Empfehlungen basierend auf "Cora"

The story of one heroic woman who survived kidnap by a notorious serial rapist and killer in 1980s Philadelphia"I stood there for a moment, silently speaking to myself: Josefina, you will survive this. You are strong. You are a fighter. You adapt."As a young mother of three, Josefina Rivera was determined to get her troubled life back on track. But then she met Gary Heidnik and the next four months became a living nightmare. Along with five women Josefina was held captive in a cellar in Philadelphia where she was starved, beaten, and repeatedly raped to fulfill Heidnik’s desire of creating a "family" of 10 children. This book tells the shocking but ultimately inspiring story of how one brave, young woman saved herself and others from a life worse than hell.

Recounts the tragic story of a battered wife, who in desperation murdered her tormenting husband, and describes how they met and married, and how their relationship deteriorated

AN EPIC FEMINIST RETELLING OF THE WAR OF THE ROSES1431 is a dangerous time for a woman to be defiant.England has been fighting France for 100 years. At home, power-hungry men within a corrupt government manipulate a weak king - and name Cecily's husband, York's loyal duke, an enemy. As the king's grasp on sanity weakens, plots to destroy York take root... It will take all of Cecily's courage and cunning to save her family. But when the will to survive becomes ambition for a crown, will she risk treason to secure it? Inside closed bedchambers and upon bloody battlefields, Cecily portrays war as women fight it.__________ ACCLAIM FOR CECILY"A startling heroine" Sarah Moss, Summerwater"A vividly female perspective on the Wars of the Roses" Imogen Hermes Gower, The Mermaid and Mr Hancock"Wolf Hall for the 2020s" Manda Scott, Boudica"Absorbing" Times"Has the new Hilary Mantel arrived?" Sunday Telegraph"Masterful and majestic; England's unspoken history told by one brilliant woman through the life of another. This important novel blazes on every page from its brutal first scene to its glittering final act" Chris Cleave, author of Everyone Brave is Forgiven"Entirely absorbing and utterly compelling. Fifteenth century England leaps from the page, with all its political turmoil and bloodshed. I loved it" Caroline Lea, author of The Glass Women"Masterfully written and wholly immersive, with characters that live and breathe. Cecily is a tour de force. I loved every sentence" Joanne Burn, author of The Hemlock Cure"Annie Garthwaite writes about the past with the sort of intimacy, immediacy and empathy that can only come from graft and craft" Toby Clements, author of Kingmaker"BLOODY GREAT. So modern, so political, it could almost be set in Downing Street' KATE SAWYER, author of The Stranding"Shines a light into a dark corner of our history and reclaims the voice and story of a powerful and forgotten woman" Liz Hyder, author of The Gifts"An extraordinary achievement . . .I could touch and breathe Cecily's world as if I was walking in her shadow" Carol McGrath, author of The Silken Rose"Impeccably researched, written with style and shot through with energy, heart and power. A perfectly paced tale of intrigue, influence and victory wrenched from defeat. Cecily has been overlooked for centuries. Not anymore" AJ West, author of The Spirit Engineer

A bold, heartfelt tale of life at Green Gables . . . before Anne: A marvelously entertaining and moving historical novel, set in rural Prince Edward Island in the nineteenth century, that imagines the young life of spinster Marilla Cuthbert, and the choices that will open her life to the possibility of heartbreak—and unimaginable greatness. Plucky and ambitious, Marilla Cuthbert is thirteen years old when her world is turned upside down. Her beloved mother dies in childbirth, and Marilla suddenly must bear the responsibilities of a farm wife: cooking, sewing, keeping house, and overseeing the day-to-day life of Green Gables with her brother, Matthew and father, Hugh. In Avonlea—a small, tight-knit farming town on a remote island—life holds few options for farm girls. Her one connection to the wider world is Aunt Elizabeth "Izzy" Johnson, her mother’s sister, who managed to escape from Avonlea to the bustling city of St. Catharines. An opinionated spinster, Aunt Izzy’s talent as a seamstress has allowed her to build a thriving business and make her own way in the world. Emboldened by her aunt, Marilla dares to venture beyond the safety of Green Gables and discovers new friends and new opportunities. Joining the Ladies Aid Society, she raises funds for an orphanage run by the Sisters of Charity in nearby Nova Scotia that secretly serves as a way station for runaway slaves from America. Her budding romance with John Blythe, the charming son of a neighbor, offers her a possibility of future happiness—Marilla is in no rush to trade one farm life for another. She soon finds herself caught up in the dangerous work of politics, and abolition—jeopardizing all she cherishes, including her bond with her dearest John Blythe. Now Marilla must face a reckoning between her dreams of making a difference in the wider world and the small-town reality of life at Green Gables.

Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings, but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour. She also earned the confidences of some whose lives were truly stranger, more poignant and more terrifying than could ever be recounted in fiction. Attached to an order of nuns who had been working in the slums since the 1870s, Jennifer tells the story not only of the women she treated, but also of the community of nuns (including one who was accused of stealing jewels from Hatton Garden) and the camaraderie of the midwives with whom she trained. Funny, disturbing and incredibly moving, Jennifer's stories bring to life the colourful world of the East End in the 1950s.

Lucia, mayor of Tilling and leader of local society faces a new challenge from her social rival Elizabeth Mapp-Flint

New York Times bestselling author Shelley Noble wows with a gripping historical novel about the real-life “Tiffany Girls,” a fascinating and largely unknown group of women artists behind Tiffany’s most legendary glassworks. It’s 1899, and Gilded Age Manhattan is abuzz. Louis Comfort Tiffany, famous for his stained-glass windows, is planning a unique installation at the Paris World’s Fair, the largest in history. At their fifth-floor studio on Fourth Avenue, the artists of the Women’s Division of the Tiffany Glass Company are already working longer shifts to finish the pieces that Tiffany hopes will prove that he is the world’s finest artist in Tiffany glass. Known as the “Tiffany Girls,” these women are responsible for much of the design and construction of Tiffany’s extraordinary glassworks, but none receive credit. Emilie Pascal, daughter of an art forger, has been shunned in Paris art circles after the unmasking of her abusive father. Wanting nothing more than a chance to start a new life, she forges a letter of recommendation in hopes of fulfilling her destiny as an artist in the one place where she will finally be free to live her own life. Grace Griffith is the best copyist in the studio, spending her days cutting glass into floral borders for Tiffany’s religious stained-glass windows. But none of her coworkers know her secret: she is living a double life as a political cartoonist under the pseudonym of G.L. Griffith—hiding her secret identity as a woman. As manager of the women’s division, Clara Driscoll is responsible for keeping everything on schedule and within budget. But in the lead-up to the most important exhibition of her career, not only are her girls becoming increasingly difficult to wrangle, she finds herself obsessed with a new design: a dragonfly lamp that she has no idea will one day become Tiffany’s signature piece. Brought together by chance, driven by their desire to be artists in one of the only ways acceptable for women in their time, these “Tiffany Girls” will break the glass ceiling of their era and for working women to come. This compelling Gilded Age historical fiction novel set in New York City is a perfect gift for any woman interested in art, history, or strong women breaking the glass ceiling of their era. In an era that denies them credit, three fiercely talented women will come together to create some of the most iconic art of the Gilded Age, each hiding a secret that could cost them everything.

In hopes of saving a beloved medieval church from ruin, Marion prays for a miracle; but subsequent entanglement in a world of professional musicians who seem to solve her problems leads to some terrible ramifications which make Marion question whether her prayers were really a "success."

"A Mixture of Frailties", the third volume of Robertson Davies "Salterton" Trilogy, is his first extended engagement with one of the great neuroses of Canadian culture: Canada's artistic relationship to Europe, and particularly to Britain. Davies begins his story with the funeral of Louisa Bridgetower, the Salterton matron whose imposing presence ranges throughout the earlier volumes of the "Salterton" Trilogy. The substantial income from her estate is to be used to send an unmarried young woman to Europe to pursue an education in the arts. Mrs. Bridgetower's executors end up selecting Monica Gall, an almost entirely unschooled singer whose sole experience comes from performing with the Heart and Hope Gospel Quartet, a rough outfit sponsored by a small fundamentalist group. Monica soon finds herself in England, a pupil of some of Britain's most remarkable teachers and composers, and she gradually blossoms from a Canadian rube to a cosmopolitan soprano with a unique - and tragicomic - career.