Empfehlungen basierend auf "Casting the First Stone"

The International BestsellerAnger. Fear. Guilt. Denial. Silence. These are the ways in which ordinary white people react when it is pointed out to them that they have done or said something that has - unintentionally - caused racial offence or hurt. But these reactions only serve to silence people of colour, who cannot give honest feedback to 'liberal' white people lest they provoke a dangerous emotional reaction.Robin DiAngelo coined the term 'White Fragility' in 2011 to describe this process and is here to show us how it serves to uphold the system of white supremacy. Using knowledge and insight gained over decades of running racial awareness workshops and working on this idea as a Professor of Whiteness Studies, she shows us how we can start having more honest conversations, listen to each other better and react to feedback with grace and humility. It is not enough to simply hold abstract progressive views and condemn the obvious racists on social media - change starts with us all at a practical, granular level, and it is time for all white people to take responsibility for relinquishing their own racial supremacy.'With clarity and compassion, DiAngelo allows us to understand racism as a practice not restricted to "bad people." In doing so, she moves our national discussions forward. This is a necessary book for all people invested in societal change' Claudia Rankine'An important book' Nikesh Shukla'By turns mordant and then inspirational, an argument that powerful forces and tragic histories stack the deck fully against racial justice alongside one that we need only to be clearer, try harder, and do better' David Roediger, Los Angeles Review of Books'The value in White Fragility lies in its methodical, irrefutable exposure of racism in thought and action, and its call for humility and vigilance' Katy Waldman, New Yorker'A vital, necessary, and beautiful book' Michael Eric Dyson

The creator of the internationally popular, multiple award-winning blog MsAfropolitan applies an Africa-centered feminist sensibility to issues of racism and sexism, challenging our illusions about oppression and liberation and daring women to embrace their power.Sensuous Knowledge is a collection of thought provoking essays that explore questions central to how we see ourselves, our history, and our world.What does it mean to be oppressed?What does it mean to be liberated?Why do women choose to follow authority even when they can be autonomous?What is the cost of compromising one’s true self?What narratives particularly subjugate women and people of African heritage?What kind of narrative can heal and empower?As she considers these questions, Salami offers fresh insights on key cultural issues that impact women’s lives, including power, beauty, and knowledge. She also examines larger subjects, such as Afrofuturism, radical Black feminism, and gender politics, all with a historical outlook that is also future oriented. Combining a storyteller’s narrative playfulness and a social critic’s intellectual rigor, Salami draws upon a range of traditions and ideologies, feminist theory, popular culture―including insights from Ms. Lauryn Hill, Beyoncé, Audre Lorde, Toni Morrison, and others―science, philosophy, African myths and origin stories, and her own bold personal narrative to establish a language for change and self-liberation.Sensuous Knowledge inspires reflection and challenge us to formulate or own views. Using ancestral knowledge to steer us toward freedom, Salami reveals the ways that women have protested over the years in large and small ways―models that inspire and empower us to define our own sense of womanhood today.In this riveting meditation, Salami ask women to break free of the prison made by ingrained male centric biases, and build a house themselves―a home that can nurture us all.

A deeply reported book that brings alive the quest for justice in the deaths of Michael Brown, Tamir Rice, and Freddie Gray, offering both unparalleled insight into the reality of police violence in America and an intimate, moving portrait of those working to end it. Conducting hundreds of interviews during the course of over one year reporting on the ground, Washington Post writer Wesley Lowery traveled from Ferguson, Missouri, to Cleveland, Ohio; Charleston, South Carolina; and Baltimore, Maryland; and then back to Ferguson to uncover life inside the most heavily policed, if otherwise neglected, corners of America today. In an effort to grasp the magnitude of the repose to Michael Brown's death and understand the scale of the problem police violence represents, Lowery speaks to Brown's family and the families of other victims other victims' families as well as local activists. By posing the question, "What does the loss of any one life mean to the rest of the nation?" Lowery examines the cumulative effect of decades of racially biased policing in segregated neighborhoods with failing schools, crumbling infrastructure and too few jobs. Studded with moments of joy, and tragedy, They Can't Kill Us All offers a historically informed look at the standoff between the police and those they are sworn to protect, showing that civil unrest is just one tool of resistance in the broader struggle for justice. As Lowery brings vividly to life, the protests against police killings are also about the black community's long history on the receiving end of perceived and actual acts of injustice and discrimination. They Can't Kill Us All grapples with a persistent if also largely unexamined aspect of the otherwise transformative presidency of Barack Obama: the failure to deliver tangible security and opportunity to those Americans most in need of both.

Winner of the Gordon Burn PrizeWinner of the 2022 Andrew Carnegie Medal for Excellence in NonfictionFinalist for the National Book Critics Circle AwardFinalist for the Pen/Diamonstein-Spievogel Award for the Art of the EssayShortlisted for the National Book AwardA New York Times, Financial Times, New Statesman, TIME, Vulture, Chicago Tribune and Pitchfork Book of the Year'Gorgeous' - Brit Bennett'Pure genius' - Jacqueline Woodson'One of the most dynamic books I have ever read' - Clint SmithAt the March on Washington, Josephine Baker reflected on her life and her legacy. She had spent decades as one of the most successful entertainers in the world, but, she told the crowd, "I was a devil in other countries, and I was a little devil in America, too". Inspired by these words, Hanif Abdurraqib has written a stirring meditation on Black performance in the modern age, in which culture, history and his own lived experience collide.With sharp insight, humour and heart, Abdurraqib explores a sequence of iconic and intimate performances that take him from mid-century Paris to the moon -- and back down again, to a cramped living room in Columbus, Ohio. Each one, he shows, has layers of resonance across Black and white cultures, the politics of American empire, and his own personal history of love and grief -- whether it's the twenty-seven seconds of 'Gimme Shelter' in which Merry Clayton sings, or the magnificent hours of Aretha Franklin's homegoing; Beyoncé's Super Bowl show or a schoolyard fistfight; Dave Chapelle's skits or a game of spades among friends.

An important and timely anthology of black British writing, edited and curated by the authors of the highly acclaimed, ground-breaking Slay In Your Lane. Slay in Your Lane Presents: Loud Black Girls features essays from the diverse voices of twenty established and emerging black British writers.‘I so enjoyed stepping inside the minds of these younger women who have so much to say, so much to express, so much to challenge’ Bernardine Evaristo, Booker Prize winning author of Girl, Woman, OtherBeing a loud black girl isn't about the volume of your voice; and using your voice doesn't always mean speaking the loudest or dominating the room. Most of the time it’s simply existing as your authentic self in a world that is constantly trying to tell you to minimise who you are.Now that we’ve learnt how to Slay in our Lanes, what’s next?Yomi Adegoke and Elizabeth Uviebinené, authors of the acclaimed Slay in Your Lane: The Black Girl Bible, invite the next generation of black women in Britain – authors, journalists, actors, activists and artists – to explore what it means to them to exist in these turbulent times.From assessing the cultural impact of Marvel's Black Panther, to celebrating activism in local communities. From asking how we can secure the bag while staying true to our principles, or how we can teach our daughters to own their voices, to reclaiming our culinary heritage, the essays in Loud Black Girls offer funny touching and ultimately insightful perspectives on the question of ‘What’s Next?’Foreword by Bernardine Evaristo

The New York Times bestselling author of Reading Lolita in Tehran returns with a guide to the power of literature in turbulent times, arming readers with a resistance reading list, ranging from James Baldwin to Zora Neale Hurston to Margaret Atwood."[A] stunning look at the power of reading. ... Provokes and inspires at every turn." —Publishers Weekly (starred review)"Remarkable. ... Audacious." —The Progressive"Stunningly beautiful and perceptive." —Los Angeles Review of BooksWhat is the role of literature in an era when one political party wages continual war on writers and the press? What is the connection between political strife in our daily lives, and the way we meet our enemies on the page in fiction? How can literature, through its free exchange, affect politics?In this galvanizing guide to literature as resistance, Nafisi seeks to answer these questions. Drawing on her experiences as a woman and voracious reader living in the Islamic Republic of Iran, her life as an immigrant in the United States, and her role as literature professor in both countries, she crafts an argument for why, in a genuine democracy, we must engage with the enemy, and how literature can be a vehicle for doing so.Structured as a series of letters to her father, who taught her as a child about how literature can rescue us in times of trauma, Nafisi explores the most probing questions of our time through the works of Toni Morrison, Salman Rushdie, James Baldwin, Margaret Atwood, and more.

An uplifting anthology with essays from 28 exciting Black British voices centered around where they've found joy in their lives.Black joy is . . .The babble and buzz of the barber shop.Stepping foot in your mother country for the very first time.Feeling at one with nature.Learning to cook with your mom.Connecting with the only other Black colleague in your workplace.Loving and finding complete happiness in your fatness.Love, literature, friendship, music, carnival, travel, dance, work, nature, food - Black Joy can be found in so many places. And this anthology is an invitation for readers to ruminate on what brings them joy, too.Joy surrounds us. It can be found it in the day to day. It's what we live for. So why do we so rarely allow ourselves to revel in it? This must-read anthology is your invitation to do so - and is a true celebration of Black British culture in all its glory.Edited by award-winning journalist, and former gal-dem editor-in-chief, Charlie Brinkhurst-Cuff and up-and-coming talent Timi Sotire, twenty-eight iconic voices speak on what Black joy means to them in this uplifting and empowering anthology.With essays from:Munya Chawawa -- Leigh-Anne Pinnock -- Diane Abbott -- Jason Okundaye --Bukky Bakray -- Faridah Àbìké-Íyìmìdé -- Lavinya Stennett -- Henrie Kwushue Chanté Joseph -- Travis Alabanza -- Isaac James -- Sophia Tassew -- Lauryn Green -- Melz Owusu -- Timi Sotire -- Fope Olaleye -- Richie Brave -- Tope Olufemi -- Athian Akec -- Mikai Mcdermott -- Ife Grillo -- Rukiat Ashawe -- Mayowa Quadri -- Tobi Kyeremateng -- Haaniyah Angus -- Theophina Gabriel -- Ruby Fatimilehin -- Vanessa Kissule---"A refreshing and invigorating burst of joy, exploring the beauty in the nuances of our existence, honing in on what propels us forward, and establishing a vital hope" - BOLU BABALOLA, author of Love in Colour"Every bit as joyous as the title suggests'" CANDICE CARTY-WILLIAMS, author of Queenie"A rich, gorgeous celebration of the power in embracing joy" LIV LITTLE"Black Joy is a delightful celebration of Black Britishness" MASHABLE

Nearly Three Decades After Her Pioneering Anthology, Daughters Of Africa, Margaret Busby Curates An Extraordinary Collection Of Contemporary Writing By 200 Women Writers Of African Descent, Including Zadie Smith, Bernardine Evaristo And Chimamanda Ngozi Adichie. A Glorious Portrayal Of The Richness And Range Of African Women's Voices, This Major International Book Brings Together Their Achievements Across A Wealth Of Genres. From Antigua To Zimbabwe And Angola To The Usa, Overlooked Artists Of The Past Join Key Figures, Popular Contemporaries And Emerging Writers In Paying Tribute To The Heritage That Unites Them, The Strong Links That Endure From Generation To Generation, And Their Common Obstacles Around Issues Of Race, Gender And Class. Bold And Insightful, Brilliant In Its Intimacy And Universality, This Landmark Anthology Honours The Talents Of African Daughters And The Inspiring Legacy That Connects Them-and All Of Us.

In each of her five novels, Gloria Naylor invites the reader to join her characters in their journeys to move beyond established boundaries and embrace an increasingly diverse society. With lucid analyses of each work, this Critical Companion helps readers comprehend how Naylor successfully links the trials of her African American characters to the struggles of human beings at variance with seemingly insurmountable obstacles. Insights into Naylor's own struggles and successes are provided in a richly drawn biographical chapter, which incorporates fresh materials from a recent interview conducted for this book. Naylor's place within the larger framework of the African American narrative traditions is considered as well. Beginning with a full chapter on Naylor's debut success The Women of Brewster Place (1982), the literary components of each novel are examined: Linden Hills (1985) Mama Day (1988), Bailey's Cafe (1992), and The Men of Brewster Place (1998). In addition to a comprehensive plot synopsis, character portraits, and thematic discussions given for each, all works are carefully related to their historical contexts. By understanding the extent to which seminal events, such as the Great Migration and the ushering in of the Civil Rights Movement, serve as the background for Naylor's works, readers can better appreciate them. Throughout the text, particularly in the alternate critical readings provided, all terms and concepts are clearly explained for the student and the general reader. A select bibliography cites biographical sources, interviews, reviews, criticism, and related works of interest.

Cultural criticism and pop culture history intertwine in this important book, which dissects how hip hop has sidelined Black women's identity and emotional well-being. A “ride-or-die chick” is a woman who holds down her family and community. She’s your girl that you can call up in the middle of the night to bail you out of jail, and you know she’ll show up and won’t ask any questions. Her ride-or-die trope becomes a problem when she does it indiscriminately. She does anything for her family, friends, and significant other, even at the cost of her own well-being. “No” is not in her vocabulary. Her self-worth is connected to how much labor she can provide for others. She goes above and beyond for everyone in every aspect of her life—work, family, church, even if it’s not reciprocated, and doesn’t require it to be because she’s a “strong Black woman” and everyone’s favorite ride-or-die chick. To her, love should be earned, and there’s no limit to what she’ll do for it.   In this book, author, adjunct professor of sociology, and former therapist Shanita Hubbard disrupts the ride-or-die complex and argues that this way of life has left Black women exhausted, overworked, overlooked, and feeling depleted. She suggests that Black women are susceptible to this mentality because it’s normalized in our culture. It rings loud in your favorite hip-hop songs, and it even shows up in the most important relationship you will ever have—the one with yourself.   Compassionate, candid, hard-hitting, and  100 percent unapologetic, Ride or Die melds Hubbard’s entertaining conversations with her Black girlfriends and her personal experiences as a redeemed ride-or-die chick and a former “captain of the build-a-brother team” to fervently dismantle cultural norms that require Black women to take care of everyone but themselves.   Ride or Die urges you to expel the myth that your self-worth is connected to how much labor you provide others and guides you toward healing. Using hip hop as a backdrop to explore norms that are harmful to Black women, Hubbard shows the ways you may be unknowingly perpetuating this harm within your relationships. This book is an urgent call for you to pull the plug on the ride-or-die chick.