Empfehlungen basierend auf "Delphi Complete Works of Sarah Orne Jewett (Illustrated)"

Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1905. Excerpt: ... ACT I Scene--The octagon room at Sir Robert CHILTern's house in Grosvenor Square. [The room is brilliantly lighted and full of guests. At the top of the staircase stands Lady Chiltern, a woman of grave Greek beauty, about twenty-seven years of age. She receives the guests as they come up. Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large eighteenthcentury French tapestry--representing the Triumph of Love, from a design by Boucher--fhat is stretched on the staircase wall. On the right is the entrance 'to the music-room. The sound of a string quartette is faintly heard. The entrance on the left leads to other reception-rooms. Mrs. Marchmont and Lady Basildon, two very pretty women, are seated together on a Louis Seize sofa. They are types of exquisite fragility. Their affectation of manner- has a delicate charm. Watteau would have loved to paint them.) Mrs. Marchmont. Going on to the Hartlocks' tonight, Margaret? Lady Basildon. I suppose so. Are you? Mrs. Marchmont. Yes. Horribly tedious parties they give, don't they? Lady Basildon. Horribly tedious! Never know why I go. Never know why I go anywhere. Mrs. Marchmont. I come here to be educated. Lady Basildon. Ah! I hate being educated! Mrs. Marchmont. So do I. It puts one almost on a level with the commercial classes, doesn't it? But 1 dear Gertrude Chiltern is always telling me that I should have some serious purpose in life. So I come here to try to find one. Lady Basildon [Looking round through her lorgnette]. I don't see anybody here to-night whom one could possibly call a serious purpose. The man who took me in to dinner talked to me about his wife the whole time. Hrs. MArchmont. How very trivial of him! Lady Basildon. Terribly trivial! What did your man talk about? Mrs. Mabchmont. Abo...

With gorgeous full-color illustrations, ornate decorative elements, lettering in metallic ink, and engaging text, The Language of Flowers: A Fully Illustrated Compendium of Meaning, Literature, and Lore for the Modern Romantic is a treasure for flower lovers. A sumptuous, contemporary anthology of 50 of the world's most storied and popular flowers, each of its entries offers insight to the meaning associated with the flower, and is a fascinating mix of foklore, classic mythology, literature, botanical information and popular culture.Following an introduction that provides a short history of the language of flowers, a fad which reached its peak during the reign of Queen Victoria, each uniquely illustrated and designed entry is an enjoyable read full of history and little-known facts. Here is the story of Tulipmania; how the pansy got its "face," and why the most particular pollination process of a certain orchid has made the vanilla bean a very dear commodity. You'll also dicover how Christian Dior's passion for lily of the valley inspired his classic perfume Diorissimo and its extraordinary bottle; why Oscar Wilde had a penchant for wearing green carnations in his lapel; and how Greeks and Romans believed snapdragons could ward off witchcraft, so they planted them at entryways to their homes.With more than a dozen two-page paintings evoking the romance of noteworthy Victorian gardens and symbolic bouquets, a cross-referenced index of flowers and meanings, and suggestions for further reading, this book is a must for lovers of floriology and Victoriana.

Imagine you could get into a time machine and travel back to the 14th century. This text sets out to explain what life was like in the most immediate way, through taking the reader to the Middle Ages, and showing everything from the horrors of leprosy and war to the ridiculous excesses of roasted larks and haute couture.

Intimate photo essays of thirty-eight important writers, including Margaret Atwood, Gabriel García Márquez, Zadie Smith, and Colm Tóibín“We’ve all seen writers on the dust jackets of their books. These portraits, it seemed to me, generally failed to convey either character or personality. Writers deserve better. I wanted to make compelling pictures that would stick in the mind’s eye.”—Laura WilsonInspired by the classic photo essays that once appeared in Life magazine, renowned photographer Laura Wilson presents dynamic portraits of thirty-eight internationally acclaimed writers. Through her photos and accompanying texts, she gives us vivid, revealing glimpses into the everyday lives of such luminaries as Rachel Cusk, Edwidge Danticat, David McCullough, Haruki Murakami, and the late Carlos Fuentes and Seamus Heaney, among others. Margaret Atwood works in her garden. Tim O’Brien performs magic tricks for his family. And Louise Erdrich, who contributes an introduction, speaks with customers in her Minneapolis bookstore. At once inviting and poignant, the book reflects on writing and photography’s shared concerns with invention, transformation, memory, and preservation. With 220 duotone images, The Writers: Portraits will appeal to fans of literature and photography alike.Published in association with the Harry Ransom Center at The University of Texas at AustinExhibition Schedule:Harry Ransom Center at The University of Texas at AustinAugust 26, 2022–January 1, 2023

One of The Sunday Times' (U.K.) Books of the Year"Garnett's life will not need to be written again." —Andrew Morton, Times Literary SupplementA penetrating biography of the most important English-language editor of the early twentieth centuryDuring the course of a career spanning half a century, Edward Garnett—editor, critic, and reader for hire—would become one of the most influential men in twentieth-century English literature. Known for his incisive criticism and unwavering conviction in matters of taste, Garnett was responsible for identifying and nurturing the talents of a generation of the greatest writers in the English language, from Joseph Conrad to John Galsworthy, Henry Green to Edward Thomas, T. E. Lawrence to D. H. Lawrence.In An Uncommon Reader, Helen Smith brings to life Garnett’s intimate and at times stormy relationships with those writers. (“I have always suffered a little from a sense of injustice at your hands,” Galsworthy complained in a letter.) All turned to Garnett for advice and guidance at critical moments in their careers, and their letters and diaries—in which Garnett often features as a feared but deeply admired protagonist—tell us not only about their creative processes, but also about their hopes and fears.Beyond his connections to some of the greatest minds in literary history, we also come to know Edward as the husband of Constance Garnett—the prolific translator responsible for introducingTolstoy, Dostoevsky, and Chekhov to an English language readership—and as the father of David “Bunny” Garnett, who would make a name for himself as a writer and publisher.“Mr. Edward Garnett occupies a unique position in the literary history of our age,” E. M. Forster wrote. “He has done more than any living writer to discover and encourage the genius of other writers, and he has done it without any desire for personal prestige.” An absorbing and masterfully researched portrait of a man who was a defining influence on the modern literary landscape, An Uncommon Reader asks us to consider the multifaceted meaning of literary genius.

THE SUNDAY TIMES BESTSELLER THE TIMES and SUNDAY TIMES BEST MEMOIR OF 2024 ... 'GENIUS' A BOOK OF THE YEAR for the SPECTATOR, MAIL ON SUNDAY, NEW STATESMAN, FINANCIAL TIMES, INDEPENDENT, TELEGRAPH, SUNDAY EXPRESS and THE TABLET. From one of the funniest writers of our time, the award-winning author of One Two Three Four and Ma'am Darling turns his attention to Queen Elizabeth II in an unforgettable and fascinating biography. 'A crown jewel among royal biographies' OBSERVER 'Extraordinarily original, enlightening and fresh' SPECTATOR 'Absolutely fascinating' Ruth Langsford, LOOSE WOMEN 'A very unusual masterpiece' SUNDAY TELEGRAPH 'Brilliantly funny and well-researched' FINANCIAL TIMES Virginia Woolf compared her to a caterpillar; Anne Frank kept pictures of her on the wall of her annex; Jimi Hendrix played her tune; Haile Selassie gave her a gold tiara; Dirk Bogarde watched Death in Venice with her; Andy Warhol envied her fame; Donald Trump offended her; E.M. Forster confessed he would have married her, if only she had been a boy. Queen Elizabeth II was famous for longer than anyone who has ever lived. When people spoke of her, they spoke of themselves; when they dreamed of her, they dreamed of themselves. She mirrored their hopes and anxieties. To the optimist, she seemed an optimist; to the pessimist, a pessimist; to the awestruck, charismatic; and to the cynical, humdrum. Though by nature reserved and unassuming, her presence could fill presidents and rock gods with terror. For close to a century, she inhabited the psyche of a nation. Combining biography, essays, cultural history, dream diaries, travelogue and satire, the bestselling and award-winning author of Ma'am Darling and One Two Three Four: The Beatles in Time presents a kaleidoscopic portrait of this most public yet private of sovereigns. - 'An unconventional tribute that offers a snapshot of almost a century of social history with a mix of royal insanity, and superior anecdotes, from farts and corgis to Paul McCartney and poets laureate' THE TIMES and SUNDAY TIMES BOOKS OF THE YEAR 2024 'An enthralling reverie on memory, identity, coincidence and meaning - testing, teasing, charming, moving and deceptively wise' RORY STEWART 'An entertaining and revealing digest ... fascinating ... Craig Brown has captured something essential about Britain's curious relationship with royalty' TLS 'Completely and utterly brilliant and exquisitely funny and fascinating. This book is, dare I say, majestic. Craig Brown has no peers - I would curtsey to him if I met him' MARINA HYDE 'Wonderfully readable ... At once sympathetic but clear-eyed, kind but sharp' NEW STATESMAN 'Brown is as sharp and dryly funny as his subject' EVENING STANDARD 'You wouldn't think the world needed another book about Queen Elizabeth - but how wrong you'd be. Craig Brown's wholly original and enthralling biography is absolute heaven from start to finish' INDIA KNIGHT 'Craig Brown continues to reinvent the art of biography... utterly fascinating' JASON COWLEY Craig Brown's book One Two Three Four won the Baillie Gifford Prize for Non-Fiction in 2020.

The most successful British television drama of our time, the multi-award-winning Downton Abbey has become a national phenomenon in the U.S. as well. Created by Julian Fellowes—who received an Academy Award for his screenplay for the acclaimed Robert Altman motion picture, Gosford Park—Downton Abbey features stellar performances, ravishing sets and costumes, and, most importantly, absolutely riveting plots. Now the scripts for the entire first season have been collected in one volume, along with never before seen material, incisive commentary, and color photos that will completely immerse fans in the world of Downton Abbey.

Poetry and music have been associated with each other from the very beginning. The Penguin Book of English Song draws together a great variety of English poetry (including Irish, Scots and Welsh writers) that has reached a wider audience through the magic of music. Richard Stokes's rich anthology of verse stretches from the fourteenth century to the twentieth, collecting poems that have inspired musical settings by one hundred English poets, along with a treasure trove of illuminating notes and marginalia about their lives, work and, often, their approach to music.Stokes gathers together in a single volume a huge amount of information about English song that will assist musicians in performing these works, and enlighten all those enthusiasts who delight in the fusion of words and music that has produced countless moments of incandescent magic.

An introduction to the work of Zadie Smith, placing her fiction in a clear historical and theoretical context, and exploring her work in relation to contemporaneity and postcolonialism. Including a timeline of key dates, this guide offers an accessible reading of Smith's work and an overview of its critical reception.

Spine faded, cover creased, page edges tanned. Shipped from the U.K. All orders received before 3pm sent that weekday.