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A rich, magical new book on belonging and identity, love and trauma, nature and renewal, from the Booker shortlisted author of 10 Minutes 38 Seconds in This Strange World.Two teenagers, a Greek Cypriot and a Turkish Cypriot, meet at a taverna on the island they both call home. In the taverna, hidden beneath garlands of garlic, chili peppers and creeping honeysuckle, Kostas and Defne grow in their forbidden love for each other. A fig tree stretches through a cavity in the roof, and this tree bears witness to their hushed, happy meetings and eventually, to their silent, surreptitious departures. The tree is there when war breaks out, when the capital is reduced to ashes and rubble, and when the teenagers vanish. Decades later, Kostas returns. He is a botanist looking for native species, but really, he’s searching for lost love.Years later a Ficus carica grows in the back garden of a house in London where Ada Kazantzakis lives. This tree is her only connection to an island she has never visited - her only connection to her family’s troubled history and her complex identity as she seeks to untangle years of secrets to find her place in the world.A moving, beautifully written and delicately constructed story of love, division, transcendence, history and eco-consciousness, The Island of Missing Trees is Elif Shafak’s best work yet.

A rich, magical new novel on belonging and identity, love and trauma, nature and renewal, from the Booker shortlisted author of 10 Minutes 38 Seconds in This Strange World.Two teenagers, a Greek Cypriot and a Turkish Cypriot, meet at a taverna on the island they both call home. In the taverna, hidden beneath garlands of garlic, chili peppers and creeping honeysuckle, Kostas and Defne grow in their forbidden love for each other. A fig tree stretches through a cavity in the roof, and this tree bears witness to their hushed, happy meetings and eventually, to their silent, surreptitious departures. The tree is there when war breaks out, when the capital is reduced to ashes and rubble, and when the teenagers vanish. Decades later, Kostas returns. He is a botanist looking for native species, but really, he’s searching for lost love.Years later, a Ficus carica grows in the back garden of a house in London where Ada Kazantzakis lives. This tree is her only connection to an island she has never visited - her only connection to her family’s troubled history and her complex identity as she seeks to untangle years of secrets to find her place in the world.A moving, beautifully written and delicately constructed story of love, division, transcendence, history and eco-consciousness, The Island of Missing Trees is Elif Shafak’s best work yet.

A masterful, intensely moving novel about three friends living in political exile and the emotional homeland that deep friendships can provide - from the Booker-shortlisted, Pulitzer prize-winning author of THE RETURNKhaled and Mustafa meet at university in two Libyan eighteen-year-olds expecting to return home after their studies. In a moment of recklessness and courage, they travel to London to join a demonstration in front of the Libyan embassy. When government officials open fire on protestors in broad daylight, both friends are wounded, and their lives forever changed.Over the years that follow, Khaled, Mustafa and their friend Hosam, a writer, are bound together by their shared history. If friendship is a space to inhabit, theirs becomes small and inhospitable when a revolution in Libya forces them to choose between the lives they have created in London and the lives they left behind.'I have always admired Matar's tender and compassionate but equally strong and compelling voice' Elif Shafak

Wise, often funny, sometimes heartbreaking, Persepolis: The Story of a Childhood tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution and the devastating effects of war with Iraq. The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary, beset by the unthinkable and yet buffered by an extraordinary and loving family, is immensely moving. It is also very beautiful; Satrapi's drawings have the power of the very best woodcuts.Persepolis ends on a cliffhanger in 1984, just as fourteen-year-old Marjane is leaving behind her home in Tehran, escaping fundamentalism and the war with Iraq to begin a new life in the West. In Persepolis 2: The Story of a Return we follow our young, intrepid heroine through the next eight years of her life: an eye-opening and sometimes lonely four years of high school in Vienna, followed by a supremely educational and heartwrenching four years back home in Iran. Just as funny and heartbreaking as its predecessor - with perhaps an even greater sense of the ridiculous inspired by life in a fundamentalist state - Persepolis 2 is also as clear-eyed and searing in its condemnation of fundamentalism and its cost to the human spirit. In its depiction of the universal trials of adolescent life and growing into adulthood - here compounded by being an outsider both abroad and at home, and by living in a state where you have no right to show your hair, wear make-up, run in public, date, or question authority - it's raw, honest, and incredibly illuminating.

WINNER OF THE NAGUIB MAHFOUZ MEDAL FOR LITERATURE A fierce and moving work and an unparalleled rendering of the human aspects of the Palestinian predicament. Barred from his homeland after 1967’s Six-Day War, the poet Mourid Barghouti spent thirty years in exile—shuttling among the world’s cities, yet secure in none of them; separated from his family for years at a time; never certain whether he was a visitor, a refugee, a citizen, or a guest. As he returns home for the first time since the Israeli occupation, Barghouti crosses a wooden bridge over the Jordan River into Ramallah and is unable to recognize the city of his youth. Sifting through memories of the old Palestine as they come up against what he now encounters in this mere “idea of Palestine,” he discovers what it means to be deprived not only of a homeland but of “the habitual place and status of a person.” A tour de force of memory and reflection, lamentation and resilience, I Saw Ramallah is a deeply humane book, essential to any balanced understanding of today’s Middle East.

“Behind You Is the Sea fearlessly confronts stereotypes about Palestinian culture, weaving a remarkable portrait of life's intricate moments, from joyous weddings to heart-wrenching funerals, from shattered hearts to hidden truths—I wept and grew alongside this family. This is a story that challenges perceptions, offering a heartfelt glimpse into the interior lives of those who call this community home. A must read novel with unforgettable characters and an unwavering, fresh voice—I couldn’t put it down until the very last page! Darraj delivers an instant, necessary, and authentic classic to the cannon of Arab-American literature.”—Etaf Rum, author of Evil Eye and A Woman Is No ManAn exciting debut novel that gives voice to the diverse residents of a Palestinian American community in Baltimore—from young activists in conflict with their traditional parents to the poor who clean for the rich—lives which intersect across divides of class, generation, and religion.Funny and touching, Behind You Is the Sea brings us into the homes and lives of three main families—the Baladis, the Salamehs, and the Ammars—Palestinian immigrants who’ve all found a different welcome in America.Their various fates and struggles cause their community dynamic to sizzle and sometimes explode: The wealthy Ammar family employs young Maysoon Baladi, whose own family struggles financially, to clean up after their spoiled teenagers. Meanwhile, Marcus Salameh confronts his father in an effort to protect his younger sister for “dishonoring” their name. Only a trip to Palestine, where Marcus experiences an unexpected and dramatic transformation, can bridge this seemingly unbridgeable divide between the two generations.Behind You Is the Sea faces stereotypes about Palestinian culture head-on and, shifting perspectives to weave a complex social fabric replete with weddings, funerals, broken hearts, and devastating secrets.

A moving and inspiring memoir by Afghanistan's youngest female mayor and campaigner for human rights, as seen in Netflix's In Her Hands documentary. 'Zarifa will break your heart' Christina Lamb, author of Our Bodies, Their Battlefields and I Am Malala 'Incredible' Stylist 'In this earnest and fiery memoir, an activist and politician from Afghanistan recounts how her country's instability marked her life' New York Times Zarifa Ghafari was two years old when the Taliban banned girls from schools. She was seven when the American airstrikes began. She was twenty-four when she became the youngest and one of the first female mayors in Maidan Shahr, Afghanistan. An extremist mob barred her from her office and assassins tried to kill her six times. Through it all, Zarifa promoted peace and tried to lift up women, despite constant fear for herself and her family. Written with honesty, pain and, ultimately, hope, Zarifa is an astonishing memoir that offers an unparalleled perspective of the last two decades in Afghanistan from a citizen, daughter, woman and mayor. 'Zarifa's words, like her life, are an act of courage, weaving heartache with hope' Shubhangi Swarup, author of Latitudes of Longing 'This gripping book can be read at one go and surely is a must buy' Telegraph (India) 'Frank and impassioned, Ghafari's narrative spotlights the power of activism... a remarkable story of perseverance and resilience' Publishers Weekly

An expat schoolteacher has spent years in exile reflecting on his turmoiled love affair with Justine, a glamorous Egyptian wife. Returning to wartime Alexandria, he finds that his old friends have suffered dramatic changes of body, mind, and fortune - and someone whom he has never really known wishes to see him. His affair with Clea, a bisexual artist, not only changes the lovers, but transforms the dead, forever - and heralds a new beginning, just as Lawrence Durrell's intoxicating masterpiece ends.

Written from behind bars, DAWN is the unforgettable story collection from one of Turkey’s leading politicians, and most powerful oppositional voices. From the dynamic political force ‘who has evoked comparisons to President Obama’ (New York Times),  Selahattin Demirtaş’ stories capture the voices of ordinary people living in extraordinary times – from cleaning ladies and teenage laborers, bus drivers and factory workers, from a violent demonstration in Ankara to a five-year-old girl’s attempt to escape war-torn Syria by boat.    With Demirtaş’ trademark wit, warmth and humor, and seasoned by the vernacular of everyday speech, DAWN paints a remarkable portrait of life behind the headlines in Turkey and the Middle East – in all its hardship and adversity, freedom and hope.

FROM THE INTERNATIONAL BESTSELLING AUTHOR 'Leïla Slimani has a knack for breaking taboos.' TIMES 'Slimani is a fearless writer.' EVENING STANDARD Q: If your house was burning down, what would you take with you? A: I'd take the fire. This is the story of two sisters, Mia and Inés. Two girls enveloped in love, trapped by the social conventions of Casablanca at the dawn of the twenty-first century and silenced by the political 'truths' that envelop their lives. Mia - the eldest, a warrior and a pariah, her sexuality a matter of scorn, something to be erased. Inés - the youngest, a woman trying to carve out an identity in a Paris that derides and erases her, with no way back to Morocco, a homeland to which her father has warned her never to return, for her own sake. As these sisters struggle to find a home - a place of safety and love that holds rather than binds - their lives as framed by their mothers and grandmothers before them will be a battle for their hearts and souls, and one they take on with every sinew of their being. 'We feel deeply for the family caught in the middle of the conflict of history.' SALMAN RUSHDIE, on The Country of Others