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An astonishingly frank and deeply autobiographical account of homosexual relationships in an era when love between men was not only stigmatised, but also illegal, E.M. Forster's Maurice is edited by P.N. Furbank with an introduction by David Leavitt in Penguin Classics. Maurice Hall is a young man who grows up confident in his privileged status and well aware of his role in society. Modest and generally conformist, he nevertheless finds himself increasingly attracted to his own sex. Through Clive, whom he encounters at Cambridge, and through Alec, the gamekeeper on Clive's country estate, Maurice gradually experiences a profound emotional and sexual awakening. A tale of passion, bravery and defiance, this intensely personal novel was completed in 1914 but remained unpublished until after Forster's death in 1970. Compellingly honest and beautifully written, it offers a powerful condemnation of the repressive attitudes of British society, and is at once a moving love story and an intimate tale of one man's erotic and political self-discovery. In his introduction, David Leavitt explores the significance of the novel in relation to Forster's own life and as a founding work of modern gay literature. This edition reproduces the Abinger text of the novel, and includes new notes, a chronology and further reading. E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centred on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971. If you enjoyed Maurice, you might like Forster's A Room With a View, also available in Penguin Classics.

'If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.' Hemingway's memories of his life as an unknown writer living in Paris in the 1920s are deeply personal, warmly affectionate and full of wit. Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - literary 'stars' like James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald, Ezra Pound and Gertrude Stein - he recalls the time when, poor, happy and writing in cafes, he discovered his vocation.

A sensitive portrayal of the healing process that took place in the aftermath of the First World War, J.L. Carr's A Month in the Country includes an introduction by Penelope Fitzgerald, author of Offshore, in Penguin Modern Classics. A damaged survivor of the First World War, Tom Birkin finds refuge in the quiet village church of Oxgodby where he is to spend the summer uncovering a huge medieval wall-painting. Immersed in the peace and beauty of the countryside and the unchanging rhythms of village life he experiences a sense of renewal and belief in the future. Now an old man, Birkin looks back on the idyllic summer of 1920, remembering a vanished place of blissful calm, untouched by change, a precious moment he has carried with him through the disappointments of the years. Adapted into a 1987 film starring Colin Firth, Natasha Richardson and Kenneth Branagh, A Month in the Country traces the slow revival of the primeval rhythms of life so cruelly disorientated by the Great War Joseph Lloyd Carr (1912-1994) attended the village school at Carlton Miniott in the North Riding and Castleford Secondary School. A head teacher, publisher and novelist, his books include A Day in Summer (1964); The Harpole Report (1972); A Month in the Country (1980), which won the Guardian Fiction prize and was shortlisted for the Booker Prize; The Battle of Pollock's Crossing (1985), which was also shortlisted for the Booker Prize; What Hetty Did (1988) and Harpole and Foxberrow, General Publishers (1992). If you enjoyed A Month in the Country, you might like Ford Madox Ford's Parade's End, also available in Penguin Modern Classics. 'Unlike anything else in modern English literature' D.J. Taylor, Spectator

Middle-age sneaks up on Mr. Smith, but he survives despite his son's wedding in Paris, his inability to understand his new relatives, and his grudging acknowledgment of his mortality

Ethan Allen Hawley has lost the acquisitive spirit of his wealthy and enterprising forebears, a long line of proud New England sea captains and Pilgrims. Scarred by failure, Ethan works as a grocery clerk in a store his family once owned. But his wife is restless and his teenage children troubled and hungry for the material comforts he cannot provide. Then a series of unusual events reignites Ethan’s ambition, and he is pitched on to a bold course where all scruples are put aside...Steinbeck’s searing examination of the evil influences of money, immorality, greed and ambition on American drew acclaim from the Nobel Committee who hailed him as an 'independent expounder of the truth'.

The magnificent final volume of one of the most widely acclaimed fictional masterpieces of the postwar era.Few books have been awaited as eagerly as Clea, the sensuous and electrically suspenseful novel that resolves the enigmas of the Alexandria Quartet. Some years and one world war was after his bizarre liaisons with Melissa and Justine, the Irish émigré Darley becomes enmeshed with the bisexual artist Clea. That affair not only changes the lovers, it transforms the dead as well, revealing new layers of duplicity and desire, perversity and pathos in Lawrence Durrell’s masterly construction.“A massive, marvelously concrete, deeply felt statement of faith. . . . His style glows with the mineral deposits of many cultures. One of the most important works of our time has come to an end.”—The New York Times Book Review“Clea rounds out the tetralogy with grace, beauty, and stunning impact. . . . This rich, exciting fare is Durrell’s finest writing style, a manner of writing few living authors can equal. . . . A magnificent achievement.”—The Detriot News“The reader is carried along on a current of superbly accomplished prose, as flexible and colorful as that of any contemporary writer. . . . What Durrell has given us is well worth having.”—San Francisco Chronicle

Eleven-year-old Portia and her family return with cousin Julian to the site they visited the previous summer, this time to take possession of a large Victorian house, unoccupied for fifty years and full of treasures and secrets.

WAUGH, E.: BRIDESHEAD REVISITED. THE SACRED AND PROFANE MEMORIES OF CAPTAIN CHARLES RYDER. , 1962, 331 p. Encuadernacion original. Nuevo.

The final book in the landmark Cazalet Chronicles, recently broadcast on BBC Radio 4. It is the 1950s and as the Cazalets’ beloved matriarch, the Duchy, passes away, she takes with her the last remnants of a world – of great houses and servants, of class and tradition – in which the Cazalets have thrived. Louise, now divorced, becomes entangled in a painful affair; while Polly and Clary must balance marriage and motherhood with their own ideas and ambitions. Hugh and Edward, now in their sixties, are feeling ill-equipped for this modern world; while Villy, long abandoned by her husband, must at last learn to live independently. But it is Rachel, who has always lived for others, who will face her greatest challenges yet . . . Events will converge at Christmas at Home Place; on which a new generation of Cazalets will descend. Only one thing is certain, nothing will ever be the same again . . . ‘Elizabeth Jane Howard is one of those novelists who shows, through her work, what the novel is for . . . She helps us to do the necessary thing – open our eyes and our hearts’ Hilary Mantel

From Tana French, author of the forthcoming novel The Hunter, “the most important crime novelist to emerge in the past 10 years” (The Washington Post), the New York Times bestseller called “the most stunning of her books” (The New York Times) and a finalist for the Edgar Award. Back in 1985, Frank Mackey was a nineteen-year-old kid with a dream of escaping hisi family's cramped flat on Faithful Place and running away to London with his girl, Rosie Daly. But on the night they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him—probably because of his alcoholic father, nutcase mother, and generally dysfunctional family. He never went home again. Neither did Rosie. Then, twenty-two years later, Rosie's suitcase shows up behind a fireplace in a derelict house on Faithful Place, and Frank, now a detective in the Dublin Undercover squad, is going home whether he likes it or not.