Empfehlungen basierend auf "Cold Caller A White Collar Noir"

ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • One of the most influential crime novels ever written, by a legend of the genre.Tough, hard-boiled, and brilliantly suspenseful, The Last Good Kiss is an unforgettable detective story starring C. W. Sughrue, a Montana investigator who kills time by working at a topless bar. Hired to track down a derelict author, he ends up on the trail of a girl missing in Haight-Ashbury for a decade. The tense hunt becomes obsessive as Sughrue takes a haunting journey through the underbelly of America's sleaziest nightmares.

#1 NEW YORK TIMES BEST SELLER • In a weedy lot on the outskirts of Memphis, two boys watch a shiny Lincoln pull up to the curb....Eleven-year-old Mark Sway and his younger brother were sharing a forbidden cigarette when a chance encounter with a suicidal lawyer left Mark knowing a bloody and explosive secret: the whereabouts of the most sought-after dead body in America.Now Mark is caught between a legal system gone mad and a mob killer desperate to cover up his crime. And his only ally is a woman named Reggie Love, who has been a lawyer for all of four years. Prosecutors are willing to break all the rules to make Mark talk. The mob will stop at nothing to keep him quiet. And Reggie will do anything to protect her client—even take a last, desperate gamble that could win Mark his freedom... or cost them both their lives.Don’t miss John Grisham’s new book, THE EXCHANGE: AFTER THE FIRM!

Alex Cross was a rising star in the Washington, DC, Police Department when an unknown shooter gunned down his wife, Maria, in front of him. Alex's need for vengeance was placed on hold as he faced another huge challenge-raising his children without their mother.Years later Alex is making a bold move in his life. He has left the FBI and set up practice as a psychologist once again. His life with Nana Mama, Damon, Jannie, and little Alex finally feels like it's in order. He even has a chance at a new love.Then Cross's former partner, John Sampson, calls in a favor. He is tracking a serial rapist in Georgetown, one whose brutal modus operandi includes threatening his victims with terrifying photos. Cross and Sampson need the testimonies of these women to stop the predator, but the rape victims refuse to reveal anything about their attacker.When the case triggers a connection to Maria's death, Alex may have a chance to catch his wife's murderer after all these years. Is this a chance for justice at long last? Or the culminating scene in his own deadly obsession?

Virgil Flowers-tall, lean, late thirties, three times divorced, hair way too long for a cop's-had kicked around for a while before joining the Minnesota Bureau of Criminal Apprehension. First, it was the army and the military police, then the police in St. Paul, and finally Lucas Davenport had brought him into the BCA, promising him, "We'll only give you the hard stuff." He'd been doing the hard stuff for three years now-but never anything like this. In the small town of Bluestem, where everybody knows everybody, a house way up on a ridge explodes into flames, its owner, a man named Judd, trapped inside. There is a lot of reason to hate him, Flowers discovers. Years ago, Judd had perpetrated a scam that'd driven a lot of local farmers out of business, even to suicide. There are also rumors swirling around: of some very dicey activities with other men's wives; of involvement with some nutcase religious guy; of an out-of-wedlock daughter. In fact, Flowers concludes, you'd probably have to dig around to find a person who didn't despise him. And that wasn't even the reason Flowers had come to Bluestem. Three weeks before, there'd been another murder-two, in fact-a doctor and his wife, the doctor found propped up in his backyard, both eyes shot out. There hadn't been a murder in Bluestem in years-and now, suddenly, three? Flowers knows two things: This wasn't a coincidence, and this had to be personal. But just how personal is something even he doesn't realize, and may not find out until too late. Because the next victim . . .may be himself. Filled with the audacious plotting, rich characters, and brilliant suspense that have always made his books "compulsively readable" (Los Angeles Times), Dark of the Moonis vintage Sandford, further proof that he "is in a class of his own" (The Orlando Sentinel).

Punished for his maverick ways, FBI agent Mark Beamon has been exiled from Washington, D.C., to a sleepy Southwest office where he's got one last chance to play by the rules. But that's not going to happen, not when he's on a case that may be too hot even for his unorthodox talents to handle. A local millionaire and his wife are brutally murdered. Jennifer, their teenage child and sole heir, is the prime suspect - and she's gone missing. Laying everything on the line, Beamon sets off on a trail that takes him from a remote survivalist's cabin in the Utah mountains, through the labyrinthine headquarters of a cultlike church, into the shadowy, interlocking boardrooms of a powerful high-tech communications empire. Just when he thinks he's close to finding answers, Beamon discovers the killing of Jennifer's parents is far more sinister than even he could have guessed. Now he isn't just looking for a young girl - he's got to stop a bizarre conspiracy that could bring America to its knees . . .

Hired to find a purloined painting, reputedly the work of a man who vanished in 1950, Lew Archer unveils an assemblage of murder and family rivalry and deceit

Defense attorney Jason Kolarich is back in another edge-of-your-seat thriller . . . and this time he may find himself in over his head, in more ways than one. James Drinker is a bit of an oddball. A funny-looking, geeky loner, he walks into Jason Kolarich's office one day with a preemptive concern: two women have recently been murdered, seemingly by the same killer, and Drinker thinks he will be the police's main suspect. One woman was his ex-girlfriend, he says, and the other was a friend. He's the only link between the victims and he has no alibi for the night of either murder--surely the police will realize it soon. Believing he's the target of a frame-up, Drinker hires Kolarich for his defense. Something about James Drinker seems off from the start, but Kolarich doesn't give it too much thought. Until another murder occurs. And then another. And as he begins to probe his client's life and story more closely, it quickly becomes clear that nothing about James Drinker is what it seems . . . and that the target of the frame-up isn't Drinker, but Kolarich. Unable to stop a serial killer--and prove his own innocence--without breaking his sworn attorney-client privilege, Jason Kolarich must hunt for the truth about James Drinker, the series of brutal murders, and why he's been set up to take the fall. The answers will be beyond anything he could have imagined.

An e-original omnibus of three suspense novels by the Barry Award-nominated novelist and co-screenwriter of Wanted, 3:10 to Yuma and The Double.He calls himself Columbus. His real name never meant much to him anyway. He never knew his father, an earnest young congressman and rising star in the Democratic Party named Abe Mann, or his mother, a prostitute whose involvement with Mann would prove dangerous.All Columbus cares about is his next target. A hit man who quickly made a name for himself as one of the best in his profession, you can be sure he'll fulfill whatever contract's been given him. Even if those who put out the hit have other plans in mind.In THE COLUMBUS TRILOGY, the first three novels by Barry Award-nominated author Derek Haas, Columbus squares off against the shadow of his father, Czech crime lords, drug dealers, a prostitution ring, and more, in three acclaimed suspense novels by a rising master of the genre.

Matt Scudder is finally leading a comfortable life. The crime rate's down and the stock market's up. Gentrification's prettying-up the old neighborhood. The New York streets don't look so mean anymore. Then all hell breaks loose. Scudder quickly discovers the spruced-up sidewalks are as mean as ever, dark and gritty and stained with blood. He's living in a world where the past is a minefield, the present is a war zone, and the future's an open question. It's a world where nothing is certain and nobody's safe, a random universe where no one's survival can be taken for granted. Not even his own. A world where everybody dies.

Keller's a hit man. For years now he's had places to go and people to kill. But enough is enough. He's got money in the bank and just one last job standing between him and retirement. So he carries it out with his usual professionalism, and he heads home, and guess what? One more job. Paid in advance, so what's he going to do? Give the money back?In Des Moines, Keller stalks his designated target and waits for the client to give him the go-ahead. And one fine morning he's picking out stamps for his collection (Sweden 1-5, the official reprints) at a shop in Urbandale when somebody guns down the charismatic governor of Ohio. Back at his motel, Keller's watching TV when they show the killer's face. And there's something all too familiar about that face. . . . Keller calls his associate Dot in White Plains, but there is no answer. He's stranded halfway across the country, every cop in America's just seen his picture, his ID and credit cards are no longer good, and he just spent almost all of his cash on the stamps. Now what?