Empfehlungen basierend auf "Eichmann and the Holocaust"

Hannah Arendt's definitive work on totalitarianism—an essential component of any study of twentieth-century political history—now with a new introduction by Anne ApplebaumHannah Arendt’s definitive work, The Origins of Totalitarianism, is an essential component of any study of twentieth-century political history. Itbegins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. This edition includes an introduction by Anne Applebaum – a leading voice on authoritarianism and Russian history – who fears that “once again, we are living in a world that Arendt would recognize.”Hannah Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time, Nazi Germany and Stalinist Russia, which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses the evolution of classes into masses, the role of propaganda in dealing with the nontotalitarian world, the use of terror, and the nature of isolation and loneliness as preconditions for total domination.

Hannah Arendt's definitive work on totalitarianism and an essential component of any study of twentieth-century political historyThe Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time—Nazi Germany and Stalinist Russia—which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses the evolution of classes into masses, the role of propaganda in dealing with the nontotalitarian world, the use of terror, and the nature of isolation and loneliness as preconditions for total domination.

The inspiring, true story of a father and son's fight to stay together and to survive the Holocaust.In 1939, Gustav Kleinmann, a Jewish upholsterer in Vienna, was seized by the Nazis. Along with his teenage son Fritz, he was sent to Buchenwald in Germany. There began an unimaginable ordeal that saw the pair beaten, starved and forced to build the very concentration camp they were held in.When Gustav was set to be transferred to Auschwitz, a certain death sentence, Fritz refused to leave his side. Throughout the horrors they witnessed and the suffering they endured, there was one constant that kept them alive: the love between father and son.Based on Gustav's secret diary and meticulous archive research, this book tells his and Fritz's story for the first time - a story of courage and survival unparalleled in the history of the Holocaust.

Why do major historical events such as the Holocaust occupy the forefront of the collective consciousness, while profound moments such as the Armenian genocide, the McCarthy era, and France's role in North Africa stand distantly behind? Is it possible that history "overly remembers" some events at the expense of others? A landmark work in philosophy, Paul Ricoeur's Memory, History, Forgetting examines this reciprocal relationship between remembering and forgetting, showing how it affects both the perception of historical experience and the production of historical narrative.Memory, History, Forgetting, like its title, is divided into three major sections. Ricoeur first takes a phenomenological approach to memory and mnemonical devices. The underlying question here is how a memory of present can be of something absent, the past. The second section addresses recent work by historians by reopening the question of the nature and truth of historical knowledge. Ricoeur explores whether historians, who can write a history of memory, can truly break with all dependence on memory, including memories that resist representation. The third and final section is a profound meditation on the necessity of forgetting as a condition for the possibility of remembering, and whether there can be something like happy forgetting in parallel to happy memory. Throughout the book there are careful and close readings of the texts of Aristotle and Plato, of Descartes and Kant, and of Halbwachs and Pierre Nora.A momentous achievement in the career of one of the most significant philosophers of our age, Memory, History, Forgetting provides the crucial link between Ricoeur's Time and Narrative and Oneself as Another and his recent reflections on ethics and the problems of responsibility and representation.“His success in revealing the internal relations between recalling and forgetting, and how this dynamic becomes problematic in light of events once present but now past, will inspire academic dialogue and response but also holds great appeal to educated general readers in search of both method for and insight from considering the ethical ramifications of modern events. . . . It is indeed a master work, not only in Ricoeur’s own vita but also in contemporary European philosophy.”—Library Journal“Ricoeur writes the best kind of philosophy—critical, economical, and clear.”— New York Times Book Review

Scarred by decades of conflict and occupation, the craggy African nation of Eritrea has weathered the world's longest-running guerrilla war. The dogged determination that secured victory against Ethiopia, its giant neighbor, is woven into the national psyche, the product of cynical foreign interventions. Fascist Italy wanted Eritrea as the springboard for a new, racially pure Roman empire; Britain sold off its industry for scrap; the United States needed a base for its state-of-the-art spy station; and the Soviet Union used it as a pawn in a proxy war.In I Didn't Do It for You, Michela Wrong reveals the breathtaking abuses this tiny nation has suffered and, with a sharp eye for detail and a taste for the incongruous, tells the story of colonialism itself and how international power politics can play havoc with a country's destiny.

In 1941, three brothers witnessed their parents and two other siblingsbeing led away to their eventual murders. It was a grim scene that would,of course, be repeated endlessly throughout the war. Instead of running orgiving in to despair, these brothers -- Tuvia, Zus, and Asael Bielski -- foughtback, waging a guerrilla war of wits against the Nazis.By using their intimate knowledge of the dense forests surrounding theBelarusan towns of Novogrudek and Lida, the Bielskis evaded the Nazis andestablished a hidden base camp, then set about convincing other Jews to jointheir ranks. As more and more Jews arrived each day, a robust communitybegan to emerge, a "Jerusalem in the woods."After two and a half years in the woods, in July 1944, the Bielskis learnedthat the Germans, overrun by the Red Army, were retreating back towardBerlin. More than one thousand Bielski Jews emerged -- alive -- on that final,triumphant exit from the woods.

Account of war in the late-20th century both as historical document and as an eyewitness testament to human savagery. Written by one of Britain's foremost journalists, this book combines political analysis and war reporting: it is an epic account of the Lebanon conflict by an author who has personally witnessed the carnage of Beirut for over a decade. Fisk's book recounts the details of a terrible war but it also tells a story of betrayal and illusion, of Western blindness that had led inevitably to political and military catastrophe. Fisk's book gives us a further insight into this troubled part of the world.

“BEST NONFICTION BOOK OF THE 20TH CENTURY.” —TimeVolume 1 of the gripping epic masterpiece, Solzhenitsyn's chilling report of his arrest and interrogation, which exposed to the world the vast bureaucracy of secret police that haunted Soviet society. Features a new foreword by Anne Applebaum.“The greatest and most powerful single indictment of a political regime ever leveled in modern times.” —George F. Kennan“It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker“Solzhenitsyn’s masterpiece. . . . The Gulag Archipelago helped create the world we live in today.” —Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword

"BEST NONFICTION BOOK OF THE 20 TH CENTURY." — TimeVolume 1 of the gripping epic masterpiece, Solzhenitsyn's chilling report of his arrest and interrogation, which exposed to the world the vast bureaucracy of secret police that haunted Soviet society. Features a new foreword by Anne Applebaum. "The greatest and most powerful single indictment of a political regime ever leveled in modern times." —George F. Kennan "It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century." —David Remnick, The New Yorker "Solzhenitsyn's masterpiece.... The Gulag Archipelago helped create the world we live in today." —Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword

A collection of three tales captures the struggles and triumphs of people living with the horrific memories of Europe's recent past and the artistic repression they faced. Reprint.