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It has been more than fifty years since John Waters filmed his first short on the roof of his parents’ Baltimore home. Over the following decades, Waters has developed a reputation as an uncompromising cultural force not only in cinema, but also in visual art, writing, and performance. This major retrospective examines the artist’s influential career through more than 160 photographs, sculptures, soundworks, and videos he has made since the early 1990s. These works deploy Waters’s renegade humor to reveal the ways that mass media and celebrity embody cultural attitudes, moral codes, and shared tragedy.Waters has broadened our understanding of American individualism, particularly as it relates to queer identity, racial equality, and freedom of expression. In bringing “bad taste” to the walls of galleries and museums, he tugs at the curtain of exclusivity that can divide art from human experience. Waters freely manipulates an image bank of less-than-sacred, low-brow references—Elizabeth Taylor’s hairstyles, his own self-portraits, and pictures of individuals brought into the limelight through his films, including his counterculture muse Divine—to entice viewers to engage with his astute and provocative observations about society.This richly illustrated book explores themes including the artist’s childhood and identity; Pop culture and the movie business; Waters’s satirical take on the contemporary art world; and the transgressive power of images. The catalogue features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; critic, curator, and artist Robert Storr; as well as an interview with Waters by photographer Wolfgang Tillmans.Published in association with the Baltimore Museum of Art.Exhibition dates:The Baltimore Museum of Art: October 7, 2018–January 6, 2019Wexner Center for the Arts: February 2–April 28, 2019

Here and Queer is a helpful, friendly guide full of support and advice about living your best queer life, written for girls.This vibrant, inclusive guide, designed for all kinds of girls, is designed to help you be the strongest, proudest, happiest version of yourself! A celebration of the gift of queerness, it's packed full of heartfelt advice, comforting stories, and stylish illustrations, and will give you the tools you need to explore your own identity, on your own terms.Author and YouTuber Rowan Ellis uses her personal experience to take you through queer life, from coming out and dealing with tough stuff, right through to finding friendships and celebrating Pride. There are also brilliant guest essays from contributors across the LGBTQ+ spectrum.The book opens with guidance on understanding how you feel as a queer girl. From choosing your pronouns to navigating different labels and identities, Ellis helps girls understand that they are in control of their own identity, and that it's ok to not be sure straight away.Moving onto a glossary of queer terms, Here and Queer helps introduce girls to the rainbow of definitions and terms which help queer people understand who they are and how they feel. The book then moves onto advice on coming out, for many one of the hardest steps to take on their journey to truly living their best lives.Following are chapters on sex and romance, including helpful advice about your first time, as well as guides on consent and knowing how to make sure you build a healthy and supportive relationship with your partner.There are also sections on dealing with bullies and stigma, finding your community, and looking after your mental health, including advice on how to help you find extra support if you need it. The book also has more information on queer ladies in history, and on the fight for equality undertaken by brave activists throughout history and today.Stylishly designed with cool illustrations, this helpful, friendly guide will help all queer girls navigate the challenges of discovering and embracing their identities and flourishing in their own skins!

Here, from the incomparable John Waters, is a paean to the power of subversive inspiration that will delight, amuse, enrich―and happily horrify readers everywhere.Role Models is, in fact, a self-portrait told through intimate profiles of favorite personalities―some famous, some unknown, some criminal, some surprisingly middle-of-the-road. From Esther Martin, owner of the scariest bar in Baltimore, to the playwright Tennessee Williams; from the atheist leader Madalyn Murray O'Hair to the insane martyr Saint Catherine of Siena; from the English novelist Denton Welch to the timelessly appealing singer Johnny Mathis―these are the extreme figures who helped the author form his own brand of neurotic happiness.Role Models is a personal invitation into one of the most unique, perverse, and hilarious artistic minds of our time.

‘An important and honest book that will encourage better conversations about sex. I wish I read this when I was younger!’ - Laura Whitmore 'A must-read for anyone whose sexual expression has been used as a weapon against them' – Ruby Rare 'A fascinating deep dive into the history of slutshaming' - Service 95, Dua Lipa's Book Club A 'taboo-smashing debut book' - Cosmopolitan From award-winning journalist Beth Ashley comes a groundbreaking investigation into the history of slutshaming, how it continues to affect us today and what we can do to fight it. Whore. Hoe. Jezebel. Harlot. Slut. Five words. One meaning. But what exactly is a slut? How has the concept changed over time? And why is slutshaming so dangerous? In this groundbreaking investigation, Beth Ashley reveals the truth about slutshaming, gives us the tools to fight it, and encourages us all to have better conversations about sex. The fight starts now.

A moving exploration of how gay men construct their identities, fight to be themselves, and live authenticallyIt goes without saying that even today, it’s not easy to be gay in America. While young gay men often come out more readily, even those from the most progressive of backgrounds still struggle with the legacy of early-life stigma and a deficit of self-acceptance, which can fuel doubt, regret, and, at worst, self-loathing. And this is to say nothing of the ongoing trauma wrought by AIDS, which is all too often relegated to history. Drawing on his work as a clinical psychologist during and in the aftermath of the epidemic, Walt Odets reflects on what it means to survive and figure out a way to live in a new, uncompromising future, both for the men who endured the upheaval of those years and for the younger men who have come of age since then, at a time when an HIV epidemic is still ravaging the gay community, especially among the most marginalized.Through moving stories―of friends and patients, and his own―Odets considers how experiences early in life launch men on trajectories aimed at futures that are not authentically theirs. He writes to help reconstruct how we think about gay life by considering everything from the misleading idea of “the homosexual,” to the diversity and richness of gay relationships, to the historical role of stigma and shame and the significance of youth and of aging. Crawling out from under the trauma of destructive early-life experience and the two epidemics, and into a century of shifting social values, provides an opportunity to explore possibilities rather than live with limitations imposed by others. Though it is drawn from decades of private practice, activism, and life in the gay community, Odets’s work achieves remarkable universality. At its core, Out of the Shadows is driven by his belief that it is time that we act based on who we are and not who others are or who they would want us to be. We―particularly the young―must construct our own paths through life. Out of the Shadows is a necessary, impassioned argument for how and why we must all take hold of our futures.

'Persona set in the 80s porn world' Lili Anolik, author of Didion & Babitz'Impossible to put down' Madeline Cash, author of Lost Lambs'Smart, sad, sexy' Philippa Snow, author of It's Terrible the Things I Have to Do To Be Me'Tackles the sticky subjects of female sexuality, objectification and desire with a smoothness that appears effortless' Coco Mellors, author of Blue SistersLos Angeles, 1982: best friends Jude and Winnie are eighteen and working at a strip club. Soon they progress to modelling for Penthouse and Hustler, then to shooting hardcore porn. Dazzled by the drugs, sex and parties their new life offers, they are also beset by sexism, bitter competition and the precarity of life on the margins. When their friendship ends in recrimination and a dramatic act of betrayal, Jude goes missing and Winnie can find no trace of her.Thirty years later, newly divorced and down on her luck, Winnie is ready to face her past. Determined to solve the mystery of what happened to Jude, she sets out to brave the dark underbelly of the adult industry. What follows is a gutsy, propulsive look at sex and power that builds to an unforgettable revelation about love.

Sappho of Lesbos lived and wrote poetry some twenty-six centuries ago, but hers remains a persistent and effective voice for the expression of a woman's desire for a woman. Lesbian Desire in the Lyrics of Sappho is the first book to examine Sappho's poetry through the lens of lesbian desire, focusing on the active female gaze in the texts and the narrative voice - one that describes female experience and desires as primary, not secondary to the dominant (male) culture. Snyder reads Sappho's songs against a woman-centered framework in which emotional and/or erotic bonds between and among women take center stage. Her close readings demonstrate the ways in which Sappho's lyrics focus on women's emotional lives with one another and on female erotic desire for other females. In Sappho's poetic world, male figures, when they do appear, stand on the periphery. In order to make Sappho accessible to everyone, Snyder presents detailed readings of the one complete existing song and of each of the major fragments of her poetry. She provides a clear English translation and a transliteration into our alphabet; the original Greek text is included in an appendix. Rather than making claims about the specific social contexts out of which the poems may have arisen, Snyder offers a close analysis of the words themselves, with comparative material drawn from other archaic Greek poets where there appear to be appropriate parallels. The book concludes with a chapter addressing Sappho's influence on a number of modern American woman poets, particularly Amy Lowell, H.D., and Olga Broumas. Snyder sees in these three poets qualities similar to Sappho's: a strong sense of self-definition; a display of independencewithin a poetic tradition; a relishing of the erotic and the sensual; and an emphasis on the mutuality of desire; and a blurring of the gaze that disrupts the hierarchy of subject versus object.

The lives of many lesbians who grew up before 1965 remain cloaked in mystery. Historians have illuminated the worlds of upper-middle-class "romantic friends" and working-class butch and femme women who frequented lesbian bars in the '50s and '60s. The majority of lesbians, however, were lower-middle-class women who hid their sexual identity by engaging in discreet social and sexual relationships. Drawing on correspondence, interviews, journals, and newspaper articles, Awfully Devoted Women offers a nuanced portrait of the lives of middle-class lesbians in the decades before the gay rights movement in English-Canada. Accounts and explorations of these women's sexual practices, thoughts on same-sex desire, and relations with friends and family unveil a world of private relationships, house parties, and discreet social networks. This intimate study of the lives of women forced to love in secret not only challenges the idea that lesbian relationships in the past were asexual, it also reveals the courage it took for women to explore desire in an era when they were supposed to know little about sexuality. Awfully Devoted Women is the first book-length study of lesbian sexuality, relationships, and community in Canada before 1965. It will be of interest to students and practitioners of Canadian history and women's studies and to anyone interested in the history of sexuality.

Boy, girl, artist, advocate. Courtney is more than the sum of her parts. Meet Shane Jenek. Raised in the Brisbane suburbs by loving parents, Shane realises from a young age that he's not like all the other boys. At a performing arts agency he discovers his passion for song, dance and performance, and makes a promise to himself: to find a bigger stage. Meet Courtney Act. Born in Sydney around the turn of the millennium, Courtney makes her name in the gay bars of Oxford Street and then on Australian Idol. Over ten years later, she makes star turns on RuPaul's Drag Race and Celebrity Big Brother UK, bringing her unique take on drag and gender to the world. Behind this rise to national and global fame is a story of searching for and finding oneself. Told with Courtney's trademark candour and wit, Caught in the Act is about our journey towards understanding gender, sexuality and identity. It's an often hilarious and at times heartbreaking memoir from a beloved drag and entertainment icon. Most of all, it's a bloody good time.

"You have chlamydia."Three words no man wants to hear.I've always been liberal with my appreciation of the female form, a firm believer in the 'try before you buy' principle, but living life to the fullest obviously didn't end well for me considering the unexpected—and very unwelcome—consequence of my free and easy past.After living through the horrendous experience that was informing my recent sexual partners of my acquired 'condition,’ I made a vow to myself – and a bet with my best friend—that the next woman I sleep with will be the ‘one.’What I will learn is that even when something happens and the games come to an end, there's always the chance of something—or someone—crashing in and changing everything.So this is my story. It may start with a venereal disease, but I promise you, I’m determined to get my happy ending.**Formerly Game Ender**