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Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1905. Excerpt: ... ACT I Scene--The octagon room at Sir Robert CHILTern's house in Grosvenor Square. [The room is brilliantly lighted and full of guests. At the top of the staircase stands Lady Chiltern, a woman of grave Greek beauty, about twenty-seven years of age. She receives the guests as they come up. Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large eighteenthcentury French tapestry--representing the Triumph of Love, from a design by Boucher--fhat is stretched on the staircase wall. On the right is the entrance 'to the music-room. The sound of a string quartette is faintly heard. The entrance on the left leads to other reception-rooms. Mrs. Marchmont and Lady Basildon, two very pretty women, are seated together on a Louis Seize sofa. They are types of exquisite fragility. Their affectation of manner- has a delicate charm. Watteau would have loved to paint them.) Mrs. Marchmont. Going on to the Hartlocks' tonight, Margaret? Lady Basildon. I suppose so. Are you? Mrs. Marchmont. Yes. Horribly tedious parties they give, don't they? Lady Basildon. Horribly tedious! Never know why I go. Never know why I go anywhere. Mrs. Marchmont. I come here to be educated. Lady Basildon. Ah! I hate being educated! Mrs. Marchmont. So do I. It puts one almost on a level with the commercial classes, doesn't it? But 1 dear Gertrude Chiltern is always telling me that I should have some serious purpose in life. So I come here to try to find one. Lady Basildon [Looking round through her lorgnette]. I don't see anybody here to-night whom one could possibly call a serious purpose. The man who took me in to dinner talked to me about his wife the whole time. Hrs. MArchmont. How very trivial of him! Lady Basildon. Terribly trivial! What did your man talk about? Mrs. Mabchmont. Abo...

With gorgeous full-color illustrations, ornate decorative elements, lettering in metallic ink, and engaging text, The Language of Flowers: A Fully Illustrated Compendium of Meaning, Literature, and Lore for the Modern Romantic is a treasure for flower lovers. A sumptuous, contemporary anthology of 50 of the world's most storied and popular flowers, each of its entries offers insight to the meaning associated with the flower, and is a fascinating mix of foklore, classic mythology, literature, botanical information and popular culture.Following an introduction that provides a short history of the language of flowers, a fad which reached its peak during the reign of Queen Victoria, each uniquely illustrated and designed entry is an enjoyable read full of history and little-known facts. Here is the story of Tulipmania; how the pansy got its "face," and why the most particular pollination process of a certain orchid has made the vanilla bean a very dear commodity. You'll also dicover how Christian Dior's passion for lily of the valley inspired his classic perfume Diorissimo and its extraordinary bottle; why Oscar Wilde had a penchant for wearing green carnations in his lapel; and how Greeks and Romans believed snapdragons could ward off witchcraft, so they planted them at entryways to their homes.With more than a dozen two-page paintings evoking the romance of noteworthy Victorian gardens and symbolic bouquets, a cross-referenced index of flowers and meanings, and suggestions for further reading, this book is a must for lovers of floriology and Victoriana.

With a preface written by the author especially for this edition, this is the complete collection of stories by Eudora Welty.Including the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected ones, these forty-one stories demonstrate Eudora Welty's talent for writing from diverse points-of-view with “vision that is sweet by nature, always humanizing, uncannily objective, but never angry” (Washington Post).

An abused child, yet confident of her destiny to reign, a woman in a man's world, passionately sexual—though, as she maintained, a virgin—Elizabeth I is famed as England's most successful ruler. David Starkey's brilliant new biography concentrates on Elizabeth's formative years—from her birth in 1533 to her accession in 1558—and shows how the experiences of danger and adventure formed her remarkable character and shaped her opinions and beliefs.From princess and heir-apparent to bastardized and disinherited royal, accused traitor to head of the princely household, Elizabeth experienced every vicissitude of fortune and extreme of condition—and rose above it all to reign during a watershed moment in history. A uniquely absorbing tale of one young woman's turbulent, courageous, and seemingly impossible journey toward the throne, Elizabeth is the exhilarating story of the making of a queen.

Poetry and music have been associated with each other from the very beginning. The Penguin Book of English Song draws together a great variety of English poetry (including Irish, Scots and Welsh writers) that has reached a wider audience through the magic of music. Richard Stokes's rich anthology of verse stretches from the fourteenth century to the twentieth, collecting poems that have inspired musical settings by one hundred English poets, along with a treasure trove of illuminating notes and marginalia about their lives, work and, often, their approach to music.Stokes gathers together in a single volume a huge amount of information about English song that will assist musicians in performing these works, and enlighten all those enthusiasts who delight in the fusion of words and music that has produced countless moments of incandescent magic.

This is the story of the workings and development of the English state and people between the accession of Edward VI and the death of Elizabeth I. This was a time of great cultural achievement - especially in drama and poetry - and also of intense danger from foreign invasion.

Edward I--one of the outstanding monarchs of the English Middle Ages--pioneered legal and parliamentary change in England, conquered Wales, and came close to conquering Scotland. A major player in European diplomacy and war, he acted as peacemaker during the 1280s but became involved in a bitter war with Philip IV a decade later. This book is the definitive account of a remarkable king and his long and significant reign. Widely praised when it was first published in 1988, it is now reissued with a new introduction and updated bibliographic guide. Praise for the earlier edition: "A masterly achievement. . . . A work of enduring value and one certain to remain the standard life for many years."--Times Literary Supplement "A fine book: learned, judicious, carefully thought out and skillfully presented. It is as near comprehensive as any single volume could be."--History Today "To have died more revered than any other English monarch was an outstanding achievement; and it is worthily commemorated by this outstanding addition to the . . . corpus of royal biographies."--Times Education Supplement

Neither a feckless knight-errant nor a king who neglected his kingdom, Richard I was in reality a masterful and businesslike ruler. In this wholly rewritten version of a classic account of the reign of Richard The Lionheart, John Gillingham scrutinizes the reasons for the King’s fluctuating reputation over successive centuries and provides a convincing new interpretation of the significance of the reign. This edition includes a complete annotation and expanded bibliography.

The life of Arsinoë II (c. 316-c.270 BCE), daughter of Ptolemy Soter, the founder of the Ptolemaic dynasty, is characterized by dynastic intrigue. Her marriage to her full brother Ptolemy II, king of Egypt, was the first of the sibling marriages that became the "dynastic signature" of the Ptolemies. With Ptolemy II, she ended her days in great wealth and security and was ultimately deified. However, in order to reach that point she was forced to endure two tumultuous marriages, both of which led her to flee for her life, leaving war, murder, and bloodshed in her wake. Throughout much of her life, Arsinoë controlled great wealth and exercised political influence, but domestic stability characterized only her last few years. Arsinoë was the model for the powerful role Ptolemaic women gradually acquired as co-rulers of their empire. Her image continued to play a role in dynastic loyalty and solidarity for centuries to come. Despite the fact that Arsinoë was the pivotal figure in the eventual evolution of regnal power for Ptolemaic women, and despite a considerable body of recent scholarship across many fields relevant to her life, there is no up-to-date biography in English on the life of this queen. Elizabeth Carney, in sifting through the available archaeological and literary evidence, creates an accessible and reasoned picture of this royal woman. In describing Arsinoë's significant role in the courts of Thrace and Alexandria, Carney dicusses the role of earlier Macedonian royal women in monarchy, the institution of sibling marriage, and the reasons for its longstanding success in Hellenistic Egypt. Ultimately, this book provides a broader view of an integral player in the Hellenistic world.

Spine faded, cover creased, page edges tanned. Shipped from the U.K. All orders received before 3pm sent that weekday.