Empfehlungen basierend auf "Contempt"

The author questions the condition of modern man in this novel depicting a science-fiction writer's struggle to find peace and sanity in the world

"Born of a terrible insomnia wchich E. M. Cioran called "a dizzying lucidity which would turn even paradise into hell," this book presents the youthful Cioran, a self-described "Nietzsche still complete with his Zarathustra, his poses, his mystical clown's tricks, a whole circus of the heights." On the Heights of Despair shows Cioran's first grappling with themes he would return to in his mature works: despair and decay, absurdity and alienation, futility and the irrationality of existence. It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair, for whom writing and philosophy both share the "lyrical virtues" that alone lead to metaphysical revelations. An exorcism of despair, this book offers insights into the ironic anguish of Cioran's philosophic mind while providing fascinating information on his early development as a writer and thinker."

Dr Felix Hoenikker, has left a deadly legacy to humanity. He is the inventor of ice-nine, a lethal chemical capable of freezing the entire planet. Writer Jonah's search for its whereabouts leads him to Hoenikker's three eccentric children, to an island republic in the Caribbean where the religion of Bokononism is practised, to love and to insanity. Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale of global destruction is a funny and frightening satire on the end of the world and the madness of mankind.

For the first time in English, all the fiction by the writer who has been called “the greatest Spanish-language writer of our century” collected in a single volume“An event, and cause for celebration.”—The New York TimesA Penguin Classics Deluxe Edition with flaps and deckle-edged paperFor some fifty years, in intriguing and ingenious fictions that reimagined the very form of the short story—from his 1935 debut with A Universal History of Iniquity through his immensely influential collections Ficciones and The Aleph, the enigmatic prose poems of The Maker, up to his final work in the 1980s, Shakespeare’s Memory—Jorge Luis Borges returned again and again to his celebrated themes: dreams, duels, labyrinths, mirrors, infinite libraries, the manipulations of chance, gauchos, knife fighters, tigers, and the elusive nature of identity itself. Playfully experimenting with ostensibly subliterary genres, he took the detective story and turned it into metaphysics; he took fantasy writing and made it, with its questioning and reinventing of everyday reality, central to the craft of fiction; he took the literary essay and put it to use reviewing wholly imaginary books.Bringing together for the first time in English all of Borges’s magical stories, and all of them newly rendered into English in brilliant translations by Andrew Hurley, Collected Fictions is the perfect one-volume compendium for all who have long loved Borges, and a superb introduction to the master’s work for all who have yet to discover this singular genius.For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

“ . . . that country where it is always turning late in theyear. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnightsstay . . . ”Explore the outer limits of the imagination with the GrandMaster of American Literature, Ray Bradbury, in a dark and disquieting descentinto The October Country. Readers of The Martian Chronicles and TheIllustrated Man, as well as fans of H. P. Lovecraft, Rod Serling, Bram Stoker, Stephen King,and writers of other classic horror stories, will be captivated by TheOctober Country’s nineteen astonishing tales. From drowned cities tofrantic carnivals to forgotten Mexican villages, Bradbury offers anunforgettable journey into mystery, shining brief lights upon the darkestcorners of the soul.

In a perfect pairing of talent, this volume blends twenty illustrations by Peter Sís with Jorge Luis Borges's 1957 compilation of 116 "strange creatures conceived through time and space by the human imagination," from dragons and centaurs to Lewis Carroll's Cheshire Cat and the Morlocks of H. G. Wells's The Time Machine. A lavish feast of exotica brought vividly to life with art commissioned specifically for this volume, The Book of Imaginary Beings will delight readers of classic fantasy as well as Borges's many admirers.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

'Etgar Keret's short stories are fierce, funny, full of energy and insight, and at the same time they are often deep, tragic and very moving' - Amos Oz At a children's tea party, a magician tries to pull a rabbit out of a hat, but takes out only its head; a young man has a mother and girlfriend who each demand that he gives them the other one's heart; while a Nobel Laureate asks an orphan to perform a very strange task. In Etgar Keret's blackly comic stories the unexpected can, and usually does, happen. They are clever, quick, sometimes violent and often intensely poignant. They are, in short, brilliant.

From the internationally acclaimed author of The Marriage of Cadmus and Harmony comes one of the most significant books in recent years on a writer of perennial interest–a virtuoso interpretation of the work of Franz Kafka. What are Kafka’s fictions about? Are they dreams? Allegories? Symbols? Countless answers have been offered, but the essential mystery remains intact. Setting out on his own exploration, Roberto Calasso enters the flow, the tortuous movement, the physiology of Kafka’s work to discover why K. and Josef K.–the protagonists of The Castle and The Trial–are so radically different from any other character in the history of the novel, and to determine who, in the end, is K. The culmination of Calasso’s lifelong fascination with Kafka’s work, K. is also an unprecedented consideration of the mystery of Kafka himself.

Vineland is hardly anyone’s favorite Thomas Pynchon novel. Marking Pynchon’s return after vanishing for nearly two decades following his epic Gravity’s Rainbow, it was initially regarded as slight, a middling curiosity. However, for Peter Coviello, the oft-overlooked Vineland opens up new ways of thinking about Pynchon’s writing and about how we read and how we live in the rough currents of history. Beginning with his early besotted encounters with Vineland, Coviello reads Pynchon’s offbeat novel of sixties insurgents stranded in the Reaganite summer of 1984 as a delirious stoner comedy that is simultaneously a work of heartsick fury and political grief: a portrait of the hard afterlives of failed revolution in a period of stifling reaction. Offering a roving meditation on the uses of criticism and the practice of friendship, the fashioning of publics and counterpublics, the sentence and the police, Coviello argues that Vineland is among the most abundant and far-sighted of late-century American excursions into novelistic possibility. Departing from visions of Pynchon as the arch-postmodernist, erudite and obscure, he discloses an author far more companionable and humane. In Pynchon’s harmonizing of joyousness and outrage, comedy and sorrow, Coviello finds a model for thinking through our catastrophic present.

The second in a two volume collection of short stories by the acclaimed author of 'Empire of the Sun', 'Crash' and 'Super-Cannes'. The new edition is introduced by Adam Thirwell. With eighteen novels over four decades - from 'The Drowned World' in 1962 to his final novel 'Kingdom Come' in 2006 - J.G. Ballard is known as one of Britain's most celebrated and original novelists. However, during his long career he was also a prolific writer of short stories; in fact, many people consider that he is at his best in the short-story format. These highly influential stories have appeared in magazines such as New Worlds, Amazing Stories and Interzone, and in several separate collections, including 'The Terminal Beach', 'The Venus Hunters', 'Vermilion Sands', 'Low-Flying Aircraft' and 'Myths of the Near Future'. Set out in the original order of publication and frequently the point of conception for ideas he further developed in his novels, these stories provide an unprecedented opportunity to see the imagination of one of Britain's greatest writers at work. This edition is part of a new commemorative series of Ballard's works, featuring introductions from a number of his admirers (including Robert Macfarlane, Iain Sinclair, James Lever and Ali Smith) and brand-new cover designs from the artist Stanley Donwood.