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Little Clothbound Classics: irresistible mini editions of short stories, novellas, and essays from the world’s greatest writers, designed by the award-winning Coralie Bickford-SmithA Penguin Classics HardcoverFrom a writer widely considered to be one of greatest ever of the form, Anton Chekhov’s short stories offer unforgettable character, crystalline expression, and deep, powerful mystery. Collected here are five of his very best tales, “The Lady with the Little Dog,” “The House with the Mezzanine,” and the trilogy “The Man in the Case,” “Gooseberries,” and “About Love.”

Coloured by poverty and horrifying brutality, Gorky's childhood equipped him to understand - in a way denied to a Tolstoy or a Turgenev - the life of the ordinary Russian. After his father, a paperhanger and upholsterer, died of cholera, five-year-old Gorky was taken to live with his grandfather, a polecat-faced tyrant who would regularly beat him unconscious, and with his grandmother, a tender mountain of a woman and a wonderful storyteller, who would kneel beside their bed (with Gorky inside it pretending to be asleep) and give God her views on the day's happenings, down to the last fascinating details. She was, in fact, Gorky's closest friend and the epic heroine of a book swarming with characters and with the sensations of a curious and often frightened little boy.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This volume brings together Gogol's Petersburg Tales with his two most famous plays, all of which guide us through the streets of St. Petersburg, the city erected by force and ingenuity on the marshes of the Neva estuary. Something of the deception and violence of the city's creation seems to lurk beneath its harmonious facade, however, and it confounds its inhabitants with false dreams and absurd visions. This new translation by Christopher English brings out the unique vitality and humor of Russia's finest comic writer.

In a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed Eugene Onegin, composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the "little tragedies". The "little tragedies" stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago, and have in recent years been out of print entirely. In this outstanding new translation, Nancy K. Anderson preserves the cadence and intensity of Pushkin's work while aligning it with today's poetic practices and freer approach to metrics. In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability.The four "little tragedies" -- Mozart and Salieri, The Miserly Knight, The Stone Guest, and A Feast During the Plague -- are extremely compressed dialogues, each dealing with a dominant protagonist whose central internal conflict determines both the plot and structure of the play. Pushkin focuses on human passions and the interplay between free will and fate: though each protagonist could avoid self-ruin, instead he freely chooses it.

Fyodor Dostoyevsky’s harrowing, semi-autobiographical novel about the internal transformation of a man serving ten years in a remote Siberian prison“In order to understand the significance of the style and structure of the book, it is necessary to bear in mind that it was the result of a terrible mental, spiritual, and physical ordeal. . . . The point about the novel, however, is that it charts the reawakening of a man without a personality.”—from the Introduction Here was the house of the living dead, and a life like none other upon earth. In January 1850, Fyodor Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. The four years he spent there, startlingly re-created in The House of the Dead, were the most agonizing of his life. In this fictionalized account he recounts his soul-destroying incarceration through the cool, detached tones of his narrator, Aleksandr Petrovich Goryanchikov: the daily battle for survival, the wooden plank beds, the cabbage soup swimming with cockroaches, his strange ‘family’ of boastful, ugly, cruel convicts. Yet The House of the Dead is far more than a work of documentary realism: it is also a powerful novel of redemption, describing one man’s spiritual and moral death and the miracle of his gradual reawakening.This Penguin Classics edition includes notes and an introduction by David McDuff discussing the circumstances of Dostoyevsky’s imprisonment, the origins of the novel in his prison writings, and the character of Aleksandr Petrovich.

Goncharov’s detached yet sympathetic portrait of the humdrum life of his ineffectual and slothful hero is a tragicomedy created through painstaking accumulation of seemingly insignificant details alongside a sympathetic analysis of his character.

An anthology of Russian short fiction includes stories by Pushkin, Gogol, Turgenev, Dostoevsky, Chekhov, Nabokov, and Solzhenitsyn

The devil comes to Moscow wearing a fancy suit. With his disorderly band of accomplices - including a demonic, gun-toting tomcat - he immediately begins to create havoc. Disappearances, destruction and death spread through the city like wildfire and Margarita discovers that her lover has vanished in the chaos. Making a bargain with the devil, she decides to try a little black magic of her own to save the man she loves - A masterpiece of magical surrealism, a triumph of the imagination Sunday Telegraph, Books of the Century.

In March 1917, Book 3 the forces of revolutionary disintegration spread out from Petrograd all the way to the front lines of World War I, presaging Russia's collapse. One of the masterpieces of world literature, The Red Wheel is Nobel prize-winner Aleksandr Solzhenitsyn's multivolume epic work about the Russian Revolution told in the form of a historical novel. March 1917--the third node--tells the story, day by day, of the Russian Revolution itself. Until recently, the final two nodes have been unavailable in English. The publication of Book 1 of March 1917 (in 2017) and Book 2 (in 2019) has begun to rectify this situation. The action of Book 3 (out of four) is set during March 16-22, 1917. In Book 3, the Romanov dynasty ends and the revolution starts to roll out from Petrograd toward Moscow and the Russian provinces. The dethroned Emperor Nikolai II makes his farewell to the Army and is kept under guard with his family. In Petrograd, the Provisional Government and the Soviet of Workers' and Soldiers' Deputies continue to exercise power in parallel. The war hero Lavr Kornilov is appointed military chief of Petrograd. But the Soviet's "Order No. 1" reaches every soldier, undermining the officer corps and shaking the Army to its foundations. Many officers, including the head of the Baltic Fleet, the progressive Admiral Nepenin, are murdered. Black Sea Fleet Admiral Kolchak holds the revolution at bay; meanwhile, Grand Duke Nikolai Nikolaevich, the emperor's uncle, makes his way to military headquarters, naïvely thinking he will be allowed to take the Supreme Command.

April 1917, Book 1, captures the division and helplessness of Russia's first Revolutionary rulers, paving the way for the victory of the ruthless Bolsheviks later that year. One of the masterpieces of world literature, The Red Wheel is Nobel prize-winner Aleksandr Solzhenitsyn's multivolume epic work about the Russian Revolution told in the form of a historical novel. April 1917--the fourth node--shows the intractable divisions that would lead Russia to catastrophic Communist dictatorship and civil war. Whereas the first three nodes of The Red Wheel form its first act, "The Revolution," April 1917 opens its second act, "The Rule of the People." The action of Book 1 (of two) is set during April 11-May 5, 1917. Book 1 presents an early showdown, just seven weeks into the revolution, between its various wings. The Provisional Government comes under fire for its "bourgeois" capitalism and continuing commitment to World War I. Bolshevik leader Vladimir Lenin returns from exile and delivers his April Theses in Petrograd, actively sowing seeds of division. He declares that the revolution is not complete and openly calls for civil war, outlining a radical plan to overthrow the Provisional Government and seize power for the Soviets. Amid the chaos and rising tide of Bolshevism, the elements of resistance, and decency, slowly begin to awaken.