Empfehlungen basierend auf "Cher: Part One The Memoir"

"It has been a long time since you have read a book with the sheer emotional impact of One Child." --New York TimesThe true story of a tormented six-year-old and the brilliant teacher who reached out.Six-year-old Sheila never spoke, she never cried, and her eyes were filled with hate. Abandoned on a highway by her mother, unwanted by her alcoholic father, Sheila was placed in a class for emotionally disturbed children after she committed an atrocious act of violence against another child.Everyone said Sheila was lost forever, everyone except her teacher, Torey Hayden.Torey fought to reach Sheila, to bring the abused child back from her secret nightmare, because beneath the rage, Torey saw in Sheila the spark of genius. And together they embarked on a wondrous journey--a journey gleaming with a child's joy at discovering a world filled with love and a journey sustained by a young teacher's inspiring bravery and devotion.

An intimate, revealing memoir from one of the most important activists of our time.While working as an intelligence analyst in Iraq for the United States Army in 2010, Chelsea Manning disclosed more than seven hundred thousand classified military and diplomatic records that she had smuggled out of the country on the memory card of her digital camera. In 2011, she was charged with twenty-two counts related to the unauthorized possession and distribution of classified military records, and in 2013, she was sentenced to thirty-five years in military prison.The day after her conviction, Manning declared her gender identity as a woman and began to transition, seeking hormones through the federal court system. In 2017, President Barack Obama commuted her sentence and she was released from prison.In README.txt, Manning recounts how her pleas for increased institutional transparency and government accountability took place alongside a fight to defend her rights as a trans woman. Manning details the challenges of her childhood and adolescence as a naive, computer-savvy kid, what drew her to the military, and the fierce pride she has about the work she does. This powerful, observant memoir will stand as one of the definitive testaments of our digital, information-driven age.

Winner of the California Bookseller Association's Golden Poppy Award for NonfictionFinalist for the National Book Critics Circle Award for AutobiographyA San Francisco Chronicle Bestseller“A portrait of a heroics, innovation, grit, and pot-baking . . . strikingly relevant . . . beautifully written.”—Entertainment Weekly"A raunchy and rollicking account of a vanished era told by someone who paid very close attention to her larger-than-life parents. I gobbled it up like an edible."—Armistead MaupinIn the 1970s, when cannabis was as illicit as heroin, Alia Volz’s mother ran Sticky Fingers Brownies, a pioneering underground bakery that delivered ten thousand marijuana edibles per month to a city in the throes of change—from the joyous upheavals of gay liberation to the tragedy of the Peoples Temple. Dressed in elaborate costumes, Alia’s parents hid in plain sight, parading through the city’s circus-like atmosphere with the goods tucked into her stroller. When HIV/AIDS swept San Francisco in the 1980s, Alia’s mom turned from dealer into healer, providing soothing edibles to those fighting for their lives at the dawn of medical marijuana.By turns heartbreaking, exhilarating, and laugh-out-loud funny, Home Baked celebrates an eccentric and remarkable extended family, taking us through love, loss, and finding home.Now with extra material, including a reading group guide, author Q&A, and additional photos!

When Matriarchs Begin To Disappear, There Is A Choice To Either Step Into The Places They Left Behind, Or To Craft A New Space. Helen Knott’s Debut Memoir, In My Own Moccasins, Wowed Reviewers, Award Juries, And Readers Alike With Its Profoundly Honest And Moving Account Of Addiction, Intergenerational Trauma, Resilience, And Survival. Now, In Her Highly Anticipated Second Book, Knott Returns With A Chronicle Of Grief, Love, And Legacy. Having Lost Both Her Mom And Grandmother In Just Over Six Months, Forced To Navigate The Fine Lines Between Matriarchy, Martyrdom, And Codependency, Knott Realizes She Must Let Go, Not Just Of The Women Who Raised Her, But Of The Woman She Thought She Was. Woven Into The Pages Are Themes Of Mourning, Sobriety Through Loss, And Generational Dreaming. Becoming A Matriarch Is Charted With Poetic Insights, Sass, Humour, And Heart, Taking The Reader Over The Rivers And Mountains Of Dane Zaa Territory In Northeastern British Columbia, Along The Cobbled Streets Of Antigua, Guatemala, And Straight To The Heart Of What Matriarchy Truly Means. This Is A Journey Through Pain, On The Way To Becoming.

Bestselling author and foster carer Casey Watson tells the shocking and deeply moving true story of a young girl with severe behavioural problems.This is the first of several stories about ‘difficult’ children Casey helped during her time as a behaviour manager at her local comprehensive.Casey has been in the post for six months when thirteen-year-old Imogen joins her class. One of six children Casey is teaching, Imogen has selective mutism. She’s a bright girl, but her speech problems have been making mainstream lessons difficult.Life at home is also hard for Imogen. Her mum walked out on her a few years earlier and she’s never got on with her dad’s new girlfriend. She’s now living with her grandparents. There’s no physical explanation for Imogen’s condition, and her family insist she’s never had troubles like this before.Everyone thinks Imogen is just playing up – except the member of staff closest to her, her teacher Casey Watson. It is the deadpan expression she constantly has on her face that is most disturbing to Casey. Determined there must be more to it, Casey starts digging and it’s not long before she starts to discover a very different side to Imogen’s character.A visit to her grandparents’ reveals that Imogen is anything but silent at home. In fact she’s prone to violent outbursts; her elderly grandparents are terrified of her.Eventually Casey’s hard work starts to pay off. After months of silence, Imogen utters her first, terrified, words to Casey: ‘I thought she was going to burn me.’Dark, shocking and deeply disturbing, Casey begins to uncover the reality of what Imogen has been subjected to for years.Casey Watson's book 'Little Girl Lost' was a Sunday Times bestseller w/c 2024-03-25.

Control. Jealousy. Isolation. Blame. Anger. Violence. The inspiring true story of a young woman who suffered a terrifyingly abusive relationship culminating in a horrific acid attack from the man who claimed to love her. Adele was just 23 years old when she was scarred for life by an acid attack arranged by her ex-boyfriend, Anthony. The attack left her partially bald and she lost her right ear. This was Anthony's attempt to stop her from ever being attractive to another man - a final act of 'control' over her and the horrific end to a terrifying case of domestic abuse. The acid attack came after she had ended her relationship of several years with Anthony Riley, the man who said he couldn't live without her. Anthony Riley was convicted in October 2015 and was sentenced to a minimum of 13 years in prison. This is Adele's brave story, the story of one woman's incredible fight to recover from the most appalling injuries and to decide that she would not be controlled, she would be strong.

NATIONAL BESTSELLER“Thank you for the perfect blend of nostalgia-drenched humor, wit, and heartbreak, Nora.” — Mandy Moorecomedy = tragedy + time/roséTwenty-seven-year-old Nora McInerny Purmort bounced from boyfriend to dopey “boyfriend” until she met Aaron—a charismatic art director and comic-book nerd who once made Nora laugh so hard she pulled a muscle. When Aaron was diagnosed with a rare form of brain cancer, they refused to let it limit their love. They got engaged on Aaron’s hospital bed and had a baby boy while he was on chemo. In the period that followed, Nora and Aaron packed fifty years of marriage into the three they got, spending their time on what really matters: Buffy the Vampire Slayer, each other, and Beyoncé. A few months later, Aaron died in Nora’s arms. The obituary they wrote during Aaron’s hospice care revealing his true identity as Spider-Man touched the nation. With It’s Okay to Laugh, Nora puts a young, fresh twist on the subjects of mortality and resilience. What does it actually mean to live your “one wild and precious life” to the fullest? How can a joyful marriage contain more sickness than health? How do you keep going when life kicks you in the junk? In this deeply felt and deeply funny memoir, Nora gives her readers a true gift—permission to struggle, permission to laugh, permission to tell the truth and know that everything will be okay. It’s Okay to Laugh is a love letter to life, in all its messy glory; it reads like a conversation with a close friend, and leaves a trail of glitter in its wake.This book is for people who have been through some shit.This is for people who aren’t sure if they’re saying or doing the right thing (you’re not, but nobody is). This is for people who had their life turned upside down and just learned to live that way. For people who have laughed at a funeral or cried in a grocery store. This is for everyone who wondered what exactly they’re supposed to be doing with their one wild and precious life. I don’t actually have the answer, but if you find out, will you text me?

PULITZER PRIZE FINALIST • The highly anticipated biography of Sylvia Plath that focuses on her remarkable literary and intellectual achievements, while restoring the woman behind the long-held myths about her life and art.“One of the most beautiful biographies I've ever read." —Glennon Doyle, author of #1 New York Times Bestseller, UntamedWith a wealth of never-before-accessed materials, Heather Clark brings to life the brilliant Sylvia Plath, who had precocious poetic ambition and was an accomplished published writer even before she became a star at Smith College. Refusing to read Plath’s work as if her every act was a harbinger of her tragic fate, Clark considers the sociopolitical context as she thoroughly explores Plath’s world: her early relationships and determination not to become a conventional woman and wife; her troubles with an unenlightened mental health industry; her Cambridge years and thunderclap meeting with Ted Hughes; and much more.Clark’s clear-eyed portraits of Hughes, his lover Assia Wevill, and other demonized players in the arena of Plath’s suicide promote a deeper understanding of her final days. Along with illuminating readings of the poems themselves, Clark’s meticulous, compassionate research brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women poets the world over.

The author's experiences in Mexico, California, New York, and Paris, her psychoanalysis, and her experiment with LSD. "Through her own struggling and dazzling courage [Nin has] shown women groping with and growing with the world" (Minneapolis Tribune). Edited and with a Preface by Gunther Stuhlmann; Index.

THE INSTANT SUNDAY TIMES #1 BESTSELLER 'Typically exposing, brilliantly written' VOGUE 'Its quick hits of wit are like sniffs from an oxygen mask' NEW YORK TIMES 'Few people are willing to be as human as Lena Dunham' OBSERVER 'A generational voice' FINANCIAL TIMES In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she's spent countless hours in doctor's waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham's body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It's not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you - as a twenty-five-year-old - are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist's office to discuss the latest internet disaster. But Dunham does it - even if it means interminable hospital stays, vomiting in the bathroom when she's meant to be meeting Oprah, or terrifying those closest to her - because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again - if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame - from selling the pilot of Girls to the present - in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can't protect you from pain - and begins to control your every move - being famous doesn't stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can't change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.