Empfehlungen basierend auf "Butter: A Novel of Food and Murder"

Middlesex is the winner of the 2003 Pulitzer Prize for Fiction.A dazzling triumph from the bestselling author of The Virgin Suicides--the astonishing tale of a gene that passes down through three generations of a Greek-American family and flowers in the body of a teenage girl."I was born twice: first, as a baby girl, on a remarkably smogless Detroit day of January 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of l974. . . My birth certificate lists my name as Calliope Helen Stephanides. My most recent driver's license...records my first name simply as Cal."So begins the breathtaking story of Calliope Stephanides and three generations of the Greek-American Stephanides family who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City, and the race riots of l967, before they move out to the tree-lined streets of suburban Grosse Pointe, Michigan. To understand why Calliope is not like other girls, she has to uncover a guilty family secret and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Jeffrey Eugenides's Middlesex is an exhilarating reinvention of the American epic.

Yoko Ogawa's The Housekeeper and the Professor is an enchanting story about what it means to live in the present, and about the curious equations that can create a family.He is a brilliant math Professor with a peculiar problem―ever since a traumatic head injury, he has lived with only eighty minutes of short-term memory.She is an astute young Housekeeper―with a ten-year-old son―who is hired to care for the Professor.And every morning, as the Professor and the Housekeeper are introduced to each other anew, a strange and beautiful relationship blossoms between them. Though he cannot hold memories for long (his brain is like a tape that begins to erase itself every eighty minutes), the Professor's mind is still alive with elegant equations from the past. And the numbers, in all of their articulate order, reveal a sheltering and poetic world to both the Housekeeper and her young son. The Professor is capable of discovering connections between the simplest of quantities―like the Housekeeper's shoe size―and the universe at large, drawing their lives ever closer and more profoundly together, even as his memory slips away.

INTERNATIONAL BESTSELLER • Recommended by the Today show, People, Elle, Good Housekeeping, Parade, Harper's Bazaar, and more!“Like a donut in a break room: unexpected, surprisingly sweet, and totally made my day. Which is to say: I devoured it! . . . Fans of The Office will delight.” — SHELBY VAN PELT, New York Times bestselling author of Remarkably Bright Creatures"This book is snarky and funny, and then it sneaks up on you by being way deeper and more emotional than you’d guess . . . I could not put it down.” — JULIA QUINN, #1 New York Times bestselling author of the Bridgerton seriesIn this wildly funny and heartwarming office comedy, an admin worker accidentally gains access to her colleagues’ private emails and DMs and decides to use this intel to save her job—a laugh-till-you-cry debut novel you’ll be eager to share with your entire list of contacts, perfect for fans of Anxious People and Eleanor Oliphant Is Completely Fine.As far as Jolene is concerned, her interactions with her colleagues should start and end with her official duties as an admin for Supershops, Inc. Unfortunately, her irritating, incompetent coworkers don’t seem to understand the importance of boundaries. Her secret to survival? She vents her grievances in petty email postscripts, then changes the text color to white so no one can see. That is until one of her secret messages is exposed. Her punishment: sensitivity training (led by the suspiciously friendly HR guy, Cliff) and rigorous email restrictions.When an IT mix-up grants her access to her entire department’s private emails and DMs, Jolene knows she should report it, but who could resist reading what their coworkers are really saying? And when she discovers layoffs are coming, she realizes this might just be the key to saving her job. The plan is simple: gain her boss’s favor, convince HR she’s Supershops material, and beat out the competition.But as Jolene is drawn further into her coworkers' private worlds and realizes they are each keeping secrets, her carefully constructed walls begin to crumble—especially around Cliff, who she definitely cannot have feelings for. Eventually she will need to decide if she’s ready to leave the comfort of her cubicle, even if that means coming clean to her colleagues.Crackling with laugh-out-loud dialogue and relatable observations, I Hope This Finds You Well is a fresh and surprisingly tender comedy about loneliness and love beyond our computer screens. This sparkling debut novel will open your heart to the everyday eccentricities of work culture and the undeniable human connection that comes along with it."Wickedly funny . . . This sparkling debut will have you snickering in the break room." — PEOPLE“Snarky, romantic, and wickedly heartfelt . . . If you’re looking for your next favorite read, this book has everything—vengeful coworkers, fake engagements, and a hero with a heart of gold. Natalie Sue’s debut is an absolute stunner!” — ASHLEY POSTON, New York Times bestselling author of The Dead Romantics

“Murakami is like a magician who explains what he’s doing as he performs the trick and still makes you believe he has supernatural powers . . . But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves.” —The New York Times Book ReviewThe year is 1984 and the city is Tokyo.A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s—1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

A NATALIE PORTMAN BOOK CLUB PICKFINALIST FOR THE 2022 LA TIMES ART SEIDENBAUM AWARD FOR FIRST FICTION.“The electrifying fiction debut that has been called ‘a modern Mrs. Dalloway.’”—THE ATLANTIC"Mind-bending and utterly original."—Brandon Taylor“Slim in the hand, but its impact is massive.”—Ali SmithOne woman. One day. One decision. A blistering, fearless, and unforgettable literary debut from "a stunning new writer." (Bernardine Evaristo)Come of age in the credit crunch. Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart?Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away.

From the bestselling author of Everyone in My Family Has Killed Someone, a fiendishly fun locked room (train) murder mystery that "offers a tip of the hat to the great Agatha Christie novel while at the same time being a modern reinvention of it" (Nita Prose) -- perfect for fans of Richard Osman and Anthony HorowitzWhen the Australian Mystery Writers’ Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn’t pan out.The program is a who’s who of crime writing royalty:the debut writer (me!)the forensic science writerthe blockbuster writerthe legal thriller writerthe literary writerthe psychological suspense writerBut when one of us is murdered, the remaining authors quickly turn into five detectives. Together, we should know how to solve a crime.Of course, we should also know how to commit one.How can you find a killer when all the suspects know how to get away with murder?

"Rejection is unrelentingly brutal and gut-bustingly funny and spares no one—not you, not me. Tulathimutte is a pervert and a madman and a stone-cold genius." —Carmen Maria Machado, author of Her Body and Other PartiesFrom the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel,” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos.Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet.In “The Feminist,” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression,” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection.These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself.

“Uketsu is a disrupter, the master of quiet horror.”—Janice Hallett, internationally bestselling author of The Appeal“Delightfully macabre and fiendishly clever. Seemingly unconnected stories tie themselves into a complicated knot, which Uketsu masterfully unravels.”—G. T. Karber, author of the national bestseller MurdleThe spine-tingling "triumphant international debut" (Publishers Weekly starred review) that has taken Japan by storm—an eerie fresh take on mystery-horror in which a series of seemingly innocent pictures draws you into a disturbing web of unsolved mysteries and shattered psyches.An exploration of the macabre, where the seemingly mundane takes on a terrifying significance. . . .A pregnant woman's sketches on a seemingly innocuous blog conceal a chilling warning.A child's picture of his home contains a dark secret message.A sketch made by a murder victim in his final moments leads an amateur sleuth down a rabbithole that will reveal a horrifying reality.Structured around these nine childlike drawings, each holding a disturbing clue, Uketsu invites readers to piece together the mystery behind each and the over-arching backstory that connects them all. Strange Pictures is the internationally bestselling debut from mystery horror YouTube sensation Uketsu—an enigmatic masked figure who has become one of Japan's most talked about contemporary authors.Translated from the Japanese by Jim Rion

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' story lines intersect?

A collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation, Roxane Gay. "Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink, all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I'm not doing it ironically, though it might seem that way. I once live-tweeted the September issue." In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django Unchained) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture. Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better.