Empfehlungen basierend auf "Boy Parts"

'The book everyone will be talking about' Louise O'Neill 'A package of dynamite' Stephen King An era-defining novel about the relationship between a fifteen-year-old girl and her teacher Vanessa Wye was fifteen-years-old when she first had sex with her English teacher. She is now thirty-two and the teacher, Jacob Strane, has just been accused of sexual abuse by another former student of his. Vanessa is horrified by this news, because she is quite certain that the relationship she had with Strane wasn't abuse. It was love. She's sure of that. But now, in 2017, in the midst of allegations against powerful men, she is being asked to redefine the great love story of her life - her great sexual awakening - as rape. Nuanced, uncomfortable, bold and powerful, and as riveting as it is disturbing, My Dark Vanessa goes straight to the heart of some of the most complex issues our age is grappling with.

A Must-Read: Vogue, Nylon, Chicago Review of Books, Literary Hub, Frieze, The Millions, Publishers Weekly, InsideHook, The Next Big Idea Club,“[Lauren] Elkin is a stylish, determined provocateur . . . Sharp and cool . . . [Art Monsters is] exemplary. It describes a whole way to live, worthy of secret admiration.” —Maggie Lange, The Washington Post“Destined to become a new classic . . . Elkin shatters the truisms that have evolved around feminist thought.” —Chris Kraus, author of I Love Dick and After Kathy Acker: A Literary BiographyWhat kind of art does a monster make? And what if monster is a verb? Noun or a verb, the idea is a dare: to overwhelm limits, to invent our own definitions of beauty.In this dazzlingly original reassessment of women’s stories, bodies, and art, Lauren Elkin—the celebrated author of Flâneuse—explores the ways in which feminist artists have taken up the challenge of their work and how they not only react against the patriarchy but redefine their own aesthetic aims. How do we tell the truth about our experiences as bodies? What is the language, what are the materials, that we need to transcribe them? And what are the unique questions facing those engaged with female bodies, queer bodies, sick bodies, racialized bodies? Encompassing a rich genealogy of work across the literary and artistic landscape, Elkin makes daring links between disparate points of reference—among them Julia Margaret Cameron’s photography, Kara Walker’s silhouettes, Vanessa Bell’s portraits, Eva Hesse’s rope sculptures, Carolee Schneemann’s body art, Theresa Hak Kyung Cha’s trilingual masterpiece DICTEE—and steps into the tradition of cultural criticism established by Susan Sontag, Hélène Cixous, and Maggie Nelson. An erudite, potent examination of beauty and excess, sentiment and touch, the personal and the political, the ambiguous and the opaque, Art Monsters is a radical intervention that forces us to consider how the idea of the art monster might transform the way we imagine—and enact—our lives.

This searing and intimate novel in verse follows a sixteen-year-old girl coping with sexual abuse as she grapples with how to reclaim her story, her anger, and her body in a world that seems determined to punish her for the sin of surviving."This is more than a story about sexual violence—this book is about race, sexuality, love, and how anger can be a catalyst for healing."—Gabrielle Union, bestselling author, actress, and producerSixteen-year-old Alicia Rivers has a reputation that precedes her. But there’s more to her story than the whispers that follow her throughout the hallways at school—whispers that splinter into a million different insults that really mean: a girl who has had sex. But what her classmates don't know is that Alicia was sexually abused by a popular teacher, and that trauma has rewritten every cell in her body into someone she doesn't recognize. To the world around her, she’s been cast, like the mythical Medusa, as not the victim but the monster of her own story: the slut who asked for it.Alicia was abandoned by her best friend, quit the track team, and now spends her days in detention feeling isolated and invisible. When mysterious letters left in her locker hint at another victim, Alicia struggles to keep up the walls she's built around her trauma. At the same time, her growing attraction to a new girl in school makes her question what those walls are really keeping out."[This] fierce and brightly burning feminist roar…paints a devastating and haunting portrait of a vulnerable young woman discovering the power of her voice, her courage, and her rage." —Samira Ahmed, New York Times bestselling author of Internment and Hollow Fires

A hilarious, heartfelt sequel to How to Build a Girl, the breakout novel from feminist sensation Caitlin Moran who the New York Times called, "rowdy and fearless . . . sloppy, big-hearted and alive in all the right ways."You can’t have your best friend be famous if you’re not famous. It doesn’t work. You’re emotional pen-friends. You can send each other letters—but you’re not doing anything together. You live in different countries.Johanna Morrigan (AKA Dolly Wilde) has it all: at eighteen, she lives in her own flat in London and writes for the coolest music magazine in Britain. But Johanna is miserable. Her best friend and man of her dreams John Kite has just made it big in 1994’s hot new BritPop scene. Suddenly John exists on another plane of reality: that of the Famouses.Never one to sit on the sidelines, Johanna hatches a plan: she will Saint Paul his Corinthians, she will Jimmy his Pinocchio—she will write a monthly column, by way of a manual to the famous, analyzing fame, its power, its dangers, and its amusing aspects. In stories, girls never win the girl—they are won. Well, Johanna will re-write the stories, and win John, through her writing.But as Johanna’s own star rises, an unpleasant one-night stand she had with a stand-up comedian, Jerry Sharp, comes back to haunt in her in a series of unfortunate consequences. How can a girl deal with public sexual shaming? Especially when her new friend, the up-and-coming feminist rock icon Suzanne Banks, is Jimmy Cricketing her?For anyone who has been a girl or known one, who has admired fame or judged it, and above all anyone who loves to laugh till their sides ache, How to Be Famous is a big-hearted, hilarious tale of fame and fortune-and all they entail.

In This New Feminist, Queer Fairy Tale Collection, The Princesses, Mermaids, Barmaids, Children, And Wise Old Women Who Have Been Forced To Sit On The Sidelines In Classic Stories Take Center Stage To Fulfill Their Own Dreams And Find The Love, Power, And Happiness They Deserve.

The groundbreaking work on being homosexual in America—available again only from Penguin Classics and with a new foreword by Dan SavageOriginally published in 1971, Merle Miller’s On Being Different is a pioneering and thought-provoking book about being homosexual in the United States. Just two years after the Stonewall riots, Miller wrote a poignant essay for the New York Times Magazine entitled “What It Means To Be a Homosexual” in response to a homophobic article published in Harper’s Magazine. Described as “the most widely read and discussed essay of the decade,” it carried the seed that would blossom into On Being Different—one of the earliest memoirs to affirm the importance of coming out.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A Recommended Book in the Washington Post, the New York Times Style Magazine, Observer, W Magazine, NBC News, E! Online, Queerty, Literary Hub, Stylist, & Publishers Weekly From the National Book Critics Circle Award-winning author of Gay Bar comes a rule-breaking, sweat-soaked, genre-busting story of outlaw love. It’s 1996, and Jeremy Atherton Lin has met the boy of his dreams — a mumbling, starry-eyed Brit — just as, amid a media frenzy, US Congress prepares the Defense of Marriage Act, denying same-sex couples federal rights including immigration. The pair steals away to remote forests and vast deserts, London fashion shows and Berlin sex clubs, dinner parties, back alleys, East Village hotel rooms, and San Francisco dives. Finding no other way to stay together, they shack up illicitly among unlikely allies in a “city of refuge.” With Atherton Lin’s inimitable blend of tenderness and wicked humor, Deep House moves through the couple’s string of rented apartments while unlocking doors to a lineage of gay men who have come before — smuggling a foreign partner through national checkpoints or going public to stand up for the right to get down in the privacy of their own homes. They include hapless criminals, sexpot bartenders, friars, pirates, government workers who subverted the system, activists who went all the way to the Supreme Court, and the celebrated artist Felix Gonzalez-Torres. Following Gay Bar — called “a rich tapestry” by Vanity Fair and “an absolute tour de force” by Maggie Nelson — Deep House juxtaposes whispered disclosures of undocumented domesticity with courtroom drama and political stunts to explore myriad forms of intimacy while questioning the mechanisms that legitimize love. Deep House is at once a historical kaleidoscope and the innermost tale of two boyfriends who made a home in the shadows of a turbulent civil rights battle.  

“Consent” is a Molotov cocktail, flung at the face of the French establishment, a work of dazzling, highly controlled fury...By every conceivable metric, her book is a triumph.” -- The New York TimesAlready an international literary sensation, an intimate and powerful memoir of a young French teenage girl’s relationship with a famous, much older male writer—a universal #MeToo story of power, manipulation, trauma, recovery, and resiliency that exposes the hypocrisy of a culture that has allowed the sexual abuse of minors to occur unchecked.Sometimes, all it takes is a single voice to shatter the silence of complicity.Thirty years ago, Vanessa Springora was the teenage muse of one of the country’s most celebrated writers, a footnote in the narrative of a very influential man in the French literary world.At the end of 2019, as women around the world began to speak out, Vanessa, now in her forties and the director of one of France’s leading publishing houses, decided to reclaim her own story, offering her perspective of those events sharply known.Consent is the story of one precocious young girl’s stolen adolescence. Devastating in its honesty, Vanessa’s painstakingly memoir lays bare the cultural attitudes and circumstances that made it possible for a thirteen-year-old girl to become involved with a fifty-year-old man who happened to be a notable writer. As she recalls the events of her childhood and her seduction by one of her country’s most notable writers, Vanessa reflects on the ways in which this disturbing relationship changed and affected her as she grew older.Drawing parallels between children’s fairy tales and French history and her personal life, Vanessa offers an intimate and absorbing look at the meaning of love and consent and the toll of trauma and the power of healing in women’s lives. Ultimately, she offers a forceful indictment of a chauvinistic literary world that has for too long accepted and helped perpetuate gender inequality and the exploitation and sexual abuse of children.Translated from the French by Natasha Lehrer"...One of the belated truths that emerges from [Consent] is that Springora is a writer. [...]Her sentences gleam like metal; each chapter snaps shut with the clean brutality of a latch." -- The New Yorker"Consent [is] rapier-sharp, written with restraint, elegance and brevity." -- The Times (London)"[Consent] has something steely in its heart, and it departs from the typical American memoir of childhood abuse in exhilarating ways." -- Slate"Lucid and nuanced...[Consent] will speak to trauma survivors everywhere." -- Los Angeles Review of Books”A piercing memoir about the sexually abusive relationship she endured at age 14 with a 50-year-old writer...This chilling account will linger with readers long after the last page is turned.” -- Publishers Weekly"Springora's lucid account is a commanding discussion of sexual abuse and victimization, and a powerful act of reclamation." -- Booklist"A chilling story of child abuse and the sophisticated Parisians who looked the other way...[Springora] is an elegant and perceptive writer." -- Kirkus

From the national bestselling author of Girlhood, an examination of the solitude, freedoms, and feminist heroes Melissa Febos discovered during a year of celibacy. A wise and transformative look at relationships and self-knowledge.In the wake of a catastrophic two-year relationship, Melissa Febos decided to take a break—for three months she would abstain from dating, from relationships, and sex. Her friends were amused. Did she really think three months was a long time? But to Febos, it was. Ever since her teens, she had been in one relationship after another. As she puts it, she could trace a “daisy chain of romances” from her adolescence to her mid-thirties. Finally, she would carve out time to focus on herself and examine the patterns that had produced her midlife disaster. Over those first few months, she gleaned insights into her past and awoke to the joys of being single. She decided to extend her celibacy, not knowing it would become the most fulfilling and sensual year of her life. No longer defined by her romantic pursuits, she learned to relish the delights of solitude, the thrill of living on her own terms, the sensual pleasures unmediated by lovers, and the freedom to pursue her ideals without distraction or guilt. Bringing her own experiences into conversation with those of women throughout history—from Hildegard von Bingen, Virginia Woolf, and Octavia Butler to the Shakers and Sappho—Febos situates her story within a newfound lineage of role models who unapologetically pursued their ambitions and ideals.By abstaining from all forms of romantic entanglement, Febos began to see her life and her self-worth in a radical new way. Her year of divestment transformed her relationships with friends and peers, her spirituality, her creative practice, and most of all her relationship to herself. Blending intimate personal narrative and incisive cultural criticism, The Dry Season tells a story that's as much about celibacy as its inverse: pleasure, desire, fulfillment. Infused with fearless honesty and keen intellect, it's the memoir of a woman learning to live at the center of her own story, and a much-needed catalyst for a new conversation around sex and love.

Liz Goldwyn's lifelong fascination with the inimitable glamour of classic burlesque inspired her to spend the past eight years corresponding with, visiting, interviewing, receiving striptease lessons from, and forming close relationships with the last generation of the great American burlesque queeens. Goldwyn invites us to step back into an era when the hourglass figure was in vogue and striptease was a true art form. Meet Betty "Ball of Fire" Rowland, who was known for her flaming red hair and bump–and–grind routines. (It turns out she once sued the author's grandfather, Samuel Goldwyn Jr., for using her stage name and costume in his Hollywood picture, Ball of Fire.) Meet Sherry Britton, who, with her long black hair and curvy, trim physique, was among the most stunning of the burlesque stars before Mayor LaGuardia outlawed burlesque in New York. Meet Zorita, whose sexually explicit "Consummation of the Wedding of the Snake" dance (performed with a live snake) and other daring performances earned her legendary status. Goldwyn draws back the curtain to reveal the personal journeys of yesteryear's icons of female sexuality and power, restoring their legacy to an age that has all but forgotten them–despite today's resurgence of burlesque.