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Discover the rich and complex history of LGBTQ+ people around the world - their struggles, triumphs, and cultural contributions.Exploring and explaining the most important ideas and events in LGBTQ+ history and culture, this book showcases the breadth of the LGBTQ+ experience. This diverse, global account explores the most important moments, movements, and phenomena, from the first known lesbian love poetry of Sappho to Kinsey's modern sexuality studies, and features biographies of key figures from Anne Lister to Audre Lorde.Dive deep into the pages of The LGBTQ + History book to- Thought-provoking graphics and flow-charts demystify the central concepts behind key moments in LGBTQ+ history, from eromenos and erastes in the Ancient World to political lesbianism.- Features insightful quotes from leading historians, philosophers, cultural commentators, economists, anthropologists, sociologists, activists, and politicians.- Includes biography boxes and directory entries on the lives of important but lesser-known individuals, alongside well-known names including Sappho, Oscar Wilde, Anne Lister, Harvey Milk, and Marsha P. Johnson.- Global in scope with a localizable directory.The LGBTQ+ History Book celebrates the victories and untold triumphs of LGBTQ+ people throughout history, such as the Stonewall Riots and first gender affirmation surgeries, as well as commemorating moments of tragedy and persecution, from the Renaissance Italian "Night Police" to the 20th century "Don't Ask Don't Tell" policy. The book also includes major cultural cornerstones - the secret language of polari, Black and Latine ballroom culture, and the many flags of the community - and the history of LGBTQ+ spaces, from 18th-century "molly houses" to modern "gaybourhoods".The LGBTQ+ History Book celebrates the long, proud - and often hidden - history of LGBTQ+ people, cultures, and places from around the world.

It has been more than fifty years since John Waters filmed his first short on the roof of his parents’ Baltimore home. Over the following decades, Waters has developed a reputation as an uncompromising cultural force not only in cinema, but also in visual art, writing, and performance. This major retrospective examines the artist’s influential career through more than 160 photographs, sculptures, soundworks, and videos he has made since the early 1990s. These works deploy Waters’s renegade humor to reveal the ways that mass media and celebrity embody cultural attitudes, moral codes, and shared tragedy.Waters has broadened our understanding of American individualism, particularly as it relates to queer identity, racial equality, and freedom of expression. In bringing “bad taste” to the walls of galleries and museums, he tugs at the curtain of exclusivity that can divide art from human experience. Waters freely manipulates an image bank of less-than-sacred, low-brow references—Elizabeth Taylor’s hairstyles, his own self-portraits, and pictures of individuals brought into the limelight through his films, including his counterculture muse Divine—to entice viewers to engage with his astute and provocative observations about society.This richly illustrated book explores themes including the artist’s childhood and identity; Pop culture and the movie business; Waters’s satirical take on the contemporary art world; and the transgressive power of images. The catalogue features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; critic, curator, and artist Robert Storr; as well as an interview with Waters by photographer Wolfgang Tillmans.Published in association with the Baltimore Museum of Art.Exhibition dates:The Baltimore Museum of Art: October 7, 2018–January 6, 2019Wexner Center for the Arts: February 2–April 28, 2019

NEW YORK TIMES BESTSELLERNow in paperback—Peggy Orenstein, author of the groundbreaking New York Times bestseller Girls & Sex, turns her focus to the sexual lives of young men. “Eye-opening…. Every few pages, the boy world cracks open a little bit…. Even in the most anxiety-provoking moments of Boys & Sex, it’s clear that Orenstein believes in the goodness of boys and the men they can become, and she believes in us, as parents, to raise them” (New York Times Book Review).Peggy Orenstein’s Girls & Sex broke ground, shattered taboos, and launched conversations about young women’s right to pleasure and agency in sexual encounters. It also had an unexpected effect on its author: Orenstein realized that talking about girls is only half the conversation. Boys are subject to the same cultural forces as girls—steeped in the same distorted media images and binary stereotypes of female sexiness and toxic masculinity—which equally affect how they navigate sexual and emotional relationships. In Boys & Sex, Peggy Orenstein dives back into the lives of young people to once again give voice to the unspoken, revealing how young men understand and negotiate the new rules of physical and emotional intimacy.Drawing on comprehensive interviews with young men, psychologists, academics, and experts in the field, Boys & Sex dissects so-called locker room talk; how the word “hilarious” robs boys of empathy; pornography as the new sex education; boys’ understanding of hookup culture and consent; and their experience as both victims and perpetrators of sexual violence. By surfacing young men’s experience in all its complexity, Orenstein is able to unravel the hidden truths, hard lessons, and important realities of young male sexuality in today’s world. The result is a provocative and paradigm-shifting work that offers a much-needed vision of how boys can truly move forward as better men.

A moving exploration of how gay men construct their identities, fight to be themselves, and live authenticallyIt goes without saying that even today, it’s not easy to be gay in America. While young gay men often come out more readily, even those from the most progressive of backgrounds still struggle with the legacy of early-life stigma and a deficit of self-acceptance, which can fuel doubt, regret, and, at worst, self-loathing. And this is to say nothing of the ongoing trauma wrought by AIDS, which is all too often relegated to history. Drawing on his work as a clinical psychologist during and in the aftermath of the epidemic, Walt Odets reflects on what it means to survive and figure out a way to live in a new, uncompromising future, both for the men who endured the upheaval of those years and for the younger men who have come of age since then, at a time when an HIV epidemic is still ravaging the gay community, especially among the most marginalized.Through moving stories―of friends and patients, and his own―Odets considers how experiences early in life launch men on trajectories aimed at futures that are not authentically theirs. He writes to help reconstruct how we think about gay life by considering everything from the misleading idea of “the homosexual,” to the diversity and richness of gay relationships, to the historical role of stigma and shame and the significance of youth and of aging. Crawling out from under the trauma of destructive early-life experience and the two epidemics, and into a century of shifting social values, provides an opportunity to explore possibilities rather than live with limitations imposed by others. Though it is drawn from decades of private practice, activism, and life in the gay community, Odets’s work achieves remarkable universality. At its core, Out of the Shadows is driven by his belief that it is time that we act based on who we are and not who others are or who they would want us to be. We―particularly the young―must construct our own paths through life. Out of the Shadows is a necessary, impassioned argument for how and why we must all take hold of our futures.

As Lillian Faderman writes, there are "no constants with regard to lesbianism," except that lesbians prefer women. In this groundbreaking book, she reclaims the history of lesbian life in twentieth-century America, tracing the evolution of lesbian identity and subcultures from early networks to more recent diverse lifestyles. She draws from journals, unpublished manuscripts, songs, media accounts, novels, medical literature, pop culture artifacts, and oral histories by lesbians of all ages and backgrounds, uncovering a narrative of uncommon depth and originality.

A Yale Drama Series-winning play about self-defense, desire, and healing in the aftermath of a college rapeSeven college students gather for a DIY self-defense workshop after a sorority sister is raped. They practice using their bodies as weapons. They wrestle with their desires. They learn the limits of self-defense.This new play by writer, director, actor, and community builder Liliana Padilla explores the intersection of sex, community, and what it means to heal in a violent world. Padilla shows how learning self-defense becomes a channel for these college students’ rage, anxiety, confusion, trauma, and desire. The play examines what one wants, how to ask for it, and the ways rape culture threatens one’s body and sense of belonging.It is the thirteenth winner of the Yale Drama Series prize and the second one chosen by Pulitzer Prize–winning playwright Ayad Akhtar.

Queerness is everywhere and it always has been. But queer stories, culture and communities have been often hidden . . . Shortlisted for the SLA Information Book Awards 2025 'This affirming whistlestop tour through queer history and culture features an A-Z of camp icons as well as protest timelines, changing terminology, iconic artists, music, film and more. Engaging, witty and thoughtful, it’s full of a supportive kindness that LGBTQ+ teens may find indispensable.’ – The Guardian Queerbook is an invitation to discover and celebrate queer joy, past and present. It’s a whistlestop tour of all the fun (and serious) queer stuff that the foghorn of straight culture drowns out, and that you deserve to know: heroes and histories, science and stories, art, spaces, music, film, TV, fashion – along with jargon-free breakdowns of terms from sexuality and gender identity, to code-switching, intersectionality, bi-erasure, straightwashing, and much, much more. You don’t need any specific interests to read Queerbook – all you need is curiosity and a desire to learn more about what it means to be LGBTQ+. So, say no to the Straightrix and enter the technicolour world over the rainbow ... Ready? Queer we go!

Caroline ?Tula? Cossey was born with male genitalia but went on to become a beautiful woman with a successful modelling career. My Story is Tula?s candid thought provoking, enlightening, humorous, heart wrenching and motivational account of her struggles: her troubled childhood being bullied and taunted in East Anglia, her dreams of becoming a woman, the operations that liberated her sexually, and the journey from showgirl to James Bond girl to top international model. At the height of her career, Tula had appeared in Vogue, Cosmopolitan and Harper's Bazaar and graced the covers of many top fashion and beauty magazines and top calendars around the world. She was also the first transgendered model to appear in Playboy magazine and was featured on the cover of multiple international editions. After she was twice exposed by the News of the World, Tula?s career plummeted and her marriage to multimillionaire Elias Fattal was annulled. In the spring of 1989, she was forced to make a unique appeal to the European Commission of Human Rights: she was fighting for the legal validation of her marriage as a female and the right to have her birth certificate amended after gender reassignment surgery. Her activism led to appearances on Donahue, Joan Rivers, Howard Stern, Geraldo, Montel Williams, Maury Povich, Arsenio Hall, Neal Boortz, David Frost, Gloria Hunniford, BBC?s Question Time, Jonathan Ross, and numerous other television and radio shows. She has also often been featured on Entertainment Tonight and had a day named after her in Atlanta, Georgia and was given the key to the city. My Story is not just the true account of Tula?s battle for the body she needed to survive and her struggle for the legal rights she deserved as a woman. It is above all an inspirational exemplification of the triumph of the human spirit over seemingly insurmountable adversity and suffering.

Secretly gay school bullies. Punks with make-up tips. Heroic hairdressers. Queer parents. Suburban pride marches. Police hassle. With nods of recognition and unexpected flirtations, chosen families and desperate escapes, this is a new way of seeing suburbia: a place where things aren't always as straightforward - or straight - as they seem. 'Breaks new ground' - David Kynaston 'Grindrod is one of the best chroniclers of British life' - Jude Rogers Throughout LGBTQ+ history, suburbia has been seen as somewhere to escape from: a place where heterosexuality rules; where difference will not be tolerated; where you'll never find a soulmate. But for many, those streets of twitching curtains and pebble-dashed semis were - or still are - a place to call home. From Addlestone to Wilmslow, Tales of the Suburbs explores the relatively untold twentieth century tale of lesbian, gay, bisexual, trans and queer people in small towns and suburbia. Through remarkable archive material and original interviews, social historian John Grindrod reveals stories that are messy and moving, dark and funny, uplifting and extraordinary. Together, they reclaim suburbia as a space for all - or those that want it - where counter-cultural expression thrives despite the Neighbourhood Watch, and queer love and friendship bloom against the odds.

"Honest, informative, and stylish, this book made me grateful for the activism of the past and gave me courage for the fights to come!” —Maia Kobabe, author of Gender Queer: A Memoir "This book belongs in every bookstore, library, and educational establishment, and in the hands of every queer kid." —Mo B. Dick, Drag King legend and executive director of Drag King History More than a historical narrative, this story of queer identity interweaves the author's personal history, showing queerness as both a community endeavor and deeply personal journey. When Hazel was twelve years old, they came out as bisexual to their parents. At the time, they couldn’t have imagined who they are today: a nonbinary, transmasculine person in a loving queer relationship. In seeking to understand their own history, Hazel takes readers on a parallel journey through queer history—from the origins of Western concepts of sexual orientation, to the synthesis of hormones, to the evolution of trans health care. They unpack the economic underpinnings of gender roles. They dive into the origins behind our concept of “coming out,” the history of "female husbands," neopronouns, and the emergence of drag kings. As Hazel grows and changes, so does their understanding of those who came before them, and the interweaving of both narratives gives the reader a powerful entryway into not just Hazel's journey of self-actualization, but the queer community at large.