the parents who held them together - now a Disney+ movie starring Gabrielle Union and Zach Braff.What do you get when you put twelve lively kids together with a father—a famous efficiency expert—who believes families can run like factories, and a mother who is his partner in everything except discipline? You get a hilarious tale of growing up that has made generations of kids and adults alike laugh along with the Gilbreths in Cheaper by the Dozen.Translated into more than fifty-three languages and made into numerous films over the years — including a classic film starring Myrna Loy and a cult favorite with Steve Martin, Hilary Duff, and Alyson Stoner — this memoir is a delightfully enduring story of family life at the turn of the twentieth century.

Willy Vlautin’s award-winning novel Lean on Pete, a moving and compassionate story about a fifteen-year old-boy's unlikely connection to a failing racehorse as he struggles to find a place to call home—now a major motion picture from A24, the studio behind Moonlight and Lady Bird, starring Charlie Plummer, Chloë Sevigny, with Travis Fimmel and Steve Buscemi, and directed by Andrew Haigh (45 Years, Looking).“Lean on Pete riveted me. Reading it, I was heartbroken and moved; enthralled and convinced. This is serious American literature.”—Cheryl Strayed, OregonianFifteen-year-old Charley Thompson wants a home, food on the table, and a high school he can attend for more than part of a year. But as the son of a single father working in warehouses across the Pacific Northwest, Charley's been pretty much on his own. When tragic events leave him homeless weeks after their move to Portland, Oregon, Charley seeks refuge in the tack room of a run-down horse track. Charley's only comforts are his friendship with a failing racehorse named Lean on Pete and a photograph of his only known relative. In an increasingly desperate circumstance, Charley will head east, hoping to find his aunt who had once lived a thousand miles away in Wyoming—but the journey to find her will be a perilous one.In Lean on Pete, Willy Vlautin reveals the lives and choices of American youth like Charley Thompson who were failed by those meant to protect them and who were never allowed the chance to just be a kid.

An autobiographical story of childhood and family from the international sensation and bestseller, Karl Ove Knausgaard.Childhood is exhilarating and terrifying. For the young Karl Ove, new houses, classes and friends are met with manic excitement and creeping dread. Adults occupy godlike positions of power, benevolent in the case of his doting mother, tyrannical in the case of his cruel father.In the now infamously direct style of the My Struggle cycle, Knausgaard describes a time in which victories and defeats are felt keenly and every attempt at self-definition is frustrated. This is a book about family, memory and how we never become quite what we set out to be.