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From Neil MacGregor, the author of A History of the World in 100 Objects, this is a view of Germany like no other For the past 140 years, Germany has been the central power in continental Europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves? Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly floated. Königsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Johann Wolfgang von Goethe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses and experiences; examining some of these is the purpose of this book. Beginning with the fifteenth-century invention of modern printing by Gutenberg, MacGregor chooses objects and ideas, people and places which still resonate in the new Germany - porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald - to show us something of its collective imagination. There has never been a book about Germany quite like it.

The New York Times bestselling classic of alternate history, a murder mystery set in a world where the Nazis won World War II—for fans of The Plot Against America and The Man in the High CastleBerlin, 1964. The Greater German Reich stretches from the Rhine to the Urals, and keeps an uneasy peace with its nuclear rival, the United States. As the Fatherland prepares for a grand celebration honoring Adolf Hitler’s seventy-fifth birthday and anticipates a conciliatory visit from U.S. president Joseph Kennedy and ambassador Charles Lindbergh, a detective of the Kriminalpolizei is called out to investigate the discovery of a dead body in a lake near Berlin’s most prestigious suburb.But when Xavier March discovers the identity of the body, he also uncovers signs of a conspiracy that could go to the very top of the German Reich. And, with the Gestapo just one step behind, March, together with the American journalist Charlotte Maguire, is caught up in a race to discover and reveal the truth—a truth that has already killed, a truth that could topple governments, a truth that will change history.Praise for Fatherland“A singular achievement displaying original and carefully wrought suspense . . . Fatherland easily transcends convention.”—The Washington Post“A solid thriller, vividly imagined and genuinely frightening.”—The Atlanta Journal-Constitution“Ingenious . . . a triumph . . . suspenseful and elegant.”—San Francisco Chronicle“A dazzler . . . fast-paced . . . Historical fact is blended skillfully with fiction.”—Detroit Free Press“Absorbing . . . expertly written.”—The New York Times Book Review“Truly captivating.”—Robert Ludlum“A strong premise for a police thriller with rich foreign atmosphere and political texture galore? Absolutely!”—Entertainment Weekly“A sly and scary page-turner.”—Los Angeles Times“A well-plotted, well-written detective tale and a fascinating trek through parallel history.”—Chicago Tribune“Fatherland works on all levels. It’s a triumph.”—The Washington Times“Distinguished by vivid details based on impeccable research, the thriller is a crackling-good read in the le Carré tradition.”—Time“Wonderful.”—Newsday“A gripping detective story as well as a chilling visit to the Germany that might have been. It is so plausibly written it seems quite real. Robert Harris is a name to watch for.”—BookPage

"A monumental new volume.... Revelatory, even revolutionary.... Clark has done a masterful job explaining the inexplicable." — Boston GlobeOne of The New York Times Book Review 's 10 Best Books of the Year • Winner of the Los Angeles Times Book Prize (History)Historian Christopher Clark's riveting account of the explosive beginnings of World War I.Drawing on new scholarship, Clark offers a fresh look at World War I, focusing not on the battles and atrocities of the war itself, but on the complex events and relationships that led a group of well-meaning leaders into brutal conflict.Clark traces the paths to war in a minute-by-minute, action-packed narrative that cuts between the key decision centers in Vienna, Berlin, St. Petersburg, Paris, London, and Belgrade, and examines the decades of history that informed the events of 1914 and details the mutual misunderstandings and unintended signals that drove the crisis forward in a few short weeks.Meticulously researched and masterfully written, The Sleepwalkers is a dramatic and authoritative chronicle of Europe's descent into a war that tore the world apart.

A dazzling social and cultural history of Hollywood’s golden age in the decade from World War II to the Korean WarIn 1939, fifty million Americans went to the movies every week, Louis B. Mayer was the highest-paid man in the country, and Hollywood produced 530 feature films a year. One decade and five thousand movies later, the studios were faltering. The 1940s became the decade of Hollywood's decline: anticommunist hysteria excommunicated some of its best talent, while a 1948 antitrust consent decree ended many of the business practices that had made the studio system so profitable.In this masterful work of cultural history, the legendary Otto Friedrich tells the story of Hollywood's heyday and decline in a vivid narrative featuring an all-star cast of the actors, writers, musicians, composers, producers, directors, racketeers, labor leaders, journalists, and politicians who played major parts in the movie capital during the turbulent decade from World War II to the Korean War.Friedrich draws on sources from celebrity biographies to trade-union history, mingling lively gossip with analysis of Hollywood's seedier business dealings and telling the stories of legendary movies such as Citizen Kane, The Maltese Falcon, Double Indemnity, and All About Eve.A classic portrait of a special place in a special time, City of Nets gives us a singular behind-the-scenes glimpse into a bygone era that still captivates our imaginations.

From the quintessential author of wartime Germany, A Time to Love and a Time to Die echoes the harrowing insights of his masterpiece All Quiet on the Western Front.After two years at the Russian front, Ernst Graeber finally receives three weeks’ leave. But since leaves have been canceled before, he decides not to write his parents, fearing he would just raise their hopes.Then, when Graeber arrives home, he finds his house bombed to ruin and his parents nowhere in sight. Nobody knows if they are dead or alive. As his leave draws to a close, Graeber reaches out to Elisabeth, a childhood friend. Like him, she is imprisoned in a world she did not create. But in a time of war, love seems a world away. And sometimes, temporary comfort can lead to something unexpected and redeeming.“The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first rank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure.”—The New York Times Book Review

Offering a uniquely new perspective on the psyches of Germany and Japan after World War II, an expert on those two countries' politics and history explores how each country dealt with its past and their legacies of guilt in light of the atrocities which were committed during the war.

At Victoria station the R.T.O. gave me a travel warrant, a white feather and a picture of Hitler marked 'This is your enemy'. I searched every compartment, but he wasn't on the train'. Spike Milligan's on the march, blitzing friend and foe alike with his uproarious recollections of army life from enlistment to the landing at Algiers in 1943. Bathos, pathos and gales of drunken laughter, and insane military goonery explode in superlative Milliganese.

Presenting the desperate conflict of the First World War through the eyes of an ordinary German soldier, Ernst Jünger's Storm of Steel is translated by Michael Hofmann in Penguin Modern Classics. 'As though walking through a deep dream, I saw steel helmets approaching through the craters. They seemed to sprout from the fire-harrowed soil like some iron harvest.' A memoir of astonishing power, savagery and ashen lyricism, Storm of Steel depicts Ernst Jünger's experience of combat on the front line - leading raiding parties, defending trenches against murderous British incursions, and simply enduring as shells tore his comrades apart. One of the greatest books to emerge from the catastrophe of the First World War, it illuminates like no other book not only the horrors but also the fascination of a war that made men keep fighting for four long years. Ernst Jünger (1895-1998) the son of a wealthy chemist, ran away from home to join the Foreign Legion. His father dragged him back, but he returned to military service when he joined the German army on the outbreak of the First World War. Storm of Steel (Stahlgewittern) was Jünger's first book, published in 1920. Greatly admired by the Nazis, Jünger remained at a distance from the regime, with books such as his allegorical work On the Marble Cliffs (1939) functioning as a covert criticism of Nazi ideology and methods. If you enjoyed Storm of Steel, you might like Edward Blunden's Undertones of War, also available in Penguin Modern Classics. 'To read this extraordinary book is to gain a unique insight into the compelling nature of organized, industrialized violence' Niall Ferguson, author of War of the World 'Hofmann's interpretation is superb' The Times 'Unique in the literature of this or any other war is its brilliantly vivid conjuration of the immediacy and intensity of battle' Telegraph 'Storm of Steel is what so many books claim to be but are not: a classic account of war' Evening Standard

This is Winston Churchill's six-volume history of the Second World War.

In this powerful and revelatory new work, historian Mary Fulbrook takes on one of the most fraught issues in modern times: the role of ordinary Germans in enabling the rise of Nazism and with it the exclusion, persecution, and then extermination of millions of people across Europe. The question often asked of the Nazi era―what and when did ordinary Germans know about the crimes being committed in their name?―is, Fulbrook argues, the wrong one. The real question is how they interpreted and acted―or failed to act―upon what they knew; and how, in the process, became complicit.To address these issues, Fulbrook examines German society before and during the Nazi regime, exploring the social conditions that eventually facilitated mass murder. She explores the creation of a "bystander society," one in which the majority of Germans were either unable to act or developed growing indifference to the fate of those deemed "non-Aryan"―mainly Jews― and therefore outside the Volksgemeinschaft, or national community. Over the course of the 1930s, from Hitler's assumption of the German chancellorship, through the passage of the Nuremberg Laws, to the devastation of Kristallnacht, this "bystander society" became more entrenched. Ordinary Germans became passive about the fate of "non-Aryans" and, by turning away, contributed to their isolation from mainstream society. For many citizens of the Reich, conformity led progressively through growing complicity in everyday racism to more active involvement in genocide during World War Two. In other words, social changes under Nazi rule shaped the perceptions and responses of German citizens, creating the conditions that made the Holocaust possible.Based on an extraordinary archive of personal accounts, Bystander Society moves between the individual and the wider context, highlighting the significance of changing social and political circumstances over the course of the Nazi period by offering first-hand testimony both from those who were its primary victims, and those who initially sought to stay on the side lines but could not avoid being caught up in the violence of the times. These accounts illuminate how interpersonal relations in everyday life shifted, such that some fellow citizens could first be viewed as outcasts and then, in wartime, deported―most often to their deaths―in full view of those who would later often claim ignorance of their fates.Chilling and illuminating, Bystander Society reconceives the whole notion of "bystanding" within Nazi Germany, offering an interpretation of the conditions for inaction, one with wide and enduring relevance.