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From the #1 New York Times bestselling author of Salt to the Sea and Between Shades of Gray comes a gripping, extraordinary portrait of love, silence, and secrets under a Spanish dictatorship.Madrid, 1957. Under the fascist dictatorship of General Francisco Franco, Spain is hiding a dark secret. Meanwhile, tourists and foreign businessmen flood into Spain under the welcoming promise of sunshine and wine. Among them is eighteen-year-old Daniel Matheson, the son of an oil tycoon, who arrives in Madrid with his parents hoping to connect with the country of his mother's birth through the lens of his camera. Photography--and fate--introduce him to Ana, whose family's interweaving obstacles reveal the lingering grasp of the Spanish Civil War--as well as chilling definitions of fortune and fear. Daniel's photographs leave him with uncomfortable questions amidst shadows of danger. He is backed into a corner of difficult decisions to protect those he loves. Lives and hearts collide, revealing an incredibly dark side to the sunny Spanish city.Master storyteller Ruta Sepetys once again shines light into one of history's darkest corners in this epic, heart-wrenching novel about identity, unforgettable love, repercussions of war, and the hidden violence of silence--inspired by the true postwar struggles of Spain.Includes vintage media reports, oral history commentary, photos, and more.Praise for The Fountains of Silence"Spain under Francisco Franco is as dystopian a setting as Margaret Atwood’s Gilead in Ruta Sepetys’s suspenseful, romantic and timely new work of historical fiction . . . Like [Shakespeare's family romances], 'The Fountains of Silence' speaks truth to power, persuading future rulers to avoid repeating the crimes of the past." --The New York Times Book Review“Full of twists and revelations…an excellent story, and timely, too.” --The Wall Street Journal"A staggering tale of love, loss, and national shame." --Entertainment Weekly* "[Sepetys] tells a moving story made even more powerful by its placement in a lesser-known historical moment. Captivating, deft, and illuminating historical fiction." --Booklist, *STARRED REVIEW** "This gripping, often haunting historical novel offers a memorable portrait of fascist Spain." --Publishers Weekly, *STARRED REVIEW** "This richly woven historical fiction . . . will keep young adults as well as adults interested from the first page to the last." --SLC, *STARRED REVIEW** "Riveting . . . An exemplary work of historical fiction." --The Horn Book, *STARRED REVIEW*

From master storyteller Carlos Ruiz Zafon, author of the international phenomenon The Shadow of the Wind, comes The Angel’s Game — a dazzling new page-turner about the perilous nature of obsession, in literature and in love.The whole of Barcelona stretched out at my feet and I wanted to believe that when I opened those windows — my new windows — each evening its streets would whisper stories to me, secrets in my ear, that I could catch on paper and narrate to whomever cared to listen…In an abandoned mansion at the heart of Barcelona, a young man, David Martin, makes his living by writing sensationalist novels under a pseudonym. The survivor of a troubled childhood, he has taken refuge in the world of books and spends his nights spinning baroque tales about the city’s underworld. But perhaps his dark imaginings are not as strange as they seem, for in a locked room deep within the house lie photographs and letters hinting at the mysterious death of the previous owner.Like a slow poison, the history of the place seeps into his bones as he struggles with an impossible love. Close to despair, David receives a letter from a reclusive French editor, Andreas Corelli, who makes him the offer of a lifetime. He is to write a book unlike anything that has ever existed — a book with the power to change hearts and minds. In return, he will receive a fortune, and perhaps more. But as David begins the work, he realizes that there is a connection between his haunting book and the shadows that surround his home.Once again, Zafon takes us into a dark, gothic universe first seen in The Shadow of the Wind and creates a breathtaking adventure of intrigue, romance, and tragedy. Through a dizzyingly constructed labyrinth of secrets, the magic of books, passion, and friendship blend into a masterful story.From the Hardcover edition.

The “propulsive and mesmerizing” (The New York Times Book Review) story collection by the International Booker-shortlisted author of The Dangers of Smoking in BedThe short stories of Mariana Enriquez are:“The most exciting discovery I’ve made in fiction for some time.”—Kazuo Ishiguro“Phenomenal.”—Vanity Fair“Violent and cool, told in voices so lucid they feel spoken.”—The Boston GlobeONE OF THE BEST BOOKS OF THE YEAR: Boston Globe, Paste, Words Without Borders, Grub Street, Remezcla, EntropyElectric, disturbing, and exhilarating, the stories of Things We Lost in the Fire explore multiple dimensions of life and death in contemporary Argentina. Each haunting tale simmers with the nation's troubled history, but among the abandoned houses, black magic, superstitions, lost loves, and regrets, there is also friendship, compassion, and humor.In these stories, reminiscent of Shirley Jackson and Julio Cortázar, three young friends distract themselves with drugs and pain in the midst a government-enforced blackout; a girl with nothing to lose steps into an abandoned house and never comes back out; to protest a viral form of domestic violence, a group of women set themselves on fire.Translated by the National Book Award-winning Megan McDowell, these “slim but phenomenal” (Vanity Fair) stories explore what happens when our darkest desires are left to roam unchecked and show why Mariana Enriquez has become one of the most celebrated new voices in global literature.

Pulitzer Prize winner Andrew Sean Greer ("A great chronicler of our times." -San Francisco Chronicle) showcases his wit, sophistication and deep knowledge of focaccia in this magical and madcap tale of a young man who takes an unspecified job with a charismatic elderly Baronessa at her crumbling villa in the Tuscan hills Broke and directionless, our young man (the chosen moniker of Villa Coco's narrator) takes a job in the Italian countryside as the all-purpose assistant (technically, the employment ad asked for "adjutant") to Lisabetta, known to her friends as Coco, a strong-willed, wealthy widow of great local renown. Technically, our young man is an archivist, charged with cataloguing Coco's extensive and eclectic collection of art and artifacts, but what are his actual duties? He is charged with ridding the house of a marten, whatever that is, locating the antediluvian septic system, entertaining an endless carousel of guests (from bohemian painters to elderly princesses to handsome nephews), attending a funeral in order to make off with the urn, and not inadvertently sabotaging Coco's great and final plan--to locate the lost love of her life and be reunited before it's too late. Told with the signature wit, insight, and deeply felt humanity that made Less an international phenomenon, Villa Coco is a dazzling, sun-soaked ode to life itself--a romp through a youthfully self-constructed emotional obstacle course, a meditation on what we give and take from others, and a bawdy Mediterranean ballad about becoming who you've always wanted to be.

This in-depth study of Mexican film director Alejandro González Iñárritu explores his role in moving Mexican filmmaking from a traditional nationalist agenda towards a more global focus. Working in the United States and in Mexico, Iñárritu crosses national borders while his movies break the barriers of distribution, production, narration, and style. His features also experiment with transnational identity as characters emigrate and settings change.   In studying the international scope of Iñárritu's influential films Amores Perros, 21 Grams, and Babel, Celestino Deleyto and María del Mar Azcona trace common themes such as human suffering and redemption, chance, and accidental encounters. The authors also analyze the director's powerful visual style and his consistent use of multiple characters and a fragmented narrative structure. The book concludes with a new interview with Iñárritu that touches on the themes and subject matter of his chief works.

It is November 25, 1960, and the bodies of three beautiful, convent-educated sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. El Caribe, the official newspaper, reports their deaths as an accident. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Raphael Leonidas Trujillo's dictatorship. It doesn't have to. Everyone knows of Las Mariposas - "The Butterflies." Now, three decades later, Julia Alvarez, also a daughter of the Dominican Republic and long haunted by these sisters, immerses us in a tangled and dangerous moment in Hispanic Caribbean history to tell their story in the only way it can truly be understood - through fiction. In this brilliantly characterized novel, the voices of all four sisters - Minerva, Patria, Maria Teresa, and Dede - speak across the decades, to tell their own stories - from hair ribbons to gunrunning to prison torture - and to describe the everyday horrors of life under Trujillo's rule. The Butterflies were extraordinary women. Minerva, once the object of the dictator's desire, had dared to publicly slap his face. Devout Patria found her calling to the uprising through the church. Alluring - and vain - Maria Teresa joined in pursuit of romance. Only Dede, the practical one, the most diligent in her duty to family and tradition, kept apart. And only she survived to see that their names were remembered. Now, through the art and magic of Julia Alvarez's imagination, the martyred Butterflies live again. And Dede joins them as a heroine of equal courage.

'Unquestionably the most significant Spanish writer of his generation ... Your Face Tomorrow is rich, haunting, intriguing' Observer 'This trilogy must be one of the greatest novels of our age' Antony Beevor 'Fear is the greatest force that exists, as long as you can adapt to it' Jacques Deza has been recruited into an undercover spy network by the inscrutable Bertram Tupra. But when he is forced to witness an act of horrifying brutality in a night-club, he finds himself falling apart, haunted by his own memories of the bloodshed of the Spanish Civil War. As Deza tries to disentangle himself from an increasingly disturbing world, the second volume in Javier Marias' magnificent trilogy explores violence, corruption and what we are capable of. Translated by Margaret Jull Costa

This dramatic true account of life in the streets of Sao Paulo, from 1955 to 1960, introduced the world to the plight of the poor as an artist, a writer and single mother of three children, while living in a hovel, supports her family by digging through the garbage for paper and scraps to sell. Reissue.

Months before Alma López's digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition.Highlighting many of the pivotal questions that have haunted the art world since the NEA debacle of 1988, the contributors to Our Lady of Controversy present diverse perspectives, ranging from definitions of art to the artist's intention, feminism, queer theory, colonialism, and Chicano nationalism. Contributors include the exhibition curator, Tey Marianna Nunn; award-winning novelist and Chicana historian Emma Pérez; and Deena González (recognized as one of the fifty most important living women historians in America).Accompanied by a bonus DVD of Alma López's I Love Lupe video that looks at the Chicana artistic tradition of reimagining la Virgen de Guadalupe, featuring a historic conversation between Yolanda López, Ester Hernández, and Alma López, Our Lady of Controversy promises to ignite important new dialogues.

With the same ebullient storytelling, luxuriant prose, and irrepressible eroticism he brought to The War of Don Emmanuel s Nether Parts and Señor Vivo and the Coca Lord, Louis de Bernières continues his chronicle of Cochadebajo, the Andean village where macho philosophers, defrocked priests, and reformed (though hardly inactive) prostitutes cohabit in cheerful anarchy. But this unruly utopia is imperiled when the demon-harried Cardinal Guzman decides to inaugurate a new Inquisition, with Cochadebajo as its ultimate target.       On his side, the Cardinal has an army of fanatics who are all too willing to destroy bodies in order to save souls. The Cochadebajeros have precious little ammunition, unless you count chef Dolores's incendiary Chicken of a True Man, and a civil defense that deems nothing more crucial than the act of love. Part epic, part farce, The Troublesome Offspring of Cardinal Guzman confirms de Bernières's reputation as England's answer to Gabriel García Márquez.