Empfehlungen basierend auf "Chinese Law in Imperial Eyes Sovereignty, Justice, & Transcultural Politics"

In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a number of European missionary painters, used Western perspectival illusionism to transform walls and ceilings with visually striking images that were also deeply meaningful to Qianlong. These unprecedented works not only offer new insights into late imperial China’s most influential emperor, but also reflect one way in which Chinese art integrated and domesticated foreign ideas.In Imperial Illusions, Kristina Kleutghen examines all known surviving examples of the Qing court phenomenon of “scenic illusion paintings” (tongjinghua), which today remain inaccessible inside the Forbidden City. Produced at the height of early modern cultural exchange between China and Europe, these works have received little scholarly attention. Richly illustrated, Imperial Illusions offers the first comprehensive investigation of the aesthetic, cultural, perceptual, and political importance of these illusionistic paintings essential to Qianlong’s world.Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/imperial-illusions

Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy. With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible. One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.

In eighty-one brief chapters, Lao-tzu's Tao Te Ching, or Book of the Way, provides advice that imparts balance and perspective, a serene and generous spirit, and teaches us how to work for the good with the effortless skill that comes from being in accord with the Tao—the basic principle of the universe. Stephen Mitchell's bestselling version has been widely acclaimed as a gift to contemporary culture.

Lu-Tze is a senior History Monk, also known as Sweeper. Although thought to be 800 years old, there are some who claim he is older yet . . . 5,200 years older, in fact, because for the History Monks, time is a resource to manipulate, and they do . . . Lu-Tze, a bald, yellow-toothed little man with a wispy beard, has a faintly amiable grin, as if constantly waiting for something amusing to happen, and a handy epithet for every occasion. In his life, Lu-Tze has done everything, and his past deeds are legend amongst the History Monks. He is a follower of The Way of Mrs Marietta Cosmopilite. He also grows Bonsai mountains. LU-TZE'S YEARBOOK OF ENLIGHTMENT (including The Way of Mrs Cosmopilite) is the ideal companion for those seeking truth and harmony and, well, the meaning to life - though he doesn't guarantee it will be the right meaning . . .

A compelling, expansive history of the relationship between China and Russia, from the seventeenth century to the presentRussia and China, the largest and most populous countries in the world, respectively, have maintained a delicate relationship for four centuries. In addition to a four-thousand-kilometer border, they have periodically shared a common outlook on political and economic affairs. But they are, in essence, profoundly different polities and cultures, and their intermittent alliances have proven difficult and at times even volatile.Philip Snow provides a full account of the relationship between these two global giants. Looking at politics, religion, economics, and culture, Snow uncovers the deep roots of the two nations' alignment. We see the shifts in the balance of power, from the wealth and strength of early Qing China to the Tsarist and Soviet ascendancies, and episodes of intense conflict followed by harmony. He looks too at the experiences and opinions of ordinary people, which often vastly differed from those of their governments, and considers how long the countries' current amicable relationship might endure.

Disgraced former Beijing Inspector Shan Tao Yun has been living in the remote mountains of Tibet since his unofficial release from a work camp. Without status, official identity, or the freedom to return to his former home in Beijing, he's lived with the forbidden lamas for the past year. But now there's apparently been a murder in a ruined monastery and the very officials who exiled Shan are after his help. In a baffling case involving the FBI, Chinese Ministers, and British relief workers, Shan travels from Tibet to Beijing to the U. S. to find the links between murder, missing art, his former gulag, and his own long-unseen son.

Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy. With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible. One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.

The Journey to the West, volume 2, comprises the second twenty-five chapters of Anthony C. Yu's four-volume translation of Hsi-yu Chi, one of the most beloved classics of Chinese literature. The fantastic tale recounts the sixteen-year pilgrimage of the monk Hsüan-tsang (596-664), one of China's most illustrious religious heroes, who journeyed to India with four animal disciples in quest of Buddhist scriptures. For nearly a thousand years, his exploits were celebrated and embellished in various accounts, culminating in the hundred-chapter Journey to the West, which combines religious allegory with romance, fantasy, humor, and satire.

From the bestselling author of Oracle Bones and River Town comes the final book in his award-winning trilogy, on the human side of the economic revolution in China. In the summer of 2001, Peter Hessler, the longtime Beijing correspondent for The New Yorker, acquired his Chinese driver's license. For the next seven years, he traveled the country, tracking how the automobile and improved roads were transforming China. Hessler writes movingly of the average people—farmers, migrant workers, entrepreneurs—who have reshaped the nation during one of the most critical periods in its modern history. Country Driving begins with Hessler's 7,000-mile trip across northern China, following the Great Wall, from the East China Sea to the Tibetan plateau. He investigates a historically important rural region being abandoned, as young people migrate to jobs in the southeast. Next Hessler spends six years in Sancha, a small farming village in the mountains north of Beijing, which changes dramatically after the local road is paved and the capital's auto boom brings new tourism. Finally, he turns his attention to urban China, researching development over a period of more than two years in Lishui, a small southeastern city where officials hope that a new government-built expressway will transform a farm region into a major industrial center. Peter Hessler, whom The Wall Street Journal calls "one of the Western world's most thoughtful writers on modern China," deftly illuminates the vast, shifting landscape of a traditionally rural nation that, having once built walls against foreigners, is now building roads and factory towns that look to the outside world.

A dark, magical realist debut family saga that moves through the Japanese occupation of Manchuria, the Cultural Revolution, and the present day to explore the effects of intergenerational trauma, the legacy of colonialism, and the inescapability of fate. Qianze has not seen her father in eleven years, since he walked out of her life the night of her fourteenth birthday and disappeared without a trace. But then she gets a call--there is a man on the porch of her childhood home, and he's asking for her. This man isn't the Ba Qianze remembers: he is much older, more fragile, and worst of all, haunted by a half-forgotten prophecy. While Qianze wrestles with what she owes this near-stranger, Ba begins telling stories of his past. From his bloody days as a Red Guard during the Cultural Revolution to his mother's youth under Japanese occupation, he circles around the prophecy he came to deliver. Qianze has always longed to know more about her family history, but as Ba reveals a past far darker than she could have imagined, she finds herself plagued by strange visions--fox spirits trail her on her evening commute, a terrifying jackalope stalks her nightmares, and the looming prophecy slinks ever closer. Spanning decades and continents, A Beast Slinks Towards Beijing employs a combination of stunningly rendered folklore and atmospheric prose to examine the legacy of colonialism through the eyes of three generations. Alice Evelyn Yang's debut novel is a story of family and forgiveness, of folklore and fate, that will leave you unsettled and undone.