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"One of the maddest memoirs you'll read this year." —The Times "Extraordinary" —The Guardian* "A riveting debut" — People Magazine ("Book of the Week")Named A 'Best Book of the Summer' by LA Times, People, USA Today, Vanity Fair, The Hollywood Reporter, Amazon, Apple, Cup of Jo, Kirkus, Parade, & TodayWhat is a "normal family," and how do you go about making one? Chrysta Bilton's magnetic, larger-than-life mother, Debra, yearned to have a child, but as a single gay woman in 1980s California, she had few options. Until one day, while getting her hair done in a Beverly Hills salon, she met a man and instantly knew he was the one she'd been looking for. Beautiful, athletic, artistic, and from a well-to-do family, Jeffrey Harrison appeared to be Debra's ideal sperm donor.A verbal agreement, a couple of thousand in cash, and a few squirts of a turkey baster later, and Chrysta was conceived. Over the years, Jeffrey would make regular appearances at the family home, which grew to include Chrysta's baby sister. But how much did Debra really know about the man she'd chosen to father her daughters? And as a single mother torn between ferocious independence and abject dependence—on other women, alcohol, drugs, and the adrenaline of get-rich-quick schemes—what secrets of her own was she keeping?It wasn't until Chrysta was a young adult that she discovered just how much her parents had hidden from their daughters—and each other—including a shocking revelation with far-reaching consequences not only for Debra, Chrysta, and her sister, but for dozens and possibly hundreds of unsuspecting families across the country. After a lifetime of longing for a "normal family," can Chrysta face the reality of her own, in all its complexity?Bringing us into the fold of a deeply dysfunctional yet fiercely loving clan that is anything but "normal," this emotional roller coaster of a memoir will make you cry, laugh, and rethink the meaning of family.

NEW YORK TIMES BESTSELLER • In her stunning debut, the creator of Black Liturgies weaves stories from three generations of her family alongside contemplative reflections to discover the “necessary rituals” that connect us with our belonging, dignity, and liberation.“This is the kind of book that makes you different when you’re done.”—Ashley C. Ford, New York Times bestselling author of Somebody’s Daughter“Reaches deep beneath the surface of words unspoken, wounds unhealed, and secrets untempered to break them open in order for fresh light to break through.”—Morgan Jerkins, New York Times bestselling author of This Will Be My Undoing and Caul BabyONE OF THE BEST BOOKS OF THE YEAR: The Root, Library Journal“From the womb, we must repeat with regularity that to love ourselves is to survive. I believe that is what my father wanted for me and knew I would so desperately need: a tool for survival, the truth of my dignity named like a mercy new each morning.”So writes Cole Arthur Riley in her unforgettable book of stories and reflections on discovering the sacred in her skin. In these deeply transporting pages, Arthur Riley reflects on the stories of her grandmother and father, and how they revealed to her an embodied, dignity-affirming spirituality, not only in what they believed but in the act of living itself. Writing memorably of her own childhood and coming to self, Arthur Riley boldly explores some of the most urgent questions of life and faith: How can spirituality not silence the body, but instead allow it to come alive? How do we honor, lament, and heal from the stories we inherit? How can we find peace in a world overtaken with dislocation, noise, and unrest? In this indelible work of contemplative storytelling, Arthur Riley invites us to descend into our own stories, examine our capacity to rest, wonder, joy, rage, and repair, and find that our humanity is not an enemy to faith but evidence of it.At once a compelling spiritual meditation, a powerful intergenerational account, and a tender coming-of-age narrative, This Here Flesh speaks potently to anyone who suspects that our stories might have something to say to us.

When Ruth Picardie died from complications following the misdiagnosis of breast cancer in September 1997, leaving a young husband and two-year-old twins, thousands mourned who'd never met her. Ruth's column in "The Observer" recorded with scalding honesty the progress of her illness and her feelings about living with terminal cancer. "Before I Say Goodbye" brings together these pieces, Ruth's e-mail correspondence with friends, selected letters from readers, and accounts of Ruth's last days by her sister, Justine, and husband Matt.

The author of the New York Times bestseller Broken Open returns with a visceral and profound memoir of two sisters who, in the face of a bone marrow transplant—one the donor and one the recipient—begin a quest for acceptance, authenticity, and most of all, love. A mesmerizing and courageous memoir: the story of two sisters uncovering the depth of their love through the life-and-death experience of a bone marrow transplant. Throughout her life, Elizabeth Lesser has sought understanding about what it means to be true to oneself and, at the same time, truly connected to the ones we love. But when her sister Maggie needs a bone marrow transplant to save her life, and Lesser learns that she is the perfect match, she faces a far more immediate and complex question about what it really means to love—honestly, generously, and authentically. Hoping to give Maggie the best chance possible for a successful transplant, the sisters dig deep into the marrow of their relationship to clear a path to unconditional acceptance. They leave the bone marrow transplant up to the doctors, but take on what Lesser calls a "soul marrow transplant," examining their family history, having difficult conversations, examining old assumptions, and offering forgiveness until all that is left is love for each other’s true selves. Their process—before, during, and after the transplant—encourages them to take risks of authenticity in other aspects their lives. But life does not follow the storylines we plan for it. Maggie’s body is ultimately too weak to fight the relentless illness. As she and Lesser prepare for the inevitable, they grow ever closer as their shared blood cells become a symbol of the enduring bond they share. Told with suspense and humor, Marrow is joyous and heartbreaking, incandescent and profound. The story reveals how even our most difficult experiences can offer unexpected spiritual growth. Reflecting on the multifaceted nature of love—love of other, love of self, love of the world—Marrow is an unflinching and beautiful memoir about getting to the very center of ourselves.

WINNER OF THE 2020 PULITZER PRIZE IN GENERAL NONFICTION"The Undying is a startling, urgent intervention in our discourses about sickness and health, art and science, language and literature, and mortality and death. In dissecting what she terms 'the ideological regime of cancer,' Anne Boyer has produced a profound and unforgettable document on the experience of life itself." —Sally Rooney, author of Normal People"Anne Boyer’s radically unsentimental account of cancer and the 'carcinogenosphere' obliterates cliche. By demonstrating how her utterly specific experience is also irreducibly social, she opens up new spaces for thinking and feeling together. The Undying is an outraged, beautiful, and brilliant work of embodied critique." —Ben Lerner, author of The Topeka SchoolA week after her forty-first birthday, the acclaimed poet Anne Boyer was diagnosed with highly aggressive triple-negative breast cancer. For a single mother living paycheck to paycheck who had always been the caregiver rather than the one needing care, the catastrophic illness was both a crisis and an initiation into new ideas about mortality and the gendered politics of illness.A twenty-first-century Illness as Metaphor, as well as a harrowing memoir of survival, The Undying explores the experience of illness as mediated by digital screens, weaving in ancient Roman dream diarists, cancer hoaxers and fetishists, cancer vloggers, corporate lies, John Donne, pro-pain ”dolorists,” the ecological costs of chemotherapy, and the many little murders of capitalism. It excoriates the pharmaceutical industry and the bland hypocrisies of ”pink ribbon culture” while also diving into the long literary line of women writing about their own illnesses and ongoing deaths: Audre Lorde, Kathy Acker, Susan Sontag, and others.A genre-bending memoir in the tradition of The Argonauts, The Undying will break your heart, make you angry enough to spit, and show you contemporary America as a thing both desperately ill and occasionally, perversely glorious.Includes black-and-white illustrations

THE SUNDAY TIMES BESTSELLING HILARIOUS AND HEARTFELT MEMOIR FROM LINDA ROBSON __________ Linda Robson's nickname is Baggy Mouth for good reason. She may be one of the nation's favourite TV personalities - whether playing Tracey Stubbs in Birds of a Feather or being a regular on Loose Women - but she can't help hilariously oversharing. Luckily, this is an ideal trait for her first-ever memoir . . . Taking us back to the very beginning, growing up in a North London council house, Linda explains how she came to attend theatre school aged nine, where she met Pauline Quirke. As their friendship blossomed and evolved into a professional partnership, small parts in theatre and film productions culminated in the pair being cast in the enduring and beloved sitcom Birds of a Feather. With a wicked glint in her eye, Linda recounts the twists and turns of an actor's life, sharing tales of backstage antics, on-set stories and demanding co-stars from across her her varied and celebrated career. However, it has not all been laughter, and she candidly talks about the struggles she's faced in her personal life and the battles she has had to overcome. Yet her determination to pull herself back from the brink shows us that the tough times really do make us stronger. Truth Be Told is funny, warm and loose-lipped about a remarkable life well-lived. __________ PRAISE FOR TRUTH BE TOLD 'Searingly honest' The Mail

The multi-award-winning meditation on survival, care and the place of literature in an unequal world'Around that time my daughter and I had this exchange:Anne, imagine if the world had nothing in it.Do you mean nothing at all - just darkness - or a world without objects?I mean a world without things: no houses, chairs, or cars. A world with only people and trees and dirt.What do you think would happen?People would make things. We would make things with trees and dirt.'When the cold comes, when our needs announce themselves, it is with clothing, with possessions, in literature, through dreams - in all the forms and categories that shape, contain and constrain - that we keep ourselves alive. Yet, in a society in which some are rich and some are poor, who gets to dream, and who invents our forms? This is a book made of money and the lack of money; of writing and of not-writing; of illness and of care; of low-rent apartments, cake-baking mothers, Socratic daughters and bodies that refuse to become information.

National Book Club Conference ‘Book of the Year’ Award WinnerFrom her more than three hundred appearances for film and television, stage and cabaret, performing comedy or drama, as an unforgettable lead or a scene stealing supporting character, Jenifer Lewis has established herself as one of the most respected, admired, talented, and versatile entertainers working today.This “Mega Diva” and costar of the hit sitcom black-ish bares her soul in this touching and poignant—and at times side-splittingly hilarious—memoir of a Midwestern girl with a dream, whose journey took her from poverty to the big screen, and along the way earned her many accolades.With candor and warmth, Jenifer Lewis reveals the heart of a woman who lives life to the fullest. This multitalented “force of nature” landed her first Broadway role within eleven days of her graduation from college and later earned the title “Reigning Queen of High-Camp Cabaret.”In the audaciously honest voice that her fans adore, Jenifer describes her transition to Hollywood, with guest roles on hits like The Fresh Prince of Bel-Air and Friends. Her movie Jackie’s Back! became a cult favorite, and as the “Mama” to characters portrayed by Whitney Houston, Tupac Shakur, Taraji P. Henson, and many more, Jenifer cemented her status as the “Mother of Black Hollywood.”          When an undiagnosed menatl illness stymies Jenifer’s career, culminating in a breakdown while filming The Temptations, her quest for wholeness becomes a harrowing and inspiring tale, including revelations of bipolar disorder and sex addiction.Written with no-holds-barred honesty and illustrated with more than forty color photographs, this gripping memoir is filled with insights gained through a unique life that offers a universal message: “Love yourself so that love will not be a stranger when it comes.”

Now a major motion picture from Sony, starring Jennifer Garner and Queen Latifah--Miracles from Heaven is the true story of one little girl, her journey to heaven, and an amazing story of healing.Annabel Beam spent most of her childhood in and out of hospitals with a rare and incurable digestive disorder that prevented her from living a normal, healthy life. One sunny day when she was able to go outside and play with her sisters, she fell three stories headfirst into an old, hollowed-out tree. Implausibly, she survived without a scratch. While unconscious inside the tree, with rescue workers struggling to get to her, she visited heaven. After being released from the hospital, she defied science and had inexplicably recovered from her chronic ailment. A remarkable family drama and uplifting, hope-filled memoir, Miracles from Heaven will change how we look at the world around us. Includes discussion guide.

A 'retired career anorexic' examines herself and her, and our, culture in a masterpiece of confessional literature. At the age of four Marya Hornbacher looked in a mirror and decided she was fat. At nine, she was bulimic. At twelve, she was anorexic. By the time she was eighteen, she'd been hospitalized five times, once in the loony bin. Her doctors and her parents had given up on her; they were watching her die. But Marya decided to live. Four years on, now 22, here is her harrowing tale, powerfully told in a virtuoso mix of memoir, cultural criticism and psychological examination. Here is the amazingly articulate fury of a clever woman made stupid by her culture, who threw away her teenage years in a continuous cycle of bingeing and vomiting or just plain starvation. The first book to explore, from the inside, the intimate relationship between eating disorders and 1990s culture's historically unprecedented obsession with body, diet and gender; not a testimony to a miracle cure, but the story of one woman's travels to the darker side of reality, and her decision to find her way back, on her own terms. 'Hornbacher is articulate, clever, and has all the persuasive zeal of a convert, furious at the pressures that made her what she was. Paradoxically, her painful journey is also gripping and...dare one say it....entertaining in a way that no fiction could ever be. A compulsive read.' Publishing News; 'A gritty unflinching look at eating disorders written from the raw disintegrated centre of young pain with stark candour and power.' New York Times * The slimming industry is worth £1billion in GB alone * The UK has 3.5 million anorexics and bulimics