Empfehlungen basierend auf "Discontent"

DBA Version 3.0 updates the highly successful De Bellis Antiquitatis wargame rules for recreating ancient and medieval battles with miniature figures. The brainchild of well-known wargame designer Phil Barker and his wife Sue Laflin-Barker, the simple DBA rule system combines fast play play with historical realism to produce a visually realistic and exciting contest.

"Anyone who enjoys novels that are scary, erotic, touching, tragic and thrilling should rush right out to the nearest bookstore and pick up The Shadow of the Wind. Really, you should." —Michael Dirda, The Washington Post“Wondrous...masterful...The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly, Editor's Choice“This is one gorgeous read.” —Stephen King"I still remember the day my father took me to the Cemetary of Forgotten Books for the first time..."Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets—an epic story of murder, madness, and doomed love.

Presents the story of Allende's ancestors and youth as it was written by her daughter's hospital bedside, reflecting the challenges and achievements of one family during a turbulent time in Chilean history. 100,000 first printing. $100,000 ad/promo. BOMC Alt. Tour.

The “propulsive and mesmerizing” (The New York Times Book Review) story collection by the International Booker-shortlisted author of The Dangers of Smoking in BedThe short stories of Mariana Enriquez are:“The most exciting discovery I’ve made in fiction for some time.”—Kazuo Ishiguro“Phenomenal.”—Vanity Fair“Violent and cool, told in voices so lucid they feel spoken.”—The Boston GlobeONE OF THE BEST BOOKS OF THE YEAR: Boston Globe, Paste, Words Without Borders, Grub Street, Remezcla, EntropyElectric, disturbing, and exhilarating, the stories of Things We Lost in the Fire explore multiple dimensions of life and death in contemporary Argentina. Each haunting tale simmers with the nation's troubled history, but among the abandoned houses, black magic, superstitions, lost loves, and regrets, there is also friendship, compassion, and humor.In these stories, reminiscent of Shirley Jackson and Julio Cortázar, three young friends distract themselves with drugs and pain in the midst a government-enforced blackout; a girl with nothing to lose steps into an abandoned house and never comes back out; to protest a viral form of domestic violence, a group of women set themselves on fire.Translated by the National Book Award-winning Megan McDowell, these “slim but phenomenal” (Vanity Fair) stories explore what happens when our darkest desires are left to roam unchecked and show why Mariana Enriquez has become one of the most celebrated new voices in global literature.

Gabriel García Márquez’s novel One Hundred Years of Solitude seemed destined for obscurity upon its publication in 1967. The little-known author, small publisher, magical style, and setting in a remote Caribbean village were hardly the usual ingredients for success in the literary marketplace. Yet today it ranks among the best-selling books of all time. Translated into dozens of languages, it continues to enter the lives of new readers around the world. How did One Hundred Years of Solitude achieve this unlikely success? And what does its trajectory tell us about how a work of art becomes a classic? Ascent to Glory is a groundbreaking study of One Hundred Years of Solitude, from the moment García Márquez first had the idea for the novel to its global consecration. Using new documents from the author’s archives, Álvaro Santana-Acuña shows how García Márquez wrote the novel, going beyond the many legends that surround it. He unveils the literary ideas and networks that made possible the book’s creation and initial success. Santana-Acuña then follows this novel’s path in more than seventy countries on five continents and explains how thousands of people and organizations have helped it to become a global classic. Shedding new light on the novel’s imagination, production, and reception, Ascent to Glory is an eye-opening book for cultural sociologists and literary historians as well as for fans of García Márquez and One Hundred Years of Solitude.

Auntie Encarna's House Is The Queerest Boarding House In The World. For Camila, Who Grew Up As A Boy In A Small Town In Argentina, But Now Lives As A Woman, It Is Home. The Queens Around Her Are Her Family: Auntie Encarna, Who Is 178 Years Old; Maria, Who Can't Speak, And Has Feathers Growing Out Of Her Back; And A Host Of Other Glittering Characters. At Night, They Head Together To Sarmiento Park, In The Heart Of The City, A Large Green Lung With A Zoo And A Theme Park. Potential Johns Cruise By In Their Cars, Slowing Down To Inspect The Group Before Selecting One With The Wave Of An Arm. The Chosen Woman Answers Their Call. Night After Night, Nothing Changes. Until, One Freezing Night, Auntie Encarna Hears Crying Coming From The Bushes. A Baby Boy, Lost And Alone. Auntie Encarna Puts Him In Her Handbag And Brings Him Home, Determined To Protect Him. To Be A Mother. But The Forces Of Oppression, Prejudice And Fear Surround The Family And Their Foundling - And Soon The Happiness They Clutched At Begins To Seem Like An Impossible Fairy Tale. -- Source Other Than Library Of Congress.

GOOD MORNING AMERICA BUZZ PICK • The Pulitzer Prize–winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse.LONGLISTED FOR THE ANDREW CARNEGIE MEDAL • ONE OF THE BEST BOOKS OF THE YEAR: NPR, New York Public Library, BookPage, and BookRiot • “Quiara Alegría Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories.”—Lin-Manuel Miranda, award-winning creator of Hamilton and In the HeightsQuiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio—even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories—but first she’d have to get off the stairs and join the dance. She’d have to find her language.Weaving together Hudes’s love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging—narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.

In 1528, a mission set out from Spain to colonize Florida. But the expedition went horribly wrong: Delayed by a hurricane, knocked off course by a colossal error of navigation, and ultimately doomed by a disastrous decision to separate the men from their ships, the mission quickly became a desperate journey of survival. Of the four hundred men who had embarked on the voyage, only four survived-three Spaniards and an African slave. This tiny band endured a horrific march through Florida, a harrowing raft passage across the Louisiana coast, and years of enslavement in the American Southwest. They journeyed for almost ten years in search of the Pacific Ocean that would guide them home, and they were forever changed by their experience. The men lived with a variety of nomadic Indians and learned several indigenous languages. They saw lands, peoples, plants, and animals that no outsider had ever before seen. In this enthralling tale of four castaways wandering in an unknown land, Andrés Reséndez brings to life the vast, dynamic world of North America just a few years before European settlers would transform it forever.

WINNER OF THE KIRKUS PRIZE FOR NONFICTIONNamed One of The New York Times’ 100 Notable Books of 2023One of Time’s 100 Must-Read Books of 2023 | A Top Ten Book of 2023 at Chicago Public LibraryA new book by the Pulitzer Prize–winning writer about the twenty-first-century Latino experience and identity.In Our Migrant Souls, the Pulitzer Prize–winning writer Héctor Tobar delivers a definitive and personal exploration of what it means to be Latino in the United States right now.“Latino” is the most open-ended and loosely defined of the major race categories in the United States, and also one of the most rapidly growing. Composed as a direct address to the young people who identify or have been classified as “Latino,” Our Migrant Souls is the first account of the historical and social forces that define Latino identity.Taking on the impacts of colonialism, public policy, immigration, media, and pop culture, Our Migrant Souls decodes the meaning of “Latino” as a racial and ethnic identity in the modern United States, and gives voice to the anger and the hopes of young Latino people who have seen Latinidad transformed into hateful tropes and who have faced insult and division—a story as old as this country itself.Tobar translates his experience as not only a journalist and novelist but also a mentor, a leader, and an educator. He interweaves his own story, and that of his parents’ migration to the United States from Guatemala, into his account of his journey across the country to uncover something expansive, inspiring, true, and alive about the meaning of “Latino” in the twenty-first century.A new book by the Pulitzer Prize–winning writer about the twenty-first-century Latino experience and identity.In Our Migrant Souls, the Pulitzer Prize–winning writer Héctor Tobar delivers a definitive and personal exploration of what it means to be Latino in the United States right now. “Latino” is the most open-ended and loosely defined of the major race categories in the United States, and also one of the most rapidly growing. Composed as a direct address to the young people who identify or have been classified as “Latino,” Our Migrant Souls is the first account of the historical and social forces that define Latino identity.Taking on the impacts of colonialism, public policy, immigration, media, and pop culture, Our Migrant Souls decodes the meaning of “Latino” as a racial and ethnic identity in the modern United States, and gives voice to the anger and the hopes of young Latino people who have seen Latinidad transformed into hateful tropes and who have faced insult and division—a story as old as this country itself. Tobar translates his experience as not only a journalist and novelist but also a mentor, a leader, and an educator. He interweaves his own story, and that of his parents’ migration to the United States from Guatemala, into his account of his journey across the country to uncover something expansive, inspiring, true, and alive about the meaning of “Latino” in the twenty-first century.

Months before Alma López's digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition.Highlighting many of the pivotal questions that have haunted the art world since the NEA debacle of 1988, the contributors to Our Lady of Controversy present diverse perspectives, ranging from definitions of art to the artist's intention, feminism, queer theory, colonialism, and Chicano nationalism. Contributors include the exhibition curator, Tey Marianna Nunn; award-winning novelist and Chicana historian Emma Pérez; and Deena González (recognized as one of the fifty most important living women historians in America).Accompanied by a bonus DVD of Alma López's I Love Lupe video that looks at the Chicana artistic tradition of reimagining la Virgen de Guadalupe, featuring a historic conversation between Yolanda López, Ester Hernández, and Alma López, Our Lady of Controversy promises to ignite important new dialogues.