Empfehlungen basierend auf "Evidence of Sin"

Recounts the tragic story of a battered wife, who in desperation murdered her tormenting husband, and describes how they met and married, and how their relationship deteriorated

I'll show you what a woman can do . . .Rome 1611.A jewel-bright place of change, with sumptuous new palaces and lavish wealth on display. A city where women are seen but not heard.Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters -- men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She wants to experience the world, but she belongs to her father and will belong to a husband.As Artemisia patiently goes from lesson to lesson, perfecting her craft, she also paints in private, recreating the women who inspire her, away from her father's eyes.Until a mysterious tutor enters her life. Tassi is a dashing figure, handsome and worldly, and for a moment he represents everything that a life of freedom might offer. But then the unthinkable happens.In the eyes of her family, Artemisia should accept her fate. In the eyes of the law, she is the villain.But Artemisia is a survivor. And this is her story to tell.

Set in an unnamed city from which voices and images spring, Crave charts the disintegration of a human mind under the pressures of love, loss and desire"A hugely unnerving theatrical experience, shot through with the language of the Bible and a genuinely poetic richness" (Time Out)"A dramatic poem in the late-Beckett style, sometimes a chamber quartet for lost voices" (The Times)Produced by Paines Plough and Bright Ltd (Guy Chapman and Paul Spyker), Crave premiered at the Traverse Theatre for the 1998 Edinburgh Festival. It received its English premiere at the Royal Court Theatre in September 1998.

In the year 666 C.E., Sister Fidelma embarks on a pilgrimage to reflect upon her commitment to the church and her relationship with the Saxon monk Eadulf. Seabound to the Shrine of St. James, she encounters her first love Cian, who abandoned her ten years earlier. But before she can sort out her feelings-she must discern if a murderer has also set sail with her...

Rachel and Rose, now women with grown children of their own, find themselves face-to-face at last with the destiny that has haunted them for nearly half a century, since the two were switched at birth in the chaos of a hospital fire. What confronts them now threatens to uproot a lifetime of deeply buried secrets: the impending marriage of Rose's capable and caring son to Rachel's emotionally troubled daughter. Once again the two women and their families are pitted against each other ... just as Rachel learns that her mother, Sylvie, is dying. Only Rose knows that Sylvie is in reality her mother - and she yearns to be recognized as Sylvie's own before it's too late. A widow coping with the loss of her husband - yet powerfully attracted to an engaging talk-show host recovering from wounds of his own - Rose turns to her mother for help. In frail health, but still strong in spirit, Sylvie must choose between the intricate web of lies behind which she shields her loved ones ... and a truth that will shatter the lives of both her daughters - as well as that of her fragile granddaughter - before it can begin to heal them.

Lucia, mayor of Tilling and leader of local society faces a new challenge from her social rival Elizabeth Mapp-Flint

Subtly brilliant comedy of social rivalry between the wars. Emmeline Lucas (known universally to her friends as Lucia) is an arch-snob of the highest order. In Miss Elizabeth Mapp of Mallards Lucia meets her match. Ostensibly the most civil and genteel of society ladies, there is no plan too devious, no plot too cunning, no depths to which they would not sink, in order to win the battle for social supremacy. Using as their deadly weapons garden parties, bridge evenings and charming teas, the two combatants strive to outcharm each other - and the whole of Tilling society - as they vie for the position of doyenne of the town.

In hopes of saving a beloved medieval church from ruin, Marion prays for a miracle; but subsequent entanglement in a world of professional musicians who seem to solve her problems leads to some terrible ramifications which make Marion question whether her prayers were really a "success."

From the internationally bestselling author of The Porcelain Moon comes a haunting Gothic novel set in 1911 China. Two young women living in a crumbling, once-grand Shanghai mansion face danger as secrets of their pasts come to light, even as the mansion’s own secret threatens the present. Shanghai, 1911. Lisan Liu is elated when she is hired as secretary to wealthy American Caroline Stanton, the new mistress of Lennox Manor on the outskirts of Shanghai’s International Settlement. However, the Manor has a dark past due to a previous owner’s suicide, and soon Lisan’s childhood nightmares resurface with more intensity and meld with haunted visions of a woman in red. Adding to her unease is the young gardener, Yao, who both entices and disturbs her. Newly married Caroline looks forward to life in China with her husband, Thomas, away from the shadows of another earlier tragedy. But an unwelcome guest, Andrew Grey, attends her party and claims to know secrets she can’t afford to have exposed. At the same party, the notorious princess Masako Kyo approaches Lisan with questions about the young woman’s family that the orphaned Lisan can’t answer. As Caroline struggles with Grey’s extortion and Thomas’s mysterious illness, Lisan’s future is upended when she learns the truth about her past, and why her identity has been hidden all these years. All the while, strange incidents accelerate, driving Lisan to doubt her sanity as Lennox Manor seems unwilling to release her until she fulfills demands from beyond the grave. 

As the nuns of St. Frideswide's priory prepare for the welcome end of Lent, their peaceful expectations are overset by the sudden return of long- vanished Sister Cecely. Nine years ago she fled from the nunnery with a man. Now her lover is dead and she has come back, bringing her illegitimate son with her. She claims she is penitent, that she wants only to redeem her sin and find safe haven for the child. Neither she nor her son can be turned away, but their presence begins to stir doubts and questions in the hearts of some of the nuns about their own faithfulness to this enclosed life they've chosen to live. Sister Cecely may be penitent-however much Frevisse may doubt it-but fully truthful she is not, and as the apostate nun's lies begin to overtake her, dangers of more than one kind-and maybe murder-become an unwanted part of life in the priory.