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From one of our greatest living writers comes a sweeping novel of unrequited love and exile, war and family.The Magician tells the story of Thomas Mann, whose life was filled with great acclaim and contradiction. He would find himself on the wrong side of history in the First World War, cheerleading the German army, but have a clear vision of the future in the second, anticipating the horrors of Nazism. He would have six children and keep his homosexuality hidden; he was a man forever connected to his family and yet bore witness to the ravages of suicide. He would write some of the greatest works of European literature, and win the Nobel Prize, but would never return to the country that inspired his creativity. Through one life, Colm Toibin tells the breathtaking story of the twentieth century.___________________________________***Praise for Colm Tóibín***'A celebration of what novels can do' Observer'Devastatingly human . . . savage, sordid and hauntingly believable' Guardian'Tremendous, richly beautiful, wonderful . . . it does everything we ought to ask of a great novel' Tessa Hadley'Subtle and enthralling' Sunday Times

The stand-alone sequel to The Doldrums, which the New York Times called “a dreamy charmer of a book,” is a second tour-de-force by author-illustrator Nicholas Gannon. It brims with the spirit of exploration and celebrates the bond of friendship. The exquisite hardcover package features Gannon’s distinctive full color full-page art throughout, as well as black-and-white spot illustrations. The Doldrums and the Helmsley Curse is a timeless tale and a beautiful gift for a young reader. Archer Helmsley’s grandparents—famous explorers who went missing on an iceberg two years ago—are finally coming home. Archer is overjoyed, but he may be the only one. Rumors are flying that Archer’s grandparents were never really abandoned on the iceberg; that they’re making it all up. Archer knows that the rumors are false. With his best friends, Oliver and Adélaïde, and their new neighbor, Kana, Archer sets out during a snowstorm to rescue his grandparents’ reputation. In the tradition of Roald Dahl, Lemony Snicket, and Brian Selznick, Nicholas Gannon’s wildly imaginative world of The Doldrums and the Helmsley Curse is packed with sly humor, an undeniably charming cast of characters, and the thrill of discovering secrets and adventures right in your own backyard. With approximately twenty pieces of full color full-page artwork, as well as spot illustrations, and deft, literary writing, Nicholas Gannon once again creates a fully realized world and a story to sink into and explore. “Irresistible.”—Booklist

Winner of the 2001 Pulitzer Prize for Fiction, 'The Amazing Adventures of Kavalier & Clay' is a heart-wrenching story of escape, love and comic-book heroes set in Prague, New York and the Arctic - from the author of 'Wonder Boys'. One night in 1939, Josef Kavalier shuffles into his cousin Sam Clay's cramped New York bedroom, his nerve-racking escape from Prague finally achieved. Little does he realise that this is the beginning of an extraordinary friendship and even more fruitful business partnership. Together, they create a comic strip called 'The Escapist', its superhero a Nazi-busting saviour who liberates the oppressed around the world. 'The Escapist' makes their fortune, but Joe can think of only one thing: how can he effect a real-life escape, and free his family from the tyranny of Hitler? Michael Chabon's exceptional novel is a thrilling tight-rope walk between high comedy and bitter tragedy, and confirms his position as one of the most inventive and daring of contemporary American writers. In Joe Kavalier and Sam Clay, he has created two unforgettable characters bound together by love, family and cartoons.

A stranger comes to the city of Mageia and challenges its inhabitants with a new kind of magic - a magic that restores innocence and faith.

Brian Attebery's "strategy of fantasy" include not only the writer's strategies for inventing believable impossibiltes, but also the reader's strategies for enjoying, challenging, and conspiring with the text. Drawing on a number of current literary theories (but avoiding most of their jargon), Attebery makes a case for fantasy as a significant movement within postmodern literature rather than as a simple exercise of nostalgia. Attebury examines recent and classic fantasies by Ursula K. Le Guin, John Crowley, J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In both its popular and postmodern incarnations, fantasic fiction exhibits a remarkable capacity for reinventing narrative concentions. Attebery shows how plots, characters, settings, storytelling frameworks, gender divisions, and references to cultural texts such as history and science are all called into question the moment the marvelous is admited into a story.

Frankie and his team love playing football. There's always time for a game. But when they win an old football at a carnival they're going to be transported to a magical world of football they never knew existed! Can Frankie and his team beat the Pirate Pillagers and make their way home?

In The Golden Cat, Gabriel King continues the enchanting quest that began with The Wild Road—the novel the San Francisco Chronicle crowned “mythical,” and Richard Adams, author of Watership Down, deemed “absolutely magical. . .” The ancient prophecy speaks of a golden cat whose coming will heal the troubled world. But the Queen of Cats has three golden kittens—and when two are stolen away, the distraught parents turn to Tag, the brave young cat who is the protector of the magical Wild Road.The desperate search moves from the water-lit Oceanarium and sun-dappled Tintagel to the distant Louisiana bayous and the pyramids of Egypt. As Tag and his friends struggle on, so does a terrifying, unearthly force—a preternatural vortex threatening the Wild Road, tearing at the very fabric of existence. But Tag is disastrously unprepared for the powerful darkness that threatens to consume everything in its wake . . .

When Buster impulsively drops a Cybertoy into Arthur's backpack in the drugstore one day, he feels so guilty that he finally confesses to his friend and they try to return the popular toy before anyone else finds out.

Nothing goes right for Jack all day long. He can't find his favorite sneakers, he spills milk on his math homework, and worst of all, he gets tuna fish for lunch. Will things ever get better?Readers will learn how to tell when something is certain, more likely, less likely, or impossible as Jack keeps hoping his streak of bad luck will break. Maybe, just maybe, pistachio ice cream for dessert will do the trick. But will it happen? Considering how Jack's day has been going, PROBABLY NOT!

Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.