Empfehlungen basierend auf "Essentials"

“if you read this after I am deadIt means I made it”-“The Creation Coffin”The People Look like Flowers at Last is the last of five collections of never-before published poetry from the late great Dirty Old Man, Charles Bukowski.In it, he speaks on topics ranging from horse racing to military elephants, lost love to the fear of death. He writes extensively about writing, and about talking to people about writers such as Camus, Hemingway, and Stein. He writes about war and fatherhood and cats and women. Free from the pressure to present a consistent persona, these poems present less of an aggressively disruptive character, and more a world-weary and empathetic person.

Winner of the Pulitzer Prize for PoetryMary Oliver's most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside."American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages." -- Stanley Kunitz"These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight." -- May Swenson

The perfect gift for fans of Florence + the Machine A beautifully illustrated collection of lyrics and never-before-seen poetry and sketches from Florence Welch Songs can be incredibly prophetic, like subconscious warnings or messages to myself, but I often don't know what I'm trying to say till years later. Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic. 'An elegant collaged scrapbook' Observer 'A treasure . . . beautiful . Generous in its honesty , by the end you feel as though you have climbed into the colourful, and sometimes tortured, world of a passionate artist' iNews

The poetry and prose collected in Plainwater are a testament to the extraordinary imagination of Anne Carson, a writer described by Michael Ondaatje as "the most exciting poet writing in English today." Succinct and astonishingly beautiful, these pieces stretch the boundaries of language and literary form, while juxtaposing classical and modern traditions.Carson envisions a present-day interview with a seventh-century BC poet, and offers miniature lectures on topics as varied as orchids and Ovid. She imagines the muse of a fifteenth-century painter attending a phenomenology conference in Italy. She constructs verbal photographs of a series of mysterious towns, and takes us on a pilgrimage in pursuit of the elusive and intimate anthropology of water. Blending the rhythm and vivid metaphor of poetry with the discursive nature of the essay, the writings in Plainwater dazzle us with their invention and enlighten us with their erudition.

In 1936, twenty-year-old Edward Weismiller became the youngest poet to win the prestigious Yale Series of Younger Poets prize. Today, more than sixty years later, he retains that distinction. Yale University Press here reintroduces Edward Weismiller - now the oldest living Younger Poet - with the publication of his latest book of poetry. Weismiller’s is "a talent that has kept faith with itself and its sources," says W. S. Merwin, current judge of the Younger Poets Series. In Walking Toward the Sun, youthful lyricism has given way to plainness of speech - even spareness. These poems are honest and unflinching, always striking in their prosody. They will remind some readers of Yeats, for they convey nobility in the face of old age, infirmity, and disappointment. Weismiller sings powerfully about a world of loss, but he is never grim or despairing. The poet in old age remains hopeful, open to possibility, and always aware of beauty in the smallest places.

An acute and deeply insightful book of essays exploring poetic form and the role of instinct and imagination within form—from former poet laureate, Pulitzer Prize and National Book Award winning author Robert Hass.Robert Hass—former poet laureate, winner of the National Book Award, and recipient of the Pulitzer Prize—illuminates the formal impulses that underlie great poetry in this sophisticated, graceful, and accessible volume of essays drawn from a series of lectures he delivered at the renowned Iowa Writers' Workshop.A Little Book on Form brilliantly synthesizes Hass's formidable gifts as both a poet and a critic and reflects his profound education in the art of poetry. Starting with the exploration of a single line as the basic gesture of a poem, and moving into an examination of the essential expressive gestures that exist inside forms, Hass goes beyond approaching form as a set of traditional rules that precede composition, and instead offers penetrating insight into the true openness and instinctiveness of formal creation.A Little Book on Form is a rousing reexamination of our longest lasting mode of literature from one of our greatest living poets.

Robert Browning, a towering poetic presence of the Victorian era, was hailed by Henry James as a tremendous and incomparable modern. The sheer immediacy and colloquial energy of his poetry ensure enduring appeal. Browning paints landscapes both suburban and sublime, combines lyric and demotic language, and introduces everyday events of the streets and marketplace into the rarified world of Victorian poetry.This edition includes examples from the early Dramatic Lyrics (1842) and Dramatic Romances and Lyrics (1845); from the masterpieces Mena and Women (1855) and Dramatis Personae (1864), and from the less familiar works of his later years. Together they convey the intensity, the lyric beauty, and the vitality of Browning's poetry.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Playfulness, spare elegance, and wit epitomize the poetry of Billy Collins.With his distinct voice and accessible language, America’s two-term Poet Laureate has opened the door to poetry for countless people for whom it might otherwise remain closed.Like the present book’s title, Collins’s poems are filled with mischief, humor, and irony, “Poetry speaks to all people, it is said, but here I would like to address / only those in my own time zone”–but also with quiet observation, intense wonder, and a reverence for the everyday: “The birds are in their trees, / the toast is in the toaster, / and the poets are at their windows. / They are at their windows in every section of the tangerine of earth–the Chinese poets looking up at the moon, / the American poets gazing out / at the pink and blue ribbons of sunrise.”Through simple language, Collins shows that good poetry doesn’t have to be obscure or incomprehensible, qualities that are perhaps the real trouble with most “serious” poetry: “By now, it should go without saying / that what the oven is to the baker / and the berry-stained blouse to the drycleaner / so the window is to the poet.”In this dazzling new collection, his first in three years, Collins explores boyhood, jazz, love, the passage of time, and, of course, writing–themes familiar to Collins’s fans but made new here. Gorgeous, funny, and deeply empathetic, Billy Collins’s poetry is a window through which we see our lives as if for the first time.

This selection of Frost's poetry contains forty poems spanning his early and mature collections including choices from A Boy's Will, North of Boston, West-Running Brook, A Further Range, and In the Clearing. This edition has comprehensive notes on the poems and an Approaches section offering commentary and activities on key themes and techniques within the poetry, such as Frost's pastoral imagery, his friendship with Edward Thomas, and his narrative and lyric voices.

Mass for Shut-Ins is the 117th volume of the Yale Series of Younger Poets, selected by award-winning poet Rae Armantrout.Mary-Alice Daniel confronts tricontinental culture shock and her curious placement within many worlds. African and Western mythic systems and modern rituals originate an ill-omened universe. Here, it is always night, grim night, under absurd moons. Venturing through dreamscapes, hellscapes, and lurid landscapes, poems map speculative fields of spiritual warfare. This collection is controlled chaos powered by nightmare fuel. It animates an utterly odd organism: a cosmology cobbled with scripture, superstition, mass media, mad science. Horrid, holy, unholy—these pages overrun with the unhinged, intrusive thoughts that obsess us all late into nighttime.