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From one of the great thinkers and writers of our time, comes the unmissable final instalment in Deborah Levy's critically acclaimed 'Living Autobiography'.'I began to wonder what myself and all unwritten and unseen women would possess in their property portfolios at the end of their lives. Literally, her physical property and possessions, and then everything else she valued, though it might not be valued by society. What might she claim, own, discard and bequeath? Or is she the real estate, owned by patriarchy? In this sense, Real Estate is a tricky business. We rent it and buy it, sell and inherit it - but we must also knock it down.'Following the critical acclaim of Things I Don't Want to Know and The Cost of Living, this final volume of Deborah Levy's 'Living Autobiography' is an exhilarating, thought-provoking and boldly intimate meditation on home and the spectres that haunt it.

Winner of the National Book Critics Circle Special Award"I have come to think that the true likeness of Flannery O'Connor will be painted by herself, a self-portrait in words, to be found in her letters . . . There she stands, a phoenix risen from her own words: calm, slow, funny, courteous, both modest and very sure of herself, intense, sharply penetrating, devout but never pietistic, downright, occasionally fierce, and honest in a way that restores honor to the word."―Sally Fitzgerald, from the Introduction

Inspiration for the Netflix Limited Series, Tales of the CityA PBS Great American Read Top 100 PickThe first novel in the beloved Tales of the City series, Armistead Maupin’s best-selling San Francisco saga.For almost four decades Armistead Maupin’s Tales of the City has blazed its own trail through popular culture—from a groundbreaking newspaper serial to a classic novel, to a television event that entranced millions around the world. The first of nine novels about the denizens of the mythic apartment house at 28 Barbary Lane, Tales is both a sparkling comedy of manners and an indelible portrait of an era that changed forever the way we live.

Paperback. Pages: 192 Language: English Publisher: Flamingo An essential and definitive collection of the Nobel Prize for Literature winners finest essays. reviews. reminiscences and interviews from the 1950s. 1960s and 1970s.The novelist talks as an individual to individuals. in a . small personal voice In an age of committee art. public art. people may begin to feel again a need for the small personal voice; and this will feed confidence into writers and. with confidence because of the knowledge of being needed. the warmth and humanity. and love of people which is essential for a great age of literature.In this collection of her non-fiction. Lessings own life and work are the subject of a number of pieces. as are fellow writers such as Isak Dinesen and Kurt Vonnegut . There are essays on Malcolm X and Sufism. discussions of the responsibility of the artist. thoughts on her...

Seven books in one hardcover volume from the bestselling, award-winning author of The Year of Magical Thinking: including the full texts of Slouching Towards Bethlehem; The White Album; Salvador; Miami; After Henry; Political Fictions; and Where I Was From. As featured in the Netflix documentary Joan Didion: The Center Will Not Hold. Joan Didion’s incomparable and distinctive essays and journalism are admired for their acute, incisive observations and their spare, elegant style. Now the seven books of nonfiction that appeared between 1968 and 2003 have been brought together into one thrilling collection. Slouching Towards Bethlehem captures the counterculture of the sixties, its mood and lifestyle, as symbolized by California, Joan Baez, Haight-Ashbury. The White Album covers the revolutionary politics and the “contemporary wasteland” of the late sixties and early seventies, in pieces on the Manson family, the Black Panthers, and Hollywood. Salvador is a riveting look at the social and political landscape of civil war. Miami exposes the secret role this largely Latin city played in the Cold War, from the Bay of Pigs through Watergate. In After Henry Didion reports on the Reagans, Patty Hearst, and the Central Park jogger case. The eight essays in Political Fictions–on censorship in the media, Gingrich, Clinton, Starr, and “compassionate conservatism,” among others–show us how we got to the political scene of today. And in Where I Was From Didion shows that California was never the land of the golden dream." Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

One of The New York Times Book Review's Ten Best Books of 2015One of Jezebel's Favorite Books of 2016A Manual for Cleaning Women compiles the best work of the legendary short-story writer Lucia Berlin.With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the Laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians.Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place."Perhaps, with the present collection, Lucia Berlin will begin to gain the attention she deserves." -Lydia Davis

Armistead Maupin's uproarious and moving Tales of the City novels—the first three of which are collected in this omnibus volume—have earned a unique niche in American literature and are considered indelible documents of cultural change from the seventies through the first two decades of the new millennium.“These novels are as difficult to put down as a dish of pistachios. The reader starts playing the old childhood game of 'Just one more chapter and I'll turn out the lights,' only to look up and discover it's after midnight.”—Los Angeles Times Book ReviewOriginally serialized in the San Francisco Chronicle, Armistead Maupin’s Tales of the City (1978), More Tales of the City (1980), and Further Tales of the City (1982) afforded a mainstream audience of millions its first exposure to straight and gay characters experiencing on equal terms the follies of urban life.Among the cast of this groundbreaking saga are the lovelorn residents of 28 Barbary Lane: the bewildered but aspiring Mary Ann Singleton, the libidinous Brian Hawkins; Mona Ramsey, still in a sixties trance, Michael "Mouse" Tolliver, forever in bright-eyed pursuit of Mr. Right; and their marijuana-growing landlady, the indefatigable Mrs. Madrigal.Hurdling barriers both social and sexual, Maupin leads them through heartbreak and triumph, through nail-biting terrors and gleeful coincidences. The result is a glittering and addictive comedy of manners that continues to beguile new generations of readers.

The long-awaited follow-up to the Pulitzer Prize-winning, No.1 New York Times bestselling Olive KitteridgeOlive, Again will pick up where Olive Kitteridge left off, following the next decade of Olive's life - through a second marriage, an evolving relationship with her son, and encounters with a cast of memorable characters in the seaside town of Crosby, Maine.'One of America's finest writers' Sunday Times'A powerful storyteller immersed in the nuances of human relationships' Observer'Strout really can write you into a world until you feel you are there with her, in that house, that life, that little Podunk of a place' The Times

Twenty essays on such diverse topics as John Wayne, the Haight-Ashbury culture, and the Newport mansions

When 22-year-old Jennifer Worth, from a comfortable middle-class upbringing, went to work as a midwife in the poorest section of postwar London, she not only delivered hundreds of babies and touched many lives, she also became the neighborhood's most vivid chronicler. Call the Farewell to the East End is the last book in Worth's memoir trilogy, which the Times Literary Supplement described as "powerful stories with sweet charm and controlled outrage" in the face of dire circumstances.