Empfehlungen basierend auf "Emma Jane Austen"

Now a series on Prime Video! New York Times Bestseller * Publishers Weekly Best Young Adult Book of the Year * Bustle Best Young Adult Book of the Year * YALSA Best Fiction for Young Adults This comical, fantastical, romantical, New York Times bestselling, (not) entirely true story of Lady Jane Grey is “an uproarious historical fantasy that’s not to be missed” (Publishers Weekly, starred review). In My Lady Jane, coauthors Cynthia Hand, Brodi Ashton, and Jodi Meadows have created a one-of-a-kind YA fantasy in the tradition of The Princess Bride, featuring a reluctant king, an even more reluctant queen, a noble steed, and only a passing resemblance to actual history—because sometimes history needs a little help. At sixteen, Lady Jane Grey is about to be married off to a stranger and caught up in a conspiracy to rob her cousin, King Edward, of his throne. But those trifling problems aren’t for Jane to worry about. Jane gets to be Queen of England. Like that could go wrong. And don't miss the authors' next fun read, My Plain Jane!

A novel by the 19th century English author describing the courtship of a baronet's daughter and a young soldier

Austen's last novel is the crowning achievement of her matchless career. Her heroine, Anne Elliot, a woman of integrity, breeding and great depth of emotion, stands in stark contrast to the brutality and hypocrisy of Regency England. Includes a new Introduction by Margaret Drabble, famed novelist and editor of The Oxford Companion to the English Language.

What happened when Jane Austen’s heroines and heroes were finally wed?Marriage is at the centre of Jane Austen’s novels. The pursuit of husbands and wives, advantageous matches, and, of course, love itself, motivate her characters and continue to fascinate readers today. But what were love and marriage like in reality for ladies and gentlemen in Regency England?Rory Muir uncovers the excitements and disappointments of courtship and the pains and pleasures of marriage, drawing on fascinating first-hand accounts as well as novels of the period. From the glamour of the ballroom to the pressures of careers, children, managing money, and difficult in-laws, love and marriage came in many guises: some wed happily, some dared to elope, and other relationships ended with acrimony, adultery, domestic abuse, or divorce. Muir illuminates the position of both men and women in marriage, as well as those spinsters and bachelors who chose not to marry at all.This is a richly textured account of how love and marriage felt for people at the time—revealing their unspoken assumptions, fears, pleasures, and delights.

Previous biographies have set Jane Austen within her social context. This biography places her firmly within her professional context as one of an increasing number of women who published novels between 1790 and 1820. Being a professional writer was, apart from her family, more important to Austen than anything else in her life.

The fourth book in New York Times bestselling author Claudia Gray's Jane Austen sequel series, which finds amateur sleuths Jonathan Darcy and Juliet Tilney caught up in the whirlwind of the London Season—and in a murderous scheme involving the family of Edmund and Fanny Bertram Jonathan Darcy and Juliet Tilney understand each other perfectly; it's a pity their families do not. A series of misunderstandings, misplaced pride, and—indeed—prejudice, has led their parents to deem the pair unsuited to wed. Now, with the Season approaching, Juliet's grandfather, General Tilney, has sent her to London with a new wardrobe and orders to prove herself worthy of someone better than the snobby Darcys. Meanwhile, Jonathan has been forced to accept an invitation to stay in town with old friends Edmund and Fanny Bertram at the house of Edmund's brother, Sir Thomas. Oblivious to and undesiring of female attention outside of Juliet's, Jonathan is at risk of being ensnared by Caroline Bingley's previously rebuffed plans to make herself—or her daughter—mistress of Pemberley. But when Mr. Rushworth, the former husband of Edmund's sister Maria, is discovered dead in his home, Jonathan and Juliet find themselves with problems far weightier than the marriage market. In one of the greatest scandals of its day, Maria abandoned her new husband in favor of the notorious rake Henry Crawford, and when he wouldn't marry her, was forced to flee to the continent in disgrace. Now Maria is back, accompanied by a daughter she claims Mr. Rushworth fathered after their divorce—and who he wrote into his will just before his death. To spare Edmund and Fanny further social shame, Jonathan and Juliet must unmask a killer before the drama surrounding the Rushworth family fortune claims another victim.

Of all Jane Austen's books, Pride and Prejudice has earned a special place in the hearts of the reading public as her best-loved and most intimately known novel. From its famous opening sentence the story of the Bennet family and of the novel's two protagonists, Elizabeth and Darcy, told with a wit that its author feared might prove 'rather too light and bright, and sparkling', delights its most familiar readers as thoroughly as it does those who encounter it for the first time. Jane Austen's artistry is apparent, too, in the delineation of the minor characters: the ill-matched Mr. and Mrs. Bennet, Charles Bingley and his sisters, and above all the fatuous Mr. Collins, whose proposal to Elizabeth Bennet is one of the finest comic passages in English literature. And while she entertains us, Jane Austen teaches us the wisdom of balance, the folly of 'pride' and 'prejudice'.

David Lodge's Emma was one of the first Macmillan Casebooks and has proved one of the most popular. Three new essays have been added in this new edition, reflecting new critical approaches such as feminism and deconstruction. The new material complements the classic studies by critics such as Arnold Kettle and Lionel Trilling. A revised and extended introduction puts the changing interpretation of Jane Austen's novel in historical context and, together with an updated Bibliography, directs the student to useful further reading.

Mr and Mrs Bennet live with their five daughters. Jane, the eldest daughter, falls in love with Charles Bingley, a rich batchelor who takes a house nearby with his two sisters and friend, Fitzwilliam Darcy. Darcy is attracted to the second daugher, Elizabeth, but a bad account of him is given to Elizabeth. He and Bingley's effect the separation of Bingley and Jane. William Collins, cousin to the sisters and as only male, heir to the Bennet estate, proposes to Elizabeth but is rejected. Darcy proposes to Elizabeth but she refuses. When Elizabeth travels north she is invited with friends to Darcy's place in Berbyshire, and thinking Darcy is absent she goes. However, he is there and she is surprised by his much-improved manners. She hears news that her sister Lydia has eloped with Wickham, an unprincipled adventurer. With Darcy's help the fugitives are found. The attachment between Bingley and Jane is renewed and leads to an engagement. In spite of the insolent intervention of Lady Catherine, Darcy and Elizabeth become engaged.

“The period illustrations and dance diagrams are charming, but Fullerton's discussion of dance in Austen's novels is both incisive and entertaining. From the Netherfield ball in Pride and Prejudice to Anne Elliot playing the piano as her friends dance in Persuasion, Fullerton explains how dancing moves the action forward in each book and what it reveals about various characters. (She even draws heavily on the unfinished The Watsons.) By the end, readers will long to revisit the dance scenes in Austen's world and follow her heroines' practice of talking over the ball afterward with friends over a cup of tea. A beautifully illustrated exploration of dance in the life and novels of Jane Austen. “ -Shelf AwarenessDrawing on contemporary accounts and illustrations, and a close reading of the novels as well as Austen's correspondence, Susannah Fullerton takes the reader through all the stages of a Regency Ball as Jane Austen and her characters would have known it.