Empfehlungen basierend auf "Civil War Ghosts of Central Georgia and Savannah"

Since it was first published, this famous study of the Black Problem in America has become a classic. Powerful, haunting and prophetic, it sounds a clarion warning to the world.

'Injustice anywhere is a threat to justice everywhere.'This landmark missive from one of the greatest activists in history calls for direct, non-violent resistance in the fight against racism, and reflects on the healing power of love.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

'The story of the negro in America is the story of America ... it is not a very pretty story'James Baldwin's breakthrough essay collection made him the voice of his generation. Ranging over Harlem in the 1940s, movies, novels, his preacher father and his experiences of Paris, they capture the complexity of black life at the dawn of the civil rights movement with effervescent wit and prophetic wisdom.'A classic ... In a divided America, James Baldwin's fiery critiques reverberate anew' Washington Post'Edgy and provocative, entertainingly satirical' Robert McCrum, Guardian'Cemented his reputation as a cultural seer ... Notes of a Native Son endures as his defining work, and his greatest' Time

A special 75th anniversary edition of Richard Wright's powerful and unforgettable memoir, with a new foreword by John Edgar Wideman and an afterword by Malcolm Wright, the author’s grandson. When it exploded onto the literary scene in 1945, Black Boy was both praised and condemned. Orville Prescott of the New York Times wrote that “if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy.” Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for “obscenity” and “instigating hatred between the races.” Wright’s once controversial, now celebrated autobiography measures the raw brutality of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him—whites indifferent, pitying, or cruel and Blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he headed north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to “hurl words into this darkness and wait for an echo.” Seventy-five years later, his words continue to reverberate. “To read Black Boy is to stare into the heart of darkness,” John Edgar Wideman writes in his foreword. “Not the dark heart Conrad searched for in Congo jungles but the beating heart I bear.” One of the great American memoirs, Wright’s account is a poignant record of struggle and endurance—a seminal literary work that illuminates our own time.

“This gorgeously rendered graphic-novel version provides a new perspective for old fans but also acts as an immersive introduction for youngsters as well as any adult who somehow missed out on the iconic story set in Maycomb, Alabama.”--USA TodayA beautifully crafted graphic novel adaptation of Harper Lee’s beloved, Pulitzer Prize–winning American classic, voted America's best-loved novel in PBS's Great American Read."Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird."A haunting portrait of race and class, innocence and injustice, hypocrisy and heroism, tradition and transformation in the Deep South of the 1930s, Harper Lee’s To Kill a Mockingbird remains as important today as it was upon its initial publication in 1960, during the turbulent years of the Civil Rights movement.Now, this most beloved and acclaimed novel is reborn for a new age as a gorgeous graphic novel. Scout, Jem, Boo Radley, Atticus Finch, and the small town of Maycomb, Alabama, are all captured in vivid and moving illustrations by artist Fred Fordham.Enduring in vision, Harper Lee’s timeless novel illuminates the complexities of human nature and the depths of the human heart with humor, unwavering honesty, and a tender, nostalgic beauty. Lifetime admirers and new readers alike will be touched by this special visual edition that joins the ranks of the graphic novel adaptations of A Wrinkle in Time and The Alchemist.

Named one of The Washington Post's 50 Notable Works of NonfictionWhile the North prevailed in the Civil War, ending slavery and giving the country a "new birth of freedom," Heather Cox Richardson argues in this provocative work that democracy's blood-soaked victory was ephemeral. The system that had sustained the defeated South moved westward and there established a foothold. It was a natural fit. Settlers from the East had for decades been pushing into the West, where the seizure of Mexican lands at the end of the Mexican-American War and treatment of Native Americans cemented racial hierarchies. The South and West equally depended on extractive industries-cotton in the former and mining, cattle, and oil in the latter-giving rise a new birth of white male oligarchy, despite the guarantees provided by the 13th, 14th, and 15th Amendments, and the economic opportunities afforded by expansion.To reveal why this happened, How the South Won the Civil War traces the story of the American paradox, the competing claims of equality and subordination woven into the nation's fabric and identity. At the nation's founding, it was the Eastern "yeoman farmer" who galvanized and symbolized the American Revolution. After the Civil War, that mantle was assumed by the Western cowboy, singlehandedly defending his land against barbarians and savages as well as from a rapacious government. New states entered the Union in the late nineteenth century and western and southern leaders found yet more common ground. As resources and people streamed into the West during the New Deal and World War II, the region's influence grew. "Movement Conservatives," led by westerners Barry Goldwater, Richard Nixon, and Ronald Reagan, claimed to embody cowboy individualism and worked with Dixiecrats to embrace the ideology of the Confederacy.Richardson's searing book seizes upon the soul of the country and its ongoing struggle to provide equal opportunity to all. Debunking the myth that the Civil War released the nation from the grip of oligarchy, expunging the sins of the Founding, it reveals how and why the Old South not only survived in the West, but thrived.

Voted America's Best-Loved Novel in PBS's The Great American ReadHarper Lee's Pulitzer Prize-winning masterwork of honor and injustice in the deep South—and the heroism of one man in the face of blind and violent hatredOne of the most cherished stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than forty million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father—a crusading local lawyer—risks everything to defend a black man unjustly accused of a terrible crime.

This book is an attack on current methods of city planning and re-building. It is also an explanation of new principles and an argument for different methods from those now in use. It is the first real alternative to conventional city planning that we have had in this century. Its author, herself a city dweller and an editor of Architectural Forum, is direct and practical in her approach. What, she asks, makes cities work? Why are some neighborhoods full of things to do and see and why are others dull? Why does the crime rate soar in our public housing developments and why are some of our older neighborhoods, despite their evident pov-erty, so much more safe, stable and congenial? Why do some neighborhoods attract interested and responsible populations and why do others degenerate? Why are Boston's North End and the eastern and western extremes of Greenwich Village good neighborhoods and why do orthodox city planners consider them slums? What alternatives are there to current city planning and rebuilding?Conventional city planning holds that cities decline because they are blighted by too many people, by mixtures of commercial, industrial and residential uses, by old buildings and narrow streets and by small landholders who stand in the way of large-scale development. Such neighborhoods, they insist, breed apathy and crime, discourage investment and contaminate the areas around them. The response of con-ventional city planning is to tear them down, scatter their inhabitants, lay out super-blocks, and rebuild the area accord-ing to an integrated plan, with the result, as often as not, that the crime rate rises still higher, the new neighborhood is more lifeless than the old one, and the surrounding areas deteriorate even more, until the life of the whole city is threatened.But Mrs. Jacobs observes that in any number of cases these very conditions--mixed uses, dense population, old buildings, small blocks, decentralized ownership--create the very opposite of slums, neighborhoods that regenerate themselves spontaneously, that are full of variety and diversity, that attract large numbers of casual visitors and responsible new residents, that encourage investment and revitalize the areas around them. Boston's North End (condemned as a slum by or-thodox planners) is such a neighborhood, and so is Greenwich Village. Rittenhouse Square and Telegraph Hill are others. Nearly every large city can produce still other examples.Why then do some city neighborhoods die and why do others flourish? And what can city planners do to avoid the death and encourage the life of our great American cities? The solutions proposed by Mrs. Jacobs in this book represent a sharp break with conventional thinking on the subject and they carry with them the ring of simple truth which marks this book as an inevitable classic of social thought.This edition is set from the first American edition of 1961 and commemorates the seventy-fifth anniversary of Random House.

“Grand, robust, a rich and big novel.”—Alice Walker, The New York Times Book Review “In [Jane Pittman], Ernest Gaines has created a legendary figure. . . . Gaines’s novel brings to mind other great works: The Odyssey, for the way his heroine’s travels manage to summarize the American history of her race, and Huckleberry Finn, for the clarity of [Pittman’s] voice, for her rare capacity to sort through the mess of years and things to find the one true story of it all.”—Newsweek Miss Jane Pittman. She is one of the most unforgettable heroines in American fiction, a woman whose life has come to symbolize the struggle for freedom, dignity, and justice. Ernest J. Gaines’s now-classic novel—written as an autobiography—spans one hundred years of Miss Jane’s remarkable life, from her childhood as a slave on a Louisiana plantation to the Civil Rights era of the 1960s. It is a story of courage and survival, history, bigotry, and hope—as seen through the eyes of a woman who lived through it all.  A historical tour de force, a triumph of fiction, Miss Jane’s eloquent narrative brings to life an important story of race in America—and stands as a landmark work for our time.

Early in the afternoon of 9 February 2014, during the worst drought and heatwave south-eastern Australia had experienced in over a century, two separate bushfires raged towards the massive Hazelwood open-pit brown-coal mine, near Morwell in the Latrobe Valley. The fires overwhelmed local fire-fighting efforts and sent a skyful of embers sailing onto millions of square metres of exposed, highly flammable brown coal. Twelve hours later, the mine was ablaze. The Hazelwood mine fire burned out of control for 45 days. As the air filled with toxic smoke and ash, residents of the Latrobe Valley became ill, afraid - and angry. Up against an unresponsive corporation and an indifferent government, the community banded together, turning tragedy into a political fight. In Hazelwood, Tom Doig reveals the decades of decisions that led to the fire, and gives an intimate account of the first moments of the blaze and the dark months that followed. This is a gripping and immediate report of one of the worst environmental and public health disasters in Australian history.