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A definitive new collection of Oscar Wilde’s best prison letters and poetry, with an introduction by Colm ToibinBankrupt and with his reputation in ruins, Oscar Wilde wrote the astonishing letter “De Profundis” to his lover, Lord Alfred Douglas, while in prison. Editor Colm Toibin, the acclaimed author of The Blackwater Lightship, The Master, and Brooklyn, describes it as Wilde’s “greatest piece of prose writing.” Also included is “The Ballad of Reading Gaol,” Wilde’s most famous poem and one of the greatest ballads in the English language, as well as other letters Wilde wrote from prison that reveal the true effects of incarceration on the people he met. Based on the Penguin Classics edition of the Complete Letters, this collection features a new introduction, notes, and appendices.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Some of their past the Tudors wanted to remember, other parts they preferred to forget: a new history, a new story, the family behind the myths.The Tudors are a national obsession; they are our most notorious royal family. But, as Leanda de Lisle shows in this gripping new history, beyond the well-worn headlines is a family still more extraordinary than the one we thought we knew.The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family’'s obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen’'s lap, and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty; and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past -- those parts they wished to remember and those they wished to forget.By creating a full family portrait set against the background of this past, Leanda de Lisle enables us to see the Tudors in their own terms, rather than ours; and presents new perspectives and revelations on key figures and events. We see a family dominated by remarkable women doing everything possible to secure its future; understand why the Princes in the Tower disappeared; look again at the bloodiness of Mary’'s reign; at Elizabeth’'s relationships with her cousins; and re-discover the true significance of previously overlooked figures. We see the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline. Tudor tells a family story like no other, and brings it once more to vivid life.

Since its publication in 1908, Anne of Green Gables has been an enduring bestseller and arguably Canada’s most famous novel. This Norton Critical Edition offers an unrivaled selection of contextual and critical material, edited by two leading Montgomery scholars. “Backgrounds” brings together fourteen relevant excerpts from Montgomery’s journals, letters, and juvenilia along with literary selections from, among others, Sir Walter Scott, Byron, Caroline Oliphant, Henry Wadsworth Longfellow, and Louisa May Alcott. The cultural context of Anne of Green Gables is explored through the writings of Carole Gerson, Kate Wood, and Mary Henley Rubio. “Criticism” is divided into “Early Reviews and Responses” and “Modern Critical Views.” Eight reviews from 1908 to 1942 include Canadian, American, and British assessments. Critical essays are provided by, among others, Northrop Frye, Elizabeth Epperly, T. D. MacLulich, Juliet McMaster, Carol Shields, Margaret Atwood, and Elizabeth Waterston. A Chronology and Selected Bibliography are also included.

With a preface written by the author especially for this edition, this is the complete collection of stories by Eudora Welty.Including the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected ones, these forty-one stories demonstrate Eudora Welty's talent for writing from diverse points-of-view with “vision that is sweet by nature, always humanizing, uncannily objective, but never angry” (Washington Post).

Imagine you could get into a time machine and travel back to the 14th century. This text sets out to explain what life was like in the most immediate way, through taking the reader to the Middle Ages, and showing everything from the horrors of leprosy and war to the ridiculous excesses of roasted larks and haute couture.

WINNER OF THE WOLFSON HISTORY PRIZE AND THE DUFF COOPER PRIZE FOR NON-FICTION 'Endlessly fascinating and enjoyable' Neil MacGregor 'A marvellous book' David Attenborough 'Full of delights' Tom Stoppard An extraordinary exploration of the medieval world - the most beguiling history book of the year This is a book about why medieval manuscripts matter. Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature. The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste. Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.

For the first time in decades, here, in a single volume, is a fresh look at the fabled Tudor dynasty, comprising some of the most enigmatic figures ever to rule a country. Acclaimed historian G. J. Meyer reveals the flesh-and-bone reality in all its wild excess. In 1485, young Henry Tudor, whose claim to the throne was so weak as to be almost laughable, crossed the English Channel from France at the head of a ragtag little army and took the crown from the family that had ruled England for almost four hundred years. Half a century later his son, Henry VIII, desperate to rid himself of his first wife in order to marry a second, launched a reign of terror aimed at taking powers no previous monarch had even dreamed of possessing. In the process he plunged his kingdom into generations of division and disorder, creating a legacy of blood and betrayal that would blight the lives of his children and the destiny of his country. The boy king Edward VI, a fervent believer in reforming the English church, died before bringing to fruition his dream of a second English Reformation. Mary I, the disgraced daughter of Catherine of Aragon, tried and failed to reestablish the Catholic Church and produce an heir. And finally came Elizabeth I, who devoted her life to creating an image of herself as Gloriana the Virgin Queen but, behind that mask, sacrificed all chance of personal happiness in order to survive.    The Tudorsweaves together all the sinners and saints, the tragedies and triumphs, the high dreams and dark crimes, that reveal the Tudor era to be, in its enthralling, notorious truth, as momentous and as fascinating as the fictions audiences have come to love.

This Norton Critical Edition presents a generous selection of William Wordworth's poetry (excluding The Prelude) and prose works along with supporting materials for in-depth study. Together, the Norton Critical Editions of Wordsworth's Poetry and Prose and The Prelude: 1799, 1805, 1850 are the essential texts for studying this author. Wordsworth's Poetry and Prose includes a large selection of texts chronologically arranged, thereby allowing readers to trace the author's evolving interests and ideas. An insightful general introduction and textual introduction precede the texts, each of which is fully annotated. Illustrative materials include maps, manuscript pages, and title pages. “Criticism” collects thirty responses to Wordsworth's poetry and prose spanning three centuries by British and American authors. Contributors include Samuel Taylor Coleridge, Percy Bysshe Shelley, Felicia Hemans, Ralph Waldo Emerson, Lucy Newlyn, Stephen Gill, Neil Fraistat, Mary Jacobus, Nicholas Roe, M. H. Abrams, Anne K. Mellor, Michael O'Neill, and Geoffrey Hartman, among others. The volume also includes a Chronology, a Biographical Register, a Selected Bibliography, and an Index of Titles and First Lines of Poems.

In her highly praisedThe Six Wives of Henry VIIIand its sequel,Children of England, Alison Weir examined the private lives of the early Tudor kings and queens, and chronicled the childhood and youth of Elizabeth I. This book begins as the young Elizabeth ascends the throne in the wake of her sister Mary’s disastrous reign. Elizabeth is portrayed as both a woman and a queen, an extraordinary phenomenon in a patriarchal age. Alison Weir writes of Elizabeth’s intriguing, long-standing affair with Robert Dudley, Earl of Leicester; of her dealings — sometimes comical, sometimes poignant — with her many suitors; of her rivalry with Mary, Queen of Scots; and of her bizarre relationship with the Earl of Essex, thirty years her junior. Rich in detail, vivid and colourful, this book comes as close as we shall ever get to knowing what Elizabeth I was like as a person.

Where did the words bungalow and assassin derive? What did nice mean in the Middle Ages? How were adder, anger, and umpire originally spelt? The answers can be found in this essential companion to any popular dictionary. With over 17,000 entries, this is the most authoritative and comprehensive guide to word origins available in paperback. Based on The Oxford Dictionary of English Etymology, the principal authority on the origin and development of English words, it contains a wealth of information about our language and its history. Published On: 1996-03-27