Empfehlungen basierend auf "Daken: Dark Wolverine No More Heroes"

Superheroes soar in this promising debut—and they’re kids!Twelve-year-old Daniel, the new kid in town, soon learns the truth about his nice—but odd—new friends: one can fly, another can turn invisible, yet another controls electricity. Incredible. The superkids use their powers to secretly do good in the town, but they’re haunted by the fact that the moment they turn thirteen, their abilities will disappear—along with any memory that they ever had them. Is a memory-stealing supervillain sapping their powers?The answers lie in a long-ago meteor strike, a World War II–era comic book (Fantastic Futures, starring the first superhero, Johnny Noble), the green-flamed Witch Fire, a hidden Shroud cave, and—possibly, unbelievably—“powerless” regular-kid Daniel himself.Superhero kids meet comic book mystery in this action-filled debut about the true meaning of a hero.

Shortly after starting to teach science in a public high school, Peter meets spider-powered Ezekial, who has come to warn him that an immortal hunter named Morlun is after Spider-Man, and if they should meet, Spider-Man will surely die.

Collects House of M (2005) #1-8. The Scarlet Witch is out of control, and the fate of the entire world is in her hands. Will Magneto help his daughter or use her powers to his own benefit? Starring the Astonishing X-Men and the New Avengers!

The X-Men travel to the Breakworld, where they must stop a race of aliens from shooting an unstoppable missile at Earth--aliens who believe that Colossus is destined to destroy their planet.

Winner of the 2022 Eisner Award for Best Comics-Related Book The first-ever full reckoning with Marvel Comics’ interconnected, half-million-page story, a revelatory guide to the “epic of epics”—and to the past sixty years of American culture—from a beloved authority on the subject who read all 27,000+ Marvel superhero comics and lived to tell the tale “Brilliant, eccentric, moving and wholly wonderful. . . . Wolk proves to be the perfect guide for this type of adventure: nimble, learned, funny and sincere. . . . All of the Marvels is magnificently marvelous. Wolk’s work will invite many more alliterative superlatives. It deserves them all.” —Junot Díaz, New York Times Book Review The superhero comic books that Marvel Comics has published since 1961 are, as Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and still growing. The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing—nobody’s supposed to. So, of course, that’s what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown.   And then he made sense of it—seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk’s hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day—a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders.   As a work of cultural exegesis, this is sneakily significant, even a landmark; it’s also ludicrously fun. Wolk sees fascinating patterns—the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story’s progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way it all feeds into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it’s also a revelation for readers who don’t know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels.

Jamie Madrox, stabbed, staggering off a bus. Jamie Madrox, setting up a detective agency in the heart of Mutant Town. Jamie Madrox, a peaceful Shaolin priest. Which is the real Jamie Madrox? In this noir-esque thriller of a limited series, it's possible that even Madrox doesn't know anymore. Peter David, acclaimed for his run on X-Factor, reunites several of that title's most popular and whimsical characters - Jamie Madrox, Wolfsbane, and the aptly named Strong Guy - and sends them on an adventure of light and darkness. Featuring the incredibly moody pencils of Pablo Raimondi.

The final book in Marie Lu's best-selling Legend trilogy draws to a thrilling conclusion in this vibrant graphic novel adaptation.June and Day have sacrificed so much for the people of the Republic--and each other--and now their country is on the brink of a new existence. June is back in the good graces of the Republic, working within the government's elite circles as Princeps Elect while Day has been assigned a high-level military position. But neither could have predicted the circumstances that will reunite them once again. Just when a peace treaty is imminent, a plague outbreak causes panic in the Colonies, and war threatens the Republic's border cities. This new strain of plague is deadlier than ever, and June is the only one who knows the key to her country's defense. But saving the lives of thousands will mean asking the one she loves to give up everything he has.

"I let the mask fall away from my face. I let them see me. Dylan Taylor. Chatterbox. Mutant and monster. Teen Magneto. This is one of those pivotal moments. There's a metaphor for this. I learned about it in history. The name of some river in Rome." Here we go again. The Cute Mutants are back, bigger and badder than ever. Even better, we're in charge of ourselves now. We've got a headquarters, gear, and an actual budget. Except, we've also got EMID-the American Extrahuman Monitoring and Intelligence Division-breathing down our necks to track down mutants for them. Even worse, there's rumours of a mysterious killer with superpowers and a grudge against the rainbow community. And then there's the promise from our last boss. The threat of war. Humans vs. mutants. The dream was to thrive, but maybe all we can hope for is survival. Whatever that takes. I think I'm beginning to understand the saying, "the end justifies the means." There used to be a line between heroes and villains, didn't there?

X-Men is one of the most popular comic book franchises ever, with successful spin-offs that include several feature films, cartoon series, bestselling video games, and merchandise. This is the first look at the deeper issues of the X-Men universe and the choices facing its powerful "mutants," such as identity, human ethics versus mutant morality, and self-sacrifice. J. Jeremy Wisnewski (Oneonta, NY) is Assistant Professor of Philosophy at Hartwick College and the editor of Family Guy and Philosophy (978-1-4051-6316-3) and The Office and Philosophy (978-1-4051-7555-5). Rebecca Housel (Rochester, NY) is a professor at Rochester Institute of Technology, where she teaches about writing and pop culture. For William Irwin's biography, please see below.

George and Harold are having a normal kind of week. Yesterday they found out they were going to flunk fourth grade. Today they've created an evil, super-powerful monster. She's mean. She's got a fake-fur Evil Baddie costume - and she's having a REALLY bad hair day. With the help of her robots, the Wicked Wedgie Woman is o a mission to take over the world ... and she'll give a whoppin wedgie to anyone who stands in her way! Watch out!