Empfehlungen basierend auf "Endgame: A Play in One Act"

Suddenly, condemned arch-swindler Moist von Lipwig found himself with a noose around his neck and dropping through a trapdoor into ... a government job?By all rights, Moist should be meeting his maker rather than being offered a position as Postmaster by Lord Vetinari, supreme ruler of Ankh-Morpork. Getting the moribund Postal Service up and running again, however, may prove an impossible task, what with literally mountains of decades-old undelivered mail clogging every nook and cranny of the broken-down post office. Worse still, Moist could swear the mail is talking to him. Worst of all, it means taking on the gargantuan, greedy Grand Trunk clacks communication monopoly and its bloodthirsty piratical headman. But if the bold and undoable are what's called for, Moist's the man for the job -- to move the mail, continue breathing, get the girl, and specially deliver that invaluable commodity that every being, human or otherwise, requires: hope.

Gussie Fink-Nottle simply must marry Madeline Bassett or Bertrand Wooster will be obliged to proffer the ring in his stead. In a daring attempt at securing the engagement, Jeeves and Bertie visit a rural leper colony.

For more than two decades, Terry Pratchett has been regaling readers with tales of Discworld—a flat world balanced on the backs of four elephants, which are standing on the back of a giant turtle, flying through space. It is a world populated by ineffectual wizards and sharp-as-tacks witches, by tired policemen and devious dictators, by reformed thieves and vampires who have sworn to drink no blood. It is a world that is vastly different from our own . . . except when it isn't. Now, in The Wit and Wisdom of Discworld, various nuggets of Pratchett's witty commentary and sagacious observations have been compiled by Pratchett expert Stephen Briggs, a man who, they say, knows even more about Discworld than Terry Pratchett. Within these pages, you'll find musings on: Interior decorating: "It's a fact known throughout the universes that no matter how carefully the colors are chosen, institutional decor ends up as either vomit green, unmentionable brown, nicotine yellow, or surgical appliance pink. By some little-understood process of sympathetic resonance, corridors painted in those colors always smell slightly of boiled cabbage—even if no cabbage is ever cooked in the vicinity." (Equal Rites) Travel: "Any seasoned traveler soon learns to avoid anything wished on them as a 'regional speciality,' because all the term means is that the dish is so unpleasant the people living everywhere else will bite off their own legs rather than eat it. But hosts still press it upon distant guests anyway: 'Go on, have the dog's head stuffed with macerated cabbage and pork noses—it's a regional speciality.'" (The Last Continent) Young men: "And then there was the young male walk. At least women swung only their hips. Young men swung everything, from the shoulders down. You have to try to occupy a lot of space. It makes you look bigger, like a tomcat fluffing his tail. The boys tried to walk big in self-defense against all those other big boys out there. I'm bad, I'm fierce, I'm cool, I'd like a pint of shandy and me mam wants me home by nine." (Monstrous Regiment) Class: "'Old money' meant that it had been made so long ago that the black deeds that had originally filled the coffers were now historically irrelevant. Funny, that; a brigand for a father was something you kept quiet about, but a slave-taking pirate for a great-great-great-grandfather was something to boast of over the port. Time turned the evil bastards into rogues, and rogue was a word with a twinkle in its eye and nothing to be ashamed of." (Making Money) . . . and more! Culled from all the Discworld novels, The Wit and Wisdom of Discworld confirms Pratchett's place in the pantheon of great satirists and proves why the Chicago Tribune has praised his Discworld as "entertaining and gloriously funny . . . an accomplishment nothing short of magical."

Adrian Mole faces the same agonies which life sets before most adolescents: troubles with girls, school, parents, and an uncaring world. The difference, though, between young Master Mole and his peers is that this British lad keeps a diary -- an earnest chronicle of longing and disaster that has convulsed more than five million readers since its two-volume initial publication. From teenaged Adrian's obsession with intellectuality after understanding "nearly every word" of a Malcolm Muggeridge broadcast to his anguished adoration of a lovely, mercurial schoolmate, from his view of his parents' constantly creaking relationship to his heartfelt but hilarious attempts at cathartic verse, here is an outrageous triumph of deadpan, and deadly accurate, satire. ABBA, Princess Di's wedding, street punks. Monty Python, the Falklands campaign -- all the cultural pageantry of a keenly observed era marches past the unique perspective of Sue Townsend's brilliant comic creation: A. Mole, the unforgettable lad whose self-absorption only gets funnier as his life becomes more desperate.Adrian Mole faces the same agonies which life sets before most adolescents: troubles with girls, school, parents, and an uncaring world. The difference, though, between young Master Mole and his peers is that this British lad keeps a diary--an earnest chronicle of longing and disaster that has convulsed more than five million readers since its two-volume initial publication. From teenaged Adrian's obsession with intellectuality after understanding "nearly every word" of a Malcolm Muggeridge broadcast to his anguished adoration of a lovely, mercurial schoolmate, from his view of his parents' constantly creaking relationship to his heartfelt but hilarious attempts at cathartic verse, here is an outrageous triumph of deadpan, and deadly accurate, satire. ABBA, Princess Di's wedding, street punks, Monty Python, the Falklands campaign--all the cultural pageantry of a keenly observed era marches past the unique perspective of Sue Townsend's brilliant comic creation: A. Mole, the unforgettable lad whose self-absorption only gets funnier as his life becomes more desperate.

A stunning 30th anniversary edition of the best-selling Mister God This Is Anna, together with the sequels, Anna's Book, Anna and the Black Knight, with a new preface by Dr Rowan Williams, Archbishop of Canterbury.

James Herriot's third volume of delightful veterinary memoirsWith two years experience behind him, James Herriot still feels privileged working on the beautiful Yorkshire moors as assistant vet at the Darrowby practice. Time to meet yet more unwilling patients and a rich cast of supporting owners. Full of hilarious tales of his unpredictable boss Siegfreid Farnon, his charming student brother Tristan, the joys of spring lambing, a vicious cat called Boris and James' jinxed courtship of the lovely Helen, this third volume of memoirs is sure to delight hardened fans and new readers of James Herriot titles alike. 'He can tell a good story against himself, and his pleasure in the beauty of the countryside in which he works is infectious' Daily Telegraph 'Full of warmth, wisdom and wit' The Field 'It is a pleasure to be in James Herriot's company' Observer

Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London . Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books. The third volume, The Acceptance World (1955), opens with Nick Jenkins, in his late twenties, beginning to make his way in the world of letters: working for a publisher, writing on his own, and establishing connections across the literary landscape. At the same time, he is making his way in love, as a surprise meeting with an old friend’s sister blossoms into an affair. Meanwhile, friends are diving into marriage and careers, and the patterns of life’s dance are starting to take shape—even as the future steps remain shadowy. "Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."--Chicago Tribune "A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."--Elizabeth Janeway, New York Times "One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."--Naomi Bliven, New Yorker “The most brilliant and penetrating novelist we have.”--Kingsley Amis

A one-volume edition of the celebrated trio of novels about the Rabbitte family, from the Booker Prize-winning author of Paddy Clarke Ha Ha HaLook for Roddy Doyle’s new novel, Smile, coming in October of 2017The Barrytown Trilogy gathers Roddy’s Doyle’s first three novels into one volume: The Commitments, one of the funniest rock’n’roll novels ever written, about a group of aspiring musicians on a mission to bring soul to Dublin; The Snapper, about the progression of twenty-year-old Sharon Rabbitte’s pregnancy on her family; and The Van, a finalist for the Booker Prize, a tender and hilarious tale of male friendship, midlife crisis, and family life, set during the heady days of Ireland’s brief, euphoric triumphs in the 1990 World Cup.

Maurice, James Ivory's 1987 adaptation of the E.M. Forster novel, follows an Edwardian man's journey from the awakening of his desire for and love of men to self-acceptance. One of the most politically resistant films of the 1980s, Maurice dared to depict a young man's coming-out story and a happy ending for its lovers, Maurice and Alec. James Ivory and producer Ismail Merchant, a couple whose cinema is synonymous with period film adaptation, released Maurice during the first AIDS decade, a time of flagrant transatlantic homophobia. Criticism following its release described Ivory as a superficial and staid director, while the film was received as a regression to the uncinematic and overly faithful style that characterized the early adaptations by Merchant Ivory Productions. Offering a close reading of Forster's novel and an analysis of Ivory's distinctive visual style, Richard Robbins's indelible score, and the performances of James Wilby, Hugh Grant, and Rupert Graves, David Greven argues that the film is a model of sympathetic adaptation. This study champions the film as the finest of the Merchant Ivory works, making a case for Ivory's underappreciated talents as a director of great subtlety and intelligence, and for the film as one worth recuperating from its detractors. Understanding Maurice as a fully realized work of art and adaptation, this volume offers insight into how a stunning novel of gay love became a classic of queer film.

The Pet Shop Boys are one of the most successful pop groups of the 1980's. They are frequently seen as obsessively reserved and secretive. "Pet Shops Boys Literally", written with their co-operation, shadows them around Hong Kong, Japan and Britain on their 1989 tour, showing two pop stars in unusally intimate detail as they work, relax, gossip, argue and, every now and then, try to make sense of what they do. "Pet Shops Boys Literally" describes the inspirations, the rows, the frustrations, the confrontations with obsessive fans and the earning and expenditure of vast sums of money. In this book Chris Heath presents more than the document of a tour. He traces the Pet Shop Boys' wider history and tells the extraordinary story of what it is to be a pop star today.