Empfehlungen basierend auf "Come to Me Stories"

Shortlisted for the James Tait Black Prize for BiographyLonglisted for The Orwell Prize for Political WritingAn electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silentIn Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West.Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.

“Audacious, original and profoundly moving . . . . Healing is a likely outcome of a book imbued with the righteous anger, compassion and humanity of Swing Low.” —Globe and Mail (Canada)Reverberating with emotional power, authenticity, and insight, Swing Low is Miriam Toews's daring and deeply affecting memoir of her father’s struggle with manic depression in a small Mennonite community in rural Canada. Personal and touching, a stirring counterpart to her novel IrmaVoth and reminiscent of works by Susan Cheever, Gail Caldwell, Mary Karr, and Alexandra Styron, Swing Low is an elegiac ode to a difficult life by an author drawing from the deepest well of insight,craft, and emotion.

"One of the maddest memoirs you'll read this year." —The Times "Extraordinary" —The Guardian* "A riveting debut" — People Magazine ("Book of the Week")Named A 'Best Book of the Summer' by LA Times, People, USA Today, Vanity Fair, The Hollywood Reporter, Amazon, Apple, Cup of Jo, Kirkus, Parade, & TodayWhat is a "normal family," and how do you go about making one? Chrysta Bilton's magnetic, larger-than-life mother, Debra, yearned to have a child, but as a single gay woman in 1980s California, she had few options. Until one day, while getting her hair done in a Beverly Hills salon, she met a man and instantly knew he was the one she'd been looking for. Beautiful, athletic, artistic, and from a well-to-do family, Jeffrey Harrison appeared to be Debra's ideal sperm donor.A verbal agreement, a couple of thousand in cash, and a few squirts of a turkey baster later, and Chrysta was conceived. Over the years, Jeffrey would make regular appearances at the family home, which grew to include Chrysta's baby sister. But how much did Debra really know about the man she'd chosen to father her daughters? And as a single mother torn between ferocious independence and abject dependence—on other women, alcohol, drugs, and the adrenaline of get-rich-quick schemes—what secrets of her own was she keeping?It wasn't until Chrysta was a young adult that she discovered just how much her parents had hidden from their daughters—and each other—including a shocking revelation with far-reaching consequences not only for Debra, Chrysta, and her sister, but for dozens and possibly hundreds of unsuspecting families across the country. After a lifetime of longing for a "normal family," can Chrysta face the reality of her own, in all its complexity?Bringing us into the fold of a deeply dysfunctional yet fiercely loving clan that is anything but "normal," this emotional roller coaster of a memoir will make you cry, laugh, and rethink the meaning of family.

The gripping first-person account of one woman's survival in Joshua Tree National Park against the odds."A vibrantly physical book"—The Guardian • "Uplifting and brave"—Stylist • "A riveting account of loneliness, anxiety and survival"—CosmopolitanIn 2018, writer Claire Nelson made international headlines when she fell over 25 feet after wandering off the trail in a deserted corner of Joshua Tree. The fall shattered her pelvis, rendering her completely immobile. There Claire lay for the next four days, surrounded by boulders that muffled her cries for help, but exposed her to the relentless California sun above. Her rescuers had not expected to find her alive.In THINGS I LEARNED FROM FALLING Claire tells not only her story of surviving, but also her story of falling. What led this successful thirty-something to a desert trail on the other side of the globe from her home where no one knew she would be that day? At once the unbelievable story of an impossible event, and the human journey of a young woman wrestling with the agitation of past and anxiety of future.

A memoir from singer-songwriter Madison Beer, chronicling the past decade of her life spent in the spotlight—the ups, the downs, and the in-betweens that you won’t see on social media. Discovered at twelve years old, Madison Beer was one of the first artists to have her entire life documented online. Over the past decade, she has navigated the spotlight as a child, through her teenage years, and now as a young woman in her twenties. In The Half of It, Madison pulls back the curtain to show the behind-the-scenes of her journey, from reckoning with mass hate online and the time her private pictures were leaked, to battling suicidal thoughts while making her highly acclaimed debut album, Life Support, and her recovery since then. This memoir is an honest and unflinching account of self-love, mental health, and advocacy from one of the fastest-rising musical voices and most influential social media presences of her generation. It hammers home the point, more striking and urgent than ever, that no matter how close the internet may make us feel to people, we truly don’t know the half of it.

Bestselling author and renowned professor Mary Karr offers a master class in the essential elements of great memoir—delivered with her signature wit, insight, and candor.Credited with sparking the current memoir explosion, Mary Karr’s The Liars’ Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well.For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and “black belt sinner,” providing a unique window into the mechanics and art of the form that is as irreverent, insightful, and entertaining as her own work in the genre.Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers’ experience, The Art of Memoir lays bare Karr’s own process. (Plus all those inside stories about how she dealt with family and friends get told— and the dark spaces in her own skull probed in depth.) As she breaks down the key elements of great literary memoir, she breaks open our concepts of memory and identity, and illuminates the cathartic power of reflecting on the past; anybody with an inner life or complicated history, whether writer or reader, will relate.Joining such classics as Stephen King’s On Writing and Anne Lamott’s Bird by Bird, The Art of Memoir is an elegant and accessible exploration of one of today’s most popular literary forms—a tour de force from an accomplished master pulling back the curtain on her craft.

The powerful, true story of a Holocaust survivor told by her daughter—a tale that reminds us of the resilience of the soul and the ability of the heart to heal.As Mira is nearing the end of her life, her daughter Rachelle wants to find out how her mother had lived through four concentration camps, including Auschwitz, and a Death March. There was a mystery to her survival, it seemed—which perhaps had something to do with the strange things that always happened around her. And, incredibly, when giving testimony later in life, she says that it was during this time—despite witnessing the depths of man’s cruelty—that she learned about “the goodness of people.”Born in Czechoslovakia, Mira was only 12 years old when World War II broke out. At 88, living in Australia, she is diagnosed with cancer, and her journalist daughter decides to interview her to distract her from her illness. What Rachelle discovers about her mother helps her fit together the jigsaw pieces of her own life. A Brilliant Life portrays not only how remote a prospect it was to live through the Holocaust, but what it is like to be the child of a survivor.A story of love, loss, wonder and the deepest kind of faith, A Brilliant Life questions the role that fate, chance and destiny play in one's life. It is a tribute to family, a story of incredible resilience and a chronicle of the deep connection between mother and child that not even death can destroy.

In this wrenching, darkly funny memoir, a young Indian American woman’s quest for mental health is derailed by a charismatic alternative therapist who pulls her into his Mormon self-help cult.It is hard for Veena Dinavahi to live while her classmates keep dying. The high-achieving daughter of loving Indian immigrants, she lives in a white American suburb like any other—except for its unusually high suicide rate. Veena tries everything to cure her own depression, but nothing works. Then, on one late-night Google search, her mom finds Bob Lyon—a sixty-year-old man in the backwoods of Georgia who says he can make Veena want to live again. He calls himself “The True Happiness Company” and, as their relationship progresses . . . “Daddy.”As Veena is sucked into his strangely close-knit community, Bob’s “suggestions” start to feel less and less optional. Before she knows it, she’s a college dropout, a married mother of three, and a Mormon convert who has gotten way too good at dismissing her gut feeling that something is wrong. But when Bob finally pushes her too far, Veena knows she has to cut ties with him. Driven to understand her journey, she re-enrolls in college, studies psychology, and begins to understand that true happiness cannot be one-size-fits-all.Told with unflinching clarity and shot through with incisive wit, The True Happiness Company is a singular tale of learning to trust your intuition in a world determined to annihilate it.

A beautiful, heartbreaking, and ultimately heart-lifting graphic memoirLike most kids, Katie was a picky eater. She’d sit at the table in silent protest, hide uneaten toast in her bedroom, and listen to parental threats that she’d have to eat it for breakfast. But in any life a set of circumstance can collide, and normal behavior might soon shade into something sinister, something deadly. This hand-drawn story of struggle and recovery takes a trip into the black heart of a taboo illness, an exposure of those who are so weak as to prey on the vulnerable, and an inspiration to anybody who believes in the human power to endure towards happiness.

The memoirs of Mary Rodgers—writer, composer, Broadway royalty, and “a woman who tried everything.”“What am I, bologna?” Mary Rodgers (1931–2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege and a parent’s overwhelming gift, to become not just a theater figure in her own right but also a renowned author of books for young readers (including the classic Freaky Friday) and, in a final grand turn, a doyenne of philanthropy and the chairman of the Juilliard School. But in telling these stories—with copious annotations, contradictions, and interruptions from Jesse Green, the chief theater critic of The New York Times—Shy also tells another, about a woman liberating herself from disapproving parents and pervasive sexism to find art and romance on her own terms. Whether writing for Judy Holliday or Rin Tin Tin, dating Hal Prince or falling for Stephen Sondheim over a game of chess at thirteen, Rodgers grabbed every chance possible—and then some. Both an eyewitness report from the golden age of American musical theater and a tale of a woman striving for a meaningful life, Shy is, above all, a chance to sit at the feet of the kind of woman they don’t make anymore—and never did. They make themselves.