Empfehlungen basierend auf "Emotions and Multilingualism"

Ethical loneliness is the experience of being abandoned by humanity, compounded by the cruelty of wrongs not being acknowledged. It is the result of multiple lapses on the part of human beings and political institutions that, in failing to listen well to survivors, deny them redress by negating their testimony and thwarting their claims for justice.Jill Stauffer examines the root causes of ethical loneliness and how those in power revise history to serve their own ends rather than the needs of the abandoned. Out of this discussion, difficult truths about the desire and potential for political forgiveness, transitional justice, and political reconciliation emerge. Moving beyond a singular focus on truth commissions and legal trials, she considers more closely what is lost in the wake of oppression and violence, how selves and worlds are built and demolished, and who is responsible for re-creating lives after they are destroyed.Stauffer boldly argues that rebuilding worlds and just institutions after violence is a broad obligation and that those who care about justice must first confront their own assumptions about autonomy, liberty, and responsibility before an effective response to violence can take place. In building her claims, Stauffer draws on the work of Emmanuel Levinas, Jean Améry, Eve Sedgwick, and Friedrich Nietzsche, as well as concrete cases of justice and injustice across the world.

As in the bestselling The Alphabet Versus the Goddess, Leonard Shlain’s provocative new book promises to change the way readers view themselves and where they came from.Sex, Time, and Power offers a tantalizing answer to an age-old question: Why did big-brained Homo sapiens suddenly emerge some 150,000 years ago? The key, according to Shlain, is female sexuality. Drawing on an awesome breadth of research, he shows how, long ago, the narrowness of the newly bipedal human female’s pelvis and the increasing size of infants’ heads precipitated a crisis for the species. Natural selection allowed for the adaptation of the human female to this environmental stress by reconfiguring her hormonal cycles, entraining them with the periodicity of the moon. The results, however, did much more than ensure our existence; they imbued women with the concept of time, and gave them control over sex—a power that males sought to reclaim. And the possibility of achieving immortality through heirs drove men to construct patriarchal cultures that went on to dominate so much of human history.From the nature of courtship to the evolution of language, Shlain’s brilliant and wide-ranging exploration stimulates new thinking about very old matters.

“As funny as it is informative, this book will have you laughing out loud while you contemplate the revolutionary power of words.” —Camille Perri, author of The Assistants and When Katie Met CassidyA brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us.The word bitch conjures many images, but it is most often meant to describe an unpleasant woman. Even before its usage to mean “a female canine,” bitch didn’t refer to women at all—it originated as a gender-neutral word for “genitalia.” A perfectly innocuous word devolving into an insult directed at females is the case for tons more terms, including hussy, which simply meant “housewife”; and slut, which meant “an untidy person” and was also used to describe men. These are just a few of history’s many English slurs hurled at women.Amanda Montell, reporter and feminist linguist, deconstructs language—from insults, cursing, gossip, and catcalling to grammar and pronunciation patterns—to reveal the ways it has been used for centuries to keep women and other marginalized genders from power. Ever wonder why so many people are annoyed when women speak with vocal fry or use like as filler? Or why certain gender-neutral terms stick and others don’t? Or where stereotypes of how women and men speak come from in the first place?Montell effortlessly moves between history, science, and popular culture to explore these questions—and how we can use the answers to affect real social change. Her irresistible humor shines through, making linguistics not only approachable but downright hilarious and profound. Wordslut gets to the heart of our language, marvels at its elasticity, and sheds much-needed light on the biases that shadow women in our culture and our consciousness.

Newly translated and unabridged in English for the first time, and brilliantly introduced by Judith Thurman, Simone de Beauvoir’s masterpiece weaves together history, philosophy, economics, biology, and a host of other disciplines to analyze the Western notion of “woman” and to explore the power of sexuality.Sixty years after its initial publication, The Second Sex is still as eye-opening and pertinent as ever. This triumphant and genuinely revolutionary book began as an exceptional woman’s attempt to find out who and what she was. Drawing on extensive interviews with women of every age and station of life, masterfully synthesizing research about women’s bodies and psyches as well as their historic and economic roles, The Second Sex is an encyclopedic and cogently argued document about inequality and enforced “otherness.”This long-awaited new translation pays particular attention to the existentialist terms and French nuances that may have been misconstrued in the first English edition; restores Beauvoir’s phrasing, rhythms, and tone; and reinstates significant portions of the “Myths” and “History” chapters that were originally cut due to length, including accounts of more than seventy female figures.A vital and life-changing work that has dramatically revised the way women talk and think about themselves, Beauvoir’s magisterial treatise continues to provoke and inspire.

Arguing for the idea of connected histories, Gurminder Bhambra presents a fundamental reconstruction of the idea of modernity in contemporary sociology, where modernity's origins are located in Europe. She criticizes the abstraction of European modernity from its colonial context and the way in which non-Western 'others' are regarded as having no contribution to make to understandings of modernity. It aims to establish a dialogue in which 'others' can speak, and also be heard.

While the stereotype of the persistently pregnant Mexican-origin woman is longstanding, in the past fifteen years her reproduction has been targeted as a major social problem for the United States. Due to fear-fueled news reports and public perceptions about the changing composition of the nation's racial and ethnic makeup—the so-called Latinization of America—the reproduction of Mexican immigrant women has become a central theme in contemporary U. S. politics since the early 1990s.In this exploration, Elena R. Gutiérrez considers these public stereotypes of Mexican American and Mexican immigrant women as "hyper-fertile baby machines" who "breed like rabbits." She draws on social constructionist perspectives to examine the historical and sociopolitical evolution of these racial ideologies, and the related beliefs that Mexican-origin families are unduly large and that Mexican American and Mexican immigrant women do not use birth control.Using the coercive sterilization of Mexican-origin women in Los Angeles as a case study, Gutiérrez opens a dialogue on the racial politics of reproduction, and how they have developed for women of Mexican origin in the United States. She illustrates how the ways we talk and think about reproduction are part of a system of racial domination that shapes social policy and affects individual women's lives.

In A Short History of Photography Criticism; or, Why Do Photography Critics Hate Photography?, Susie Linfield contends that by looking at images of political violence and learning to see the people in them, we engage in an ethically and politically necessary act that connects us to our modern history of violence. For many years, Linfield’s acute analysis of photographs—from events as wide-ranging as the Holocaust, the Chinese Cultural Revolution, and recent acts of terrorism—has explored a complex connection between the practices of photojournalism and the rise of human rights ideals. By asking how photography should respond to the darker shadows of modern life, Linfield insists on the continuing moral relevance of photojournalism, while urging us not to avert our eyes from what James Agee once labeled “the cruel radiance of what is.”

Political Writings offers an abundance of newly translated essays by Simone de Beauvoir that demonstrate a heretofore unknown side of her political philosophy. The writings in this volume range from Beauvoir's surprising 1952 defense of the misogynistic eighteenth-century pornographer, the Marquis de Sade, to a co-written 1974 documentary film, transcribed here for the first time, which draws on Beauvoir's analysis of how socioeconomic privilege shapes the biological reality of aging. The volume traces nearly three decades of Beauvoir's leftist political engagement, from exposés of conditions in fascist Spain and Portugal in 1945 and hard-hitting attacks on right-wing French intellectuals in the 1950s, to the 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article arguing for what is now called the "two-state solution" in Israel. Together these texts prefigure Beauvoir's later feminist activism and provide a new interpretive context for reading her multi-volume autobiography, while also shedding new light on French intellectual history during the turbulent era of decolonization.

In the years around 1900, an unprecendented attack on women erupted in virtually every aspect of culture: literary, artistic, scientific, and philosophic. Many of the anti-feminine platitudes that today still constrain women's potential were first formulated during this period, as intellectuals of every stripe throughout Europe and America banded together to picture women as static and unindividuated beings whose sole function was sexual and reproductive.Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including such figures as Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Maurois, Klimt, Darwin, and Spencer, not to mention a host of now-forgotten others. As Bram Dijkstra shows, justification for this wave of anti-feminine sentiment was sought in the most prejudicial aspects of Evolutionary Theory. It was held that the female of the species had not been able to participate in the great evolutionary process that was guiding the intellectual male, nature's chosen "superman," to his ultimate, predistined role as a disembodied spiritual essence. Women were seen as a hindrance to the smooth unfolding of this process, ready at any moment to lure men back to a sham paradise of erotic materiality. To protect the male's continued evolution, there came a flood of pseudo-scientific tracts, novels, and paintings in which artists and intellectuals sought to warn the world's males of the evils lying beneath the surface elegance of woman's tempting skin.Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now but connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of women--a war whose battles are still being fought.About the Author:Bram Dijkstra is Professor of Comparative Literature at the University of California, San Diego, and author of The Hieroglyphics of a New Speech, A Recognizable Image, and other works on literature and the visual arts.

Pierre Bourdieu (1930–2002) had an enormous influence on social and cultural thought in the second half of the 20th century, leaving a mark on fields as diverse as sociology, anthropology, critical theory, education, literary criticism, art history, and media studies. From his childhood in a rural French village, to his fieldwork in Algeria, to his ascension to the Chair of Sociology at the Collège de France, Bourdieu's life followed a trajectory both complex and contradictory. In this original and eloquent study, Deborah Reed-Danahay offers fresh insights on Bourdieu's work by drawing on the perspectives of ethnography and autobiography. Using Bourdieu's own reflections upon his life and career and considering the totality of his research and writing, this book locates Bourdieu within his French milieu and within the current state of discussion of Europe and its colonial legacy. Locating Bourdieu revisits major themes and concepts such as structure and practice, taste and distinction, habitus, social field, symbolic capital, and symbolic violence, adding new perspectives and discovering implications of Bourdieu's work for understanding emotion, social space, and personal narrative. The result is a work of impressive scholarship and intellectual creativity that will appeal to scholars, students, and non-specialists alike.New Anthropologies of Europe—Daphne Berdahl, Matti Bunzl, and Michael Herzfeld, editors