Empfehlungen basierend auf "Butter: A Novel of Food and Murder"

Middlesex is the winner of the 2003 Pulitzer Prize for Fiction.A dazzling triumph from the bestselling author of The Virgin Suicides--the astonishing tale of a gene that passes down through three generations of a Greek-American family and flowers in the body of a teenage girl."I was born twice: first, as a baby girl, on a remarkably smogless Detroit day of January 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of l974. . . My birth certificate lists my name as Calliope Helen Stephanides. My most recent driver's license...records my first name simply as Cal."So begins the breathtaking story of Calliope Stephanides and three generations of the Greek-American Stephanides family who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City, and the race riots of l967, before they move out to the tree-lined streets of suburban Grosse Pointe, Michigan. To understand why Calliope is not like other girls, she has to uncover a guilty family secret and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Jeffrey Eugenides's Middlesex is an exhilarating reinvention of the American epic.

"A bold, laugh-out-loud funny, and heartwarming story about one young woman's attempt to navigate adulthood, new motherhood, and her meager bank account in our increasingly online world-from the PEN/Faulkner finalist and critically acclaimed author of The Knockout Queen"--

It's fifteen years since the Second World War and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the conflict is well and truly over. Living alone in her late mother's country home, Isabel's life is as it should be- led by routine and discipline. But all is upended when her brother Louis delivers his graceless new girlfriend, Eva, at Isabel's doorstep-as a guest, there to stay for the season... Eva is Isabel's antithesis- she sleeps late, wakes late, walks loudly through the house and touches things she shouldn't. In response Isabel develops a fury-fuelled obsession, and when things start disappearing around the house - a spoon, a knife, a bowl - Isabel's suspicions spiral out of control. In the sweltering heat of summer, Isabel's desperate desire for order transforms into infatuation - leading to a discovery that unravels all she has ever known. The war might not be well and truly over after all, and neither Eva - nor the house - are what they seem.

Yoko Ogawa's The Housekeeper and the Professor is an enchanting story about what it means to live in the present, and about the curious equations that can create a family.He is a brilliant math Professor with a peculiar problem―ever since a traumatic head injury, he has lived with only eighty minutes of short-term memory.She is an astute young Housekeeper―with a ten-year-old son―who is hired to care for the Professor.And every morning, as the Professor and the Housekeeper are introduced to each other anew, a strange and beautiful relationship blossoms between them. Though he cannot hold memories for long (his brain is like a tape that begins to erase itself every eighty minutes), the Professor's mind is still alive with elegant equations from the past. And the numbers, in all of their articulate order, reveal a sheltering and poetic world to both the Housekeeper and her young son. The Professor is capable of discovering connections between the simplest of quantities―like the Housekeeper's shoe size―and the universe at large, drawing their lives ever closer and more profoundly together, even as his memory slips away.

“One of those life-changing reads that makes you see— or, in this case, hear—the whole world differently.” —Megan Angelo, author of FollowersThe author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power.What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . .Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day.Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

INTERNATIONAL BESTSELLER • Recommended by the Today show, People, Elle, Good Housekeeping, Parade, Harper's Bazaar, and more!“Like a donut in a break room: unexpected, surprisingly sweet, and totally made my day. Which is to say: I devoured it! . . . Fans of The Office will delight.” — SHELBY VAN PELT, New York Times bestselling author of Remarkably Bright Creatures"This book is snarky and funny, and then it sneaks up on you by being way deeper and more emotional than you’d guess . . . I could not put it down.” — JULIA QUINN, #1 New York Times bestselling author of the Bridgerton seriesIn this wildly funny and heartwarming office comedy, an admin worker accidentally gains access to her colleagues’ private emails and DMs and decides to use this intel to save her job—a laugh-till-you-cry debut novel you’ll be eager to share with your entire list of contacts, perfect for fans of Anxious People and Eleanor Oliphant Is Completely Fine.As far as Jolene is concerned, her interactions with her colleagues should start and end with her official duties as an admin for Supershops, Inc. Unfortunately, her irritating, incompetent coworkers don’t seem to understand the importance of boundaries. Her secret to survival? She vents her grievances in petty email postscripts, then changes the text color to white so no one can see. That is until one of her secret messages is exposed. Her punishment: sensitivity training (led by the suspiciously friendly HR guy, Cliff) and rigorous email restrictions.When an IT mix-up grants her access to her entire department’s private emails and DMs, Jolene knows she should report it, but who could resist reading what their coworkers are really saying? And when she discovers layoffs are coming, she realizes this might just be the key to saving her job. The plan is simple: gain her boss’s favor, convince HR she’s Supershops material, and beat out the competition.But as Jolene is drawn further into her coworkers' private worlds and realizes they are each keeping secrets, her carefully constructed walls begin to crumble—especially around Cliff, who she definitely cannot have feelings for. Eventually she will need to decide if she’s ready to leave the comfort of her cubicle, even if that means coming clean to her colleagues.Crackling with laugh-out-loud dialogue and relatable observations, I Hope This Finds You Well is a fresh and surprisingly tender comedy about loneliness and love beyond our computer screens. This sparkling debut novel will open your heart to the everyday eccentricities of work culture and the undeniable human connection that comes along with it."Wickedly funny . . . This sparkling debut will have you snickering in the break room." — PEOPLE“Snarky, romantic, and wickedly heartfelt . . . If you’re looking for your next favorite read, this book has everything—vengeful coworkers, fake engagements, and a hero with a heart of gold. Natalie Sue’s debut is an absolute stunner!” — ASHLEY POSTON, New York Times bestselling author of The Dead Romantics

“Murakami is like a magician who explains what he’s doing as he performs the trick and still makes you believe he has supernatural powers . . . But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves.” —The New York Times Book ReviewThe year is 1984 and the city is Tokyo.A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s—1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

Finalist for the Pulitzer PrizeNew York Times Bestseller | A Read with Jenna Today Show Book Club Pick | A New York Times Book Review Notable Book | TIME Magazine's 100 Must-Read Books of 2019Named one of the Best Books of the Year by NPR, The Washington Post;O: The Oprah Magazine,Real Simple, Good Housekeeping, Vogue,Refinery29, and BuzzfeedAnn Patchett, the #1 New York Times bestselling author of Commonwealth, delivers her most powerful novel to date: a richly moving story that explores the indelible bond between two siblings, the house of their childhood, and a past that will not let them go. The Dutch House is the story of a paradise lost, a tour de force that digs deeply into questions of inheritance, love and forgiveness, of how we want to see ourselves and of who we really are.At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves.The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakeable bond between them that both saves their lives and thwarts their futures.Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.

"Rejection is unrelentingly brutal and gut-bustingly funny and spares no one—not you, not me. Tulathimutte is a pervert and a madman and a stone-cold genius." —Carmen Maria Machado, author of Her Body and Other PartiesFrom the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel,” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos.Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet.In “The Feminist,” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression,” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection.These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself.

A collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation, Roxane Gay. "Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink, all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I'm not doing it ironically, though it might seem that way. I once live-tweeted the September issue." In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django Unchained) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture. Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better.