Empfehlungen basierend auf "Close to Death: A Novel (A Hawthorne and Horowitz Mystery, 5)"

Daisy Wells and Hazel Wong are taking a holiday on the world-famous Orient Express - and it's clear that each of their fellow first-class passengers has something to hide. Even more intriguing: there is rumour of a spy in their midst. Then, during dinner, there is a scream from inside one of the cabins. When the door is broken down, a passenger is found murdered, her stunning ruby necklace gone. But the killer has vanished - as if into thin air. Daisy and Hazel are faced with their first ever locked-room mystery - and with competition from several other sleuths, who are just as determined to crack the case. 'A delight . . . Hazel and Daisy are aboard the Orient Express: cue spies, priceless jewels, a murder and seriously upgraded bun breaks' The Bookseller 'Addictive . . . A rumbustious reworking of Agatha Christie's Orient Express caper' New Statesman

From the author of Murder Most Unladylike. Daisy Wells and Hazel Wong are taking a holiday on the world-famous Orient Express - and it's clear that each of their fellow first-class passengers has something to hide. Even more intriguing: there is rumour of a spy in their midst. Then, during dinner, there is a scream from inside one of the cabins. When the door is broken down, a passenger is found murdered, her stunning ruby necklace gone. But the killer has vanished - as if into thin air. Daisy and Hazel are faced with their first ever locked-room mystery - and with competition from several other sleuths, who are just as determined to crack the case.

Hercule Poirot is vacationing on the Cornish coast when he meets Nick Buckly. Nick is the young and reckless mistress of End House, an imposing structure perched on the rocky cliffs of St. Loo.Poirot has taken a particular interest in the young woman who has recently narrowly escaped a series of life-threatening accidents. Something tells the Belgian sleuth that these so-called accidents are more than just mere coincidences or a spate of bad luck. It seems all too clear to him that someone is trying to do away with poor Nick, but who? And, what is the motive? In his quest for answers, Poirot must delve into the dark history of End House. The deeper he gets into his investigation, the more certain he is that the killer will soon strike again. And, this time, Nick may not escape with her life.

In this absorbing new entry in the acclaimed New York Times bestselling series, Scotland Yard’s Ian Rutledge is caught up in a twisted web of vengeance and murder. On the north coast of Cornwall, an apparent act of mercy is repaid by an arrest for murder. Four young women have been accused of the crime. A shocked father calls in a favor at the Home Office. Scotland Yard is asked to review the case. However, Inspector Ian Rutledge is not the first Inspector to reach the village. Following in the shoes of a dead man, he is told the case is all but closed. Even as it takes an unexpected personal turn, Rutledge will require all his skill to deal with the incensed families of the accused, the grieving parents of the victim, and local police eager to see these four women sent to the infamous Bodmin Gaol. Then why hasn’t the killing stopped? With no shred of evidence to clear the accused, Rutledge must plunge deep into the darkest secrets of a wild, beautiful and dangerous place if he is to find a killer who may—or may not—hold the key to their fate.

"Diabolically clever."--New York Times "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series . . . . [He is] is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie."--Publishers Weekly (starred review) Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison. To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book. Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

Agatha Christie's ingenious murder mystery, now presented as a sumptuous special edition hardback. Beautiful Caroline Crale was convicted of poisoning her husband, yet there were five other suspects: Philip Blake (the stockbroker) who went to market; Meredith Blake (the amateur herbalist) who stayed at home; Elsa Greer (the three-time divorcee) who had roast beef; Cecilia Williams (the devoted governess) who had none; and Angela Warren (the disfigured sister) who cried 'wee wee wee' all the way home. It is sixteen years later, but Hercule Poirot just can't get that nursery rhyme out of his mind...

The murder of Nurse Yvonne Harrington took place one year ago. The case was never solved. As the story opens, the police in Oxford receive an anonymous telephone call from an inmate in the local prison. The caller says he can identify the murderer. Chief Inspector Strange asks Morse to take over the case. At first, Morse refuses but the pressure from the Chief Inspector is such that he soon finds himself deep in the case. He and the long suffering Sgt. Lewis begin an investigation that takes them down highways and byways which eventually lead to unexpected and alarming conclusions. Conclusions that seem to implicate the highborn and lowborn in Oxford, Lower Swinstead, and the charming, thatched-roof village of Burford.This will be the last Inspector Morse story. When you read the novel, you will understand why. It is certainly one of Colin Dexter's best-full of the distinctive touches that we have come to expect from Colin Dexter. The brilliant, curmudgeonly Morse; the stubborn Sgt. Lewis determined to best his boss at his own game. The unpredictable, twisting plot. The lovingly described Oxford with its grand spires and funky pubs and, throughout, the Morsean shtick on music, literature and popular culture.

Clymene O'Riley is in prison for killing her husband-though Diane Fallon is sure she killed another, and suspects she may have left a veritable graveyard of dead men in her wake. Either way, Diane was happy to help put her behind bars. So when Clymene informs her that one of the prison guards may be in danger from a serial killer, Diane is suspicious. And when Clymene escapes from jail, Diane becomes the prime suspect in a bloody murder that puts her in the path of an angry killer who wants her dead...

"Diane Fallon has been working hard to put the past behind her, and she has established herself as the head of the River Trail Museum of Natural History. Late one night at the museum, Diane is shocked when terrified cries lead her to an injured man--a former coworker Diane recognizes from her time as a human rights activist in South America. Clutching a child's femur in his hands, he whispers to her, 'It was one of us--' and dies. Left with a body, a bone, and a cryptic message, Diane has to dig into her past with World Accord International--before the next human rights abused are hers."--P. [4] of cover.

“Oh, joy, a new Peculiar Crimes Unit case by Christopher Fowler . . . the best fun is running all over the city with these amiable partners.”—The New York Times Book Review The brilliant Arthur Bryant and John May take the late, late shift in a cat-and-mouse hunt with a killer who preys on his victims at the same time every night—the lonely hour of 4 A.M. When a man is found hanging upside down inside a willow tree on Hampstead Heath, surrounded by a baffling assortment of occult objects, the Peculiar Crimes Unit is called in to investigate. Was this a botched satanic ritual pulled off by bored teenagers, a gang initiation, or the work of a mastermind with grander intentions? Bryant and May set off in search of answers and are soon reminded that London is a city steeped in blood and magic.  When another body is pulled from the river at dawn, it becomes clear that a killer lurks in the night. To catch him, the PCU switches to graveyard shifts, but the team still comes up short. As they explore a night city where the normal rules do not apply, they’re drawn deeper into a case that involves murder, arson, kidnapping, blackmail, loneliness, and bats.  May takes a technological approach, while Bryant goes in search of his usual academics and misfits for help, for this investigation reveals impossibilities at every turn. How do you stop a killer who appears not to exist? Luckily, impossibilities are what the Peculiar Crimes Unit does best.