Empfehlungen basierend auf "Diddly Squat: 'Til The Cows Come Home"

The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

My part of Ireland had a poet at one time, a poor ragged fellow whom no respectable person whom no respectable person would be seen talking to, but he left doors open as he passed. A delightful autobiographical novel from one of Ireland's best-loved writers Time hardly mattered in the village of Mucker, the birthplace of poet and writer Patrick Kavanagh. Full of wry humour, Kavanagh's unsentimental and evocative account of his Irish rural upbringing describes a patriarchal society surviving on the edge of poverty, sustained by the land and an insatiable love of gossip. There are tales of schoolboy skirmishes, blackberrying and night-time salmon-poaching; of country-weddings and fairs, of political banditry and religious pilgrimages; and of farm-work in the fields and kicking mares. Kavanagh's experiences inspired him to write poetry which immortalized a fast-disappearing way of life and brought him recognition as one of Ireland's great poets.

Better watch out ...It's that time of year again. Hogswatchnight. ‘Tis the season to be jolly, to hang mistletoe and holly, and other stuff ending in olly.‘Tis the season when the Hogfather himself dons his red suit and climbs in his sleigh pulled by -- of course! -- eight hogs and brings gifts to all the boys and girls of Discworld.But this year, there's a problem. A stranger has taken the place of the Hogfather. Well, not exactly a stranger. He's actually pretty well known. He carries a scythe along with his bag of toys, and he's going to SLEIGH everyone he sees tonight.Ho ho ho.Even the laugh is wrong. The switch has been arranged by the Auditors, mysterious superbeings who want our universe to be a collection of rocks swinging in curves through space. Life is messy. Why not get rid of it? And who better than -- you know who?Somebody has to rescue the real Hogfather before this morbid impostor tracks soot on the world's carpets. It's up to Ankh-Morpork's intellectual elite, the assembled wizards of Unseen University -- with the help of a monster-bashing nanny, the world's worst inventor, plus a bona-fide, honest-to-god god (the oh god of hangovers, to be precise) -- to come up with a plan to save the universe.And they'd better hurry. The bogus Hogfather is asking the wrong questions. Like: How come rich kids get all the nice toys? How come the poor kids are left with the cheap stuff?"That's life," he is told.Which cuts no ice with Death.

Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.Caravaggio - originally, unexpectedly - looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds - to 'code-switch', adapting one's speech and manners to widely differing cultural contexts? Who is, and who isn't, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

"An important contribution to the history of show business and to the saga of American comedy and comedians, comics and comicality."--James ThurberWith impeccable timing, outrageous humor, irreverent wit, and a superb sense of the ridiculous, Groucho tells the saga of the Marx Brothers: the poverty of their childhood in New York's Upper East Side; the crooked world of small-time vaudeville (where they learned to carry blackjacks); how a pretzel magnate and the graceless dancer of his dreams led to the Marx Brothers' first Broadway hit, I'll Say She Is!; how the stock market crash in 1929 proved a godsend for Groucho (even though he lost nearly a quarter of a million dollars); the adventures of the Marx Brothers in Hollywood, the making of their hilarious films, and Groucho's triumphant television series, You Bet Your Life! Here is the life and lunatic times of the great eccentric genius, Groucho, a.k.a. Julius Henry Marx.

Once they had been called Orrice and Effel, two bedraggled, scruffy waifs who lived rough off the streets of Walworth. Now they were Horrace and Ethel Cooper, grown up - quite respectable really - and living with their adopted parents, Jim and Rebecca Cooper. When Horrace saw the pretty girl who worked as a shop assistant in Adams (Ladies Fashion Modes) he was quite bowled over and knew he had to meet her. From then on he was in and out of the shop, buying hats and stockings and ribbons, trying desperately to persuade Miss Sally Brown to come out with him. And while he was laying siege to Sally, his sister Ethel was listening to her poet boyfriend spouting forth his romantic verse. But Ethel's involvement with the poet was to end more dangerously and dramatically than either she or Horrace had imagined and several quite startling events were to happen before Horrace and Ethel's affairs were resolved.

Read the hilarious, candid (and sometimes not-so-nice), diaries of Jamie Kelly, who promises that everything in her diary is true...or at least as true as it needs to be.Dear Dumb Diary, My social studies teacher, Mr. VanDoy, never smiles. I know that's hard to believe, because everybody smiles about something, right?Isabella smiles when her brothers get in trouble. Angeline smiles when she thinks about how much prettier she is than, like, a waterfall or a unicorn. I smile when I think about a unicorn kicking Angeline over a waterfall. But Mr. VanDoy doesn't smile at all. I wonder if when you become an adult, you can lose your sense of humor the way you lose your teeth or hair or fashion sense.

A FAST-FOOD HELPING OF HUMOR! What is it that makes GARFIELD America's favorite feline? Maybe it's the way he flies through the fat lane without losing his cool or without missing a meal! You'll marvel as GARFIELD finds new ways to evade exercise and beat boredom. But it's nothing that a few airborne sardines can't cure, and feeding Odie a jar of sticky peanut butter is a sure way to a slobbering good time. So join GARFIELD and his friends before the food is gone and the fun slows down!

Everyone knows about the immaculate conception and the crucifixion. But what happened to Jesus between the manger and the Sermon on the Mount? In this hilarious and bold satirical novel, the acclaimed Christopher Moore shares the greatest story never told: the life of Christ as seen by his boyhood pal, Biff. Just what was Jesus doing during the many years that have gone unrecorded in the Bible? Biff was there at his side, and now after two thousand years, he shares those good, bad, ugly, and miraculous times. Screamingly funny, audaciously fresh, this work of religious satire rivals the best of Tom Robbins and Carl Hiaasen, and is sure to please this gifted writer’s fans and win him legions more.

An omnibus edition containing the first four titles in the celebrated series Alms for Oblivion: Fielding Gray; Sound the Retreat; The Sabre Squadron; and The Rich Pay Late. There are ten novels overall telling separate stories but linked by the characters they have in common.