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The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.

Is it possible to be a Christian and a feminist?The hot topic of feminism has been well documented and debated in mainstream media and yet, as Christians we come to the conversation from a slightly different vantage point. For starters, we have the benefit of a personal relationship with our creator plus the ultimate handbook in the Bible to work out what is right and just when it comes to equality. So why do many Christians feel the Bible presents a barrier rather than a boost when it comes to championing equality between the sexes?Lauren Windle draws upon her years as a journalist to weave together a wide range of voices on a subject that society has been wrestling with but, in the Church, few are brave enough to probe too deeply for fear of what they might find. This book isn't here to tell you what to think. The views it presents are intended to inform, not form, your opinion on key topics, including: defining feminism, the lessons we teach boys, female preachers, a woman's place in the household, beauty standards and #ChurchToo.Notes On Feminism features contributions from several high-profile women:- Writer and model Katie Piper on true beauty- Olympian Abigail Irozuru on women's bodies- Comedian Cassandra Maria on why people think women aren't funny- Author Tiffany Bluhm on why people don't believe women- Journalist Delphine Chui on why she isn't a feminist.If feminist stirrings feel like a barrier to your faith, let Notes on Feminism help you unpick the confusion and ongoing debate, while keeping God at the centre.

Gail Collins, New York Times columnist and bestselling author, recounts the astounding revolution in women's lives over the past 50 years, with her usual "sly wit and unfussy style" (People).When Everything Changed begins in 1960, when most American women had to get their husbands' permission to apply for a credit card. It ends in 2008 with Hillary Clinton's historic presidential campaign. This was a time of cataclysmic change, when, after four hundred years, expectations about the lives of American women were smashed in just a generation.A comprehensive mix of oral history and Gail Collins's keen research -- covering politics, fashion, popular culture, economics, sex, families, and work -- When Everything Changed is the definitive book on five crucial decades of progress. The enormous strides made since 1960 include the advent of the birth control pill, the end of "Help Wanted -- Male" and "Help Wanted -- Female" ads, and the lifting of quotas for women in admission to medical and law schools. Gail Collins describes what has happened in every realm of women's lives, partly through the testimonies of both those who made history and those who simply made their way.Picking up where her highly lauded book America's Women left off, When Everything Changed is a dynamic story, told with the down-to-earth, amusing, and agenda-free tone for which this beloved New York Times columnist is known.Older readers, men and women alike, will be startled as they are reminded of what their lives once were -- Father Knows Best and My Little Margie on TV; daily weigh-ins for stewardesses; few female professors; no women in the Boston marathon, in combat zones, or in the police department. Younger readers will see their history in a rich new way. It has been an era packed with drama and dreams -- some dashed and others realized beyond anyone's imagining.

#1 NATIONAL BESTSELLER • A passionate call to arms against our era’s most pervasive human rights violation—the oppression of women and girls in the developing world. From the bestselling authors of Tightrope,two of our most fiercely moral voicesWith Pulitzer Prize winners Nicholas D. Kristof and Sheryl WuDunn as our guides, we undertake an odyssey through Africa and Asia to meet the extraordinary women struggling there, among them a Cambodian teenager sold into sex slavery and an Ethiopian woman who suffered devastating injuries in childbirth. Drawing on the breadth of their combined reporting experience, Kristof and WuDunn depict our world with anger, sadness, clarity, and, ultimately, hope.They show how a little help can transform the lives of women and girls abroad. That Cambodian girl eventually escaped from her brothel and, with assistance from an aid group, built a thriving retail business that supports her family. The Ethiopian woman had her injuries repaired and in time became a surgeon. A Zimbabwean mother of five, counseled to return to school, earned her doctorate and became an expert on AIDS.Through these stories, Kristof and WuDunn help us see that the key to economic progress lies in unleashing women’s potential. They make clear how so many people have helped to do just that, and how we can each do our part. Throughout much of the world, the greatest unexploited economic resource is the female half of the population. Countries such as China have prospered precisely because they emancipated women and brought them into the formal economy. Unleashing that process globally is not only the right thing to do; it’s also the best strategy for fighting poverty.Deeply felt, pragmatic, and inspirational, Half the Sky is essential reading for every global citizen.

A long-awaited English translation of the groundbreaking oral history of women in World War II across Europe and Russia—from the winner of the Nobel Prize in LiteratureNAMED ONE OF THE BEST BOOKS OF THE YEAR BYThe Washington Post • The Guardian • NPR • The Economist • Milwaukee Journal Sentinel • Kirkus ReviewsFor more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.”In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women—more than a million in total—were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten.Alexievich traveled thousands of miles and visited more than a hundred towns to record these women’s stories. Together, this symphony of voices reveals a different aspect of the war—the everyday details of life in combat left out of the official histories.Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war.THE WINNER OF THE NOBEL PRIZE IN LITERATURE“for her polyphonic writings, a monument to suffering and courage in our time.”“A landmark.”—Timothy Snyder, author of On Tyranny: Twenty Lessons from the Twentieth Century“An astonishing book, harrowing and life-affirming . . . It deserves the widest possible readership.”—Paula Hawkins, author of The Girl on the Train“Alexievich has gained probably the world’s deepest, most eloquent understanding of the post-Soviet condition. . . . [She] has consistently chronicled that which has been intentionally forgotten.”—Masha Gessen, National Book Award–winning author of The Future Is History

#1 NEW YORK TIMES BESTSELLERMeet the little leaders. They're brave. They're bold. They changed the world.Featuring 40 trailblazing black women in history, this book educates and inspires as it relates true stories of women who broke boundaries and exceeded all expectations, including:Nurse Mary SeacolePolitician Diane AbbottMathematician Katherine JohnsonSinger Shirley BasseyBestselling author and artist Vashti Harrison pairs captivating text and beautiful illustrations as she tells the stories of both iconic and lesser-known female figures. Among these biographies, readers will find heroes, role models, and everyday women who did extraordinary things.

The twentieth anniversary edition of a transformative blueprint for ancestral healing—featuring new material and gateways, from the renowned herbalist, natural health expert, and healer of women’s bodies and souls“This book was one of the first that helped me start practices as a young woman that focused on my body and spirit as one.”—Jada Pinkett SmithThrough extraordinary meditations, affirmations, holistic healing plant-based medicine, KMT temple teachings, and The Rites of Passage guidance, Queen Afua teaches us how to love and rejoice in our bodies by spiritualizing the words we speak, the foods we eat, the relationships we attract, the spaces we live and work in, and the transcendent woman spirit we manifest. With love, wisdom, and passion, Queen Afua guides us to accept our mission and our mantle as Sacred Women—to heal ourselves, the generations of women in our families, our communities, and our world.

Some of the most acclaimed books of the twenty-first century are autobiographical comics by women. Aline Kominsky-Crumb is a pioneer of the autobiographical form, showing women's everyday lives, especially through the lens of the body. Phoebe Gloeckner places teenage sexuality at the center of her work, while Lynda Barry uses collage and the empty spaces between frames to capture the process of memory. Marjane Satrapi's Persepolis experiments with visual witness to frame her personal and historical narrative, and Alison Bechdel's Fun Home meticulously incorporates family documents by hand to re-present the author's past. These five cartoonists move the art of autobiography and graphic storytelling in new directions, particularly through the depiction of sex, gender, and lived experience. Hillary L. Chute explores their verbal and visual techniques, which have transformed autobiographical narrative and contemporary comics. Through the interplay of words and images, and the counterpoint of presence and absence, they express difficult, even traumatic stories while engaging with the workings of memory. Intertwining aesthetics and politics, these women both rewrite and redesign the parameters of acceptable discourse.

In this first digital original novella set in the world of the Front Lines series, Michael Grant showcases the real-life female journalists of World War II who became the first women war correspondents in history.   When fierce reporter Anne “Spats” Patrone joins the front lines, she gains access to the female soldiers of Second Squad, Fifth Platoon, Company A, 119th Division, including Rio Richlin. During her journalistic investigation on the front lines she will discover that women are capable of much more than fighting. But what starts out as a pursuit for a story turns deadly when Germans attack. Will Spats make it out alive?

A swashbuckling novel by the author of The Three Musketeers Set in the same period as his best-known novel, Alexandre Dumas’s “forgotten masterpiece” (Le Monde) features two steely and preternaturally modern heroines fighting on opposite sides of the wars that ravaged seventeenth-century France. An unabashed page-turner, humorous, dramatic, and crackling with panache, this new English translation—the first in more than 100 years—shows Dumas at the peak of his powers.